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Author: Sebastián de Albero
Publisher: Asociación Ars Hispana
ISBN:
Category : Music
Languages : es
Pages : 272
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Book Description
Las Obras para clavicordio o piano forte es una de las dos colecciones de música para tecla que se conservan de Sebastián de Albero (1722-1756), organista de la Real Capilla desde 1746 hasta su muerte. Las Obras están dedicadas al rey Fernando VI y Albero las concibió tanto como un regalo de agradecimiento por haber sido nombrado organista como una prueba de que merecía el puesto. Están estructuradas en seis “trípticos”, formado cada uno de ellos por tres movimientos: una Recercata (preludio de medida libre), una Fuga y una Sonata. Como complemento a la edición, se incluye una colección de seis intentos o fugas que aparece copiada en algunos manuscritos de finales del siglo XVIII. Esta colección presenta versiones de cinco de las fugas de Albero incluidas en las Obras, junto a un intento o fuga de José Teixidor (1751-ca. 1814).
Author: Sebastián de Albero
Publisher: Asociación Ars Hispana
ISBN:
Category : Music
Languages : es
Pages : 272
Get Book Here
Book Description
Las Obras para clavicordio o piano forte es una de las dos colecciones de música para tecla que se conservan de Sebastián de Albero (1722-1756), organista de la Real Capilla desde 1746 hasta su muerte. Las Obras están dedicadas al rey Fernando VI y Albero las concibió tanto como un regalo de agradecimiento por haber sido nombrado organista como una prueba de que merecía el puesto. Están estructuradas en seis “trípticos”, formado cada uno de ellos por tres movimientos: una Recercata (preludio de medida libre), una Fuga y una Sonata. Como complemento a la edición, se incluye una colección de seis intentos o fugas que aparece copiada en algunos manuscritos de finales del siglo XVIII. Esta colección presenta versiones de cinco de las fugas de Albero incluidas en las Obras, junto a un intento o fuga de José Teixidor (1751-ca. 1814).
Author: Sebastián de Albero
Publisher: Lulu.com
ISBN: 9781387793099
Category : Art
Languages : en
Pages : 158
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Book Description
The six Obras for Harpsichord or Fortepiano of Sebastián de Albero (1722-1756), along with his 30 Sonatas, complete this edition of the known works of Albero, who worked for the Spanish court in Madrid with Italian-born Domenico Scarlatti, fellow-Spaniard Antonio Soler, and other important composers and musicians of Spain and Italy. Each of the Obras contains an unmeasured, improvisatory Recercata with exotic modulations and melodic fantasy; an extended Fuga combining counterpoint with Iberian-influenced passages; and a Sonata reminiscent of the 30 Sonatas, but often larger and bolder in scope. The Obras is noteworthy for its unusual structure, interesting mixture of styles, harmonic ingenuity, and ambitious dimensions, and is a fine example of keyboard works from this lively period in mid-18th century Spain. Newly edited from the manuscript source, this edition is clearly typeset and formatted for optimal reading, with a biographical and editorial introduction in English, Spanish, French, and German.
Author: Sebasti‡n de Albero
Publisher: Lulu.com
ISBN: 1329660285
Category : Art
Languages : en
Pages : 150
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Book Description
The 30 Sonatas of Sebastián de Albero (1722-1756), who worked for the Spanish court in Madrid along with Italian-born Domenico Scarlatti and fellow-Spaniard Antonio Soler, is a remarkable contribution to the vital Iberian keyboard literature of the 18th century. Lively, colorful, melancholy - with the Spanish-style harmonic and melodic inflections, irregular phrases, dissonances, and ingenious modulations characteristic of the best work of his contemporaries - Albero's 30 Sonatas displays his distinctive personality. While enriching the repertoire of pianists and harpsichordists, Albero's work affords new insights into the vivid and expressive music of the Iberian keyboard tradition, as well as many hours of delightful music for performance and practice. The 30 Sonatas are newly edited from the manuscript source, clearly typeset and formatted for optimal page turns, and prefaced with a biographical and editorial introduction in English, Spanish, French, and German.
Author: W. Dean Sutcliffe
Publisher: Cambridge University Press
ISBN: 1139441094
Category : Music
Languages : en
Pages : 414
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Book Description
W. Dean Sutcliffe investigates one of the greatest yet least understood repertories of Western keyboard music: the 555 keyboard sonatas of Domenico Scarlatti. Scarlatti occupies a position of solitary splendour in musical history. The sources of his style are often obscure and his immediate influence is difficult to discern. Further, the lack of hard documentary evidence has hindered musicological activity. Dr Sutcliffe offers not just a thorough reconsideration of the historical factors that have contributed to Scarlatti's position, but also sustained engagement with the music, offering both individual readings and broader commentary of an unprecedented kind. A principal task of this book is to remove the composer from his critical ghetto (however honourable) and redefine his image. In so doing it will reflect on the historiographical difficulties involved in understanding eighteenth-century musical style.
Author: Mark Kroll
Publisher: Cambridge University Press
ISBN: 1107156076
Category : Music
Languages : en
Pages : 407
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Book Description
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
Author: Domenico Scarlatti
Publisher:
ISBN:
Category : Sonatas (Harpsichord)
Languages : en
Pages : 28
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Book Description
Author: Linton Powell
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Music
Languages : en
Pages : 230
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Book Description
Author: Daniel Steibelt
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
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Book Description
Author: Pablo Marsal
Publisher:
ISBN:
Category : Harpsichord music
Languages : en
Pages : 22
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Book Description
Author: George J. Buelow
Publisher: Indiana University Press
ISBN: 9780253343659
Category : Music
Languages : en
Pages : 732
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Book Description
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
