Author:
Publisher:
ISBN:
Category : China
Languages : en
Pages : 818
Book Description
Bulletin
Author:
Publisher:
ISBN:
Category : China
Languages : en
Pages : 818
Book Description
Publisher:
ISBN:
Category : China
Languages : en
Pages : 818
Book Description
Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1028
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1028
Book Description
Orientalia
Author:
Publisher:
ISBN:
Category : Middle Eastern philology
Languages : en
Pages : 708
Book Description
Publisher:
ISBN:
Category : Middle Eastern philology
Languages : en
Pages : 708
Book Description
Objets d'art d'orient et d'extrême-orient; tapis de Chine et d'orient
Author: Hôtel Drouot
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
The Far East
Author: Emil Hannover
Publisher:
ISBN:
Category : Pottery
Languages : en
Pages : 314
Book Description
Publisher:
ISBN:
Category : Pottery
Languages : en
Pages : 314
Book Description
Pottery & Porcelain
Author: Emil Hannover
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 310
Book Description
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 310
Book Description
Trübner's Bibliographical Catalogues
Author: Kegan Paul, Trench, Trubner & Co
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 1236
Book Description
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 1236
Book Description
Objets d'art d'Extrême-Orient ...
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 16
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 16
Book Description
Catalogue of Works on the Fine Arts
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 388
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 388
Book Description
The New Bibliopolis
Author: Willa Z. Silverman
Publisher: University of Toronto Press
ISBN: 144269145X
Category : Design
Languages : en
Pages : 337
Book Description
The late-nineteenth century in Europe was a period of profound political, social, and technological change. One result of these changes was the rise in France of an upper-bourgeois bohemian class. Many of its members stimulated interest in unique forms of artistic expression such as illustrated books. On account of their influence, an atmosphere of intense bibliophilic activity came to define French culture at the turn of the century. The New Bibliopolis explores the role of amateurs in promoting the book arts in France during this period. Drawing on extensive original research, Willa Z. Silverman looks at the ways in which book collectors supported print culture. She shows how, through the admiration demonstrated by collectors for this medium, print came to be a crucial part of popular conceptions of aesthetics. As collectors, publishers, authors, designers, and directors of bibliophile societies, reviews, and small presses, these book lovers became passionate and prolific interlocutors of the printed word in a uniquely artistic epoch. Silverman analyzes subjects as diverse as the relationship between book collecting and aesthetic and cultural currents such as Symbolism; the gendered nature of book collecting; the increased collaboration between authors and illustrators; and the marketing of fine books at international exhibits. The New Bibliopolis is an important contribution to the study of book history, French sociocultural history, and fine and decorative arts.
Publisher: University of Toronto Press
ISBN: 144269145X
Category : Design
Languages : en
Pages : 337
Book Description
The late-nineteenth century in Europe was a period of profound political, social, and technological change. One result of these changes was the rise in France of an upper-bourgeois bohemian class. Many of its members stimulated interest in unique forms of artistic expression such as illustrated books. On account of their influence, an atmosphere of intense bibliophilic activity came to define French culture at the turn of the century. The New Bibliopolis explores the role of amateurs in promoting the book arts in France during this period. Drawing on extensive original research, Willa Z. Silverman looks at the ways in which book collectors supported print culture. She shows how, through the admiration demonstrated by collectors for this medium, print came to be a crucial part of popular conceptions of aesthetics. As collectors, publishers, authors, designers, and directors of bibliophile societies, reviews, and small presses, these book lovers became passionate and prolific interlocutors of the printed word in a uniquely artistic epoch. Silverman analyzes subjects as diverse as the relationship between book collecting and aesthetic and cultural currents such as Symbolism; the gendered nature of book collecting; the increased collaboration between authors and illustrators; and the marketing of fine books at international exhibits. The New Bibliopolis is an important contribution to the study of book history, French sociocultural history, and fine and decorative arts.