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Author: John C. Stout
Publisher: University of Toronto Press
ISBN: 1487513534
Category : Literary Criticism
Languages : en
Pages : 333
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Book Description
Objects Observed explores the central place given to the object by a number of poets in France and in America in the twentieth century. John C. Stout provides comprehensive examinations of Pierre Reverdy, Francis Ponge, Jean Follain, Guillevic, and Jean Tortel. Stout argues that the object furnishes these poets with a catalyst for creating a new poetics and for reflecting on lyric as a genre. In France, the object has been central to a broad range of aesthetic practices, from the era of Cubism and Surrealism to the 1990s. In the heyday of American Modernism, several major poets foregrounded the object in their work; however, in postwar twentieth-century America, poets moved away from a focus on the object. Objects Observed illuminates the variety of aesthetic practices and positions in French and American poets from the years of high Modernism (1909–1930) to the 1990s.
Author: John C. Stout
Publisher: University of Toronto Press
ISBN: 1487513534
Category : Literary Criticism
Languages : en
Pages : 333
Get Book Here
Book Description
Objects Observed explores the central place given to the object by a number of poets in France and in America in the twentieth century. John C. Stout provides comprehensive examinations of Pierre Reverdy, Francis Ponge, Jean Follain, Guillevic, and Jean Tortel. Stout argues that the object furnishes these poets with a catalyst for creating a new poetics and for reflecting on lyric as a genre. In France, the object has been central to a broad range of aesthetic practices, from the era of Cubism and Surrealism to the 1990s. In the heyday of American Modernism, several major poets foregrounded the object in their work; however, in postwar twentieth-century America, poets moved away from a focus on the object. Objects Observed illuminates the variety of aesthetic practices and positions in French and American poets from the years of high Modernism (1909–1930) to the 1990s.
Author: Pierre Lemonnier
Publisher: Routledge
ISBN: 1315424231
Category : Social Science
Languages : en
Pages : 276
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Book Description
This concise book shows the importance of objects that are considered ordinary by cultural outsiders and scholars, yet lie at the heart of the systems of thought and practices of their makers and users. This volume demonstrates the role of these objects in nonverbal communication, both in non-ritual and in ritual situations. Lemonnier shows that some objects, their physical properties and their material implementation, are wordless expressions of fundamental aspects of a way of living and thinking, as well as sometimes the only means of expressing the inexpressible. Through the study of the most mundane technical activities such as fence building, creating models cars, or trapping fish, we often gain a better understanding of what these objects mean and how they work within their cultures of origin. In addition to anthropologists and archaeologists, this book will also be of interest to sociologists, historians, philosophers, cognitive anthropologists and primatologists, for whom the intertwining of “function” and “style” is the very mark of all cultural behavior.
Author:
Publisher:
ISBN: 9780835248518
Category : Authors
Languages : en
Pages :
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Author: Dominic Lopes
Publisher: Clarendon Press
ISBN: 0191543993
Category : Philosophy
Languages : en
Pages : 248
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Book Description
There is not one but many ways to picture the world - Australian `x-ray' pictures, cubist collages, Amerindian split-style figures, and pictures in two-point perspective each draw attention to different features of what they represent. The premise of Understanding Pictures is that this diversity is the central fact with which a theory of figurative pictures must reckon. Lopes argues that identifying pictures' subjects is akin to recognizing objects whose appearances have changed over time. He develops a schema for categorizing the different ways pictures represent—the different kinds of meaning they have—and he contends that depiction's epistemic value lies in its representational diversity. He also offers a novel account of the phenomenology of pictorial experience, comparing pictures to visual prostheses like mirrors and binoculars. The book concludes with a discussion of works of art which have made pictorial meaning their theme, demonstrating the importance of the issues this book raises for understanding the aesthetics of pictures.
Author: David Carrier
Publisher: Penn State Press
ISBN: 0271036060
Category : Art
Languages : en
Pages : 200
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Book Description
Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historian, does not attempt to write a world art history himself. Rather, he asks the question of how an art history of all cultures could be written—or whether it is even possible to do so. He also engages the political and moral issues raised by the idea of a multicultural art history. Focusing on a consideration of intersecting artistic traditions, Carrier negotiates the way meaning and understanding shift or are altered when a visual object from one culture, for example, is inserted into the visual tradition of another culture. A World Art History and Its Objects proposes the use of temporal narrative as a way to begin to understand a multicultural art history.
Author: David Trottin
Publisher: Springer Science & Business Media
ISBN: 9783764361280
Category : Architects
Languages : en
Pages : 446
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Book Description
This work is edited by a group of young, Paris-based architects and consists of a photo documentary by the Parisien art photographer Cecile on so-called "normal" interiors in everyday use. This is followed by a documentation on anonymous architecture in Australia, Tasmania and New Zealand.
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Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 222
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Book Description
Author: Richard Calvocoressi
Publisher: Phaidon Press
ISBN: 9780714827605
Category : Art
Languages : en
Pages : 132
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Book Description
This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.
Author: Kathryn Brown
Publisher: Routledge
ISBN: 1351546422
Category : Art
Languages : en
Pages : 299
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Book Description
Investigating the complex history of visual art?s engagement with literature, this collection demonstrates that the art of the book is a fully interdisciplinary and distinctly modern form. The essays in the collection develop new critical approaches to the analysis of twentieth-century bookworks and explore ways in which European writers and painters challenged the boundary between visual and linguistic expression in the content, production, and physical form of books. The Art Book Tradition in Twentieth-Century Europe offers a detailed examination of word-image relations in forms ranging from the livre d?artiste to personal diaries and almanacs. It analyzes innovative attempts to challenge familiar hierarchies between texts and images, to fuse different expressive media, and to reconceptualize traditional notions of ekphrasis. Giving consideration to the material qualities of books, the works discussed in this collection also test and celebrate the act of reading, while locating it in the context of other sensory experiences. Essays examine works by Dufy, Matisse, Beckett, Kandinsky, Braque, and Ponge, among other European artists and writers active during the twentieth century.
Author: Paolo Baldacci
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 260
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Book Description
From the beginning of his career, Giorgio de Chirico decided that his painting should show what
