Author: Margareta Ingrid Christian
Publisher: University of Chicago Press
ISBN: 022676477X
Category : Art
Languages : en
Pages : 249
Book Description
Introduction. Artworks and their modalities of egress -- Aer, Aurae, Venti: Warburg's aerial forms and historical milieus -- Luftraum: Riegl's vitalist mesology of form -- Saturated forms: Rilke's and Rodin's sculpture of environment -- The "Kinesphere" and the body's other spatial envelopes in Rudolf Laban's Theory of Dance -- Coda. Space as form.
Objects in Air
Author: Margareta Ingrid Christian
Publisher: University of Chicago Press
ISBN: 022676477X
Category : Art
Languages : en
Pages : 249
Book Description
Introduction. Artworks and their modalities of egress -- Aer, Aurae, Venti: Warburg's aerial forms and historical milieus -- Luftraum: Riegl's vitalist mesology of form -- Saturated forms: Rilke's and Rodin's sculpture of environment -- The "Kinesphere" and the body's other spatial envelopes in Rudolf Laban's Theory of Dance -- Coda. Space as form.
Publisher: University of Chicago Press
ISBN: 022676477X
Category : Art
Languages : en
Pages : 249
Book Description
Introduction. Artworks and their modalities of egress -- Aer, Aurae, Venti: Warburg's aerial forms and historical milieus -- Luftraum: Riegl's vitalist mesology of form -- Saturated forms: Rilke's and Rodin's sculpture of environment -- The "Kinesphere" and the body's other spatial envelopes in Rudolf Laban's Theory of Dance -- Coda. Space as form.
Objects in Air
Author: Margareta Ingrid Christian
Publisher: University of Chicago Press
ISBN: 022676480X
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Margareta Ingrid Christian unpacks the ways in which, around 1900, art scholars, critics, and choreographers wrote about the artwork as an actual object in real time and space, surrounded and fluently connected to the viewer through the very air we breathe. Theorists such as Aby Warburg, Alois Riegl, Rainer Maria Rilke, and the choreographer Rudolf Laban drew on the science of their time to examine air as the material space surrounding an artwork, establishing its “milieu,” “atmosphere,” or “environment.” Christian explores how the artwork’s external space was seen to work as an aesthetic category in its own right, beginning with Rainer Maria Rilke’s observation that Rodin’s sculpture “exhales an atmosphere” and that Cezanne’s colors create “a calm, silken air” that pervades the empty rooms where the paintings are exhibited. Writers created an early theory of unbounded form that described what Christian calls an artwork’s ecstasis or its ability to stray outside its limits and engender its own space. Objects viewed in this perspective complicate the now-fashionable discourse of empathy aesthetics, the attention to self-projecting subjects, and the idea of the modernist self-contained artwork. For example, Christian invites us to historicize the immersive spatial installations and “environments” that have arisen since the 1960s and to consider their origins in turn-of-the-twentieth-century aesthetics. Throughout this beautifully written work, Christian offers ways for us to rethink entrenched narratives of aesthetics and modernism and to revisit alternatives.
Publisher: University of Chicago Press
ISBN: 022676480X
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Margareta Ingrid Christian unpacks the ways in which, around 1900, art scholars, critics, and choreographers wrote about the artwork as an actual object in real time and space, surrounded and fluently connected to the viewer through the very air we breathe. Theorists such as Aby Warburg, Alois Riegl, Rainer Maria Rilke, and the choreographer Rudolf Laban drew on the science of their time to examine air as the material space surrounding an artwork, establishing its “milieu,” “atmosphere,” or “environment.” Christian explores how the artwork’s external space was seen to work as an aesthetic category in its own right, beginning with Rainer Maria Rilke’s observation that Rodin’s sculpture “exhales an atmosphere” and that Cezanne’s colors create “a calm, silken air” that pervades the empty rooms where the paintings are exhibited. Writers created an early theory of unbounded form that described what Christian calls an artwork’s ecstasis or its ability to stray outside its limits and engender its own space. Objects viewed in this perspective complicate the now-fashionable discourse of empathy aesthetics, the attention to self-projecting subjects, and the idea of the modernist self-contained artwork. For example, Christian invites us to historicize the immersive spatial installations and “environments” that have arisen since the 1960s and to consider their origins in turn-of-the-twentieth-century aesthetics. Throughout this beautifully written work, Christian offers ways for us to rethink entrenched narratives of aesthetics and modernism and to revisit alternatives.
Aids to Identification of Flying Objects
Author: United States. Air Force
Publisher:
ISBN:
Category : Aircraft spotting
Languages : en
Pages : 40
Book Description
Unidentified flying objects (UFOs), or flying saucers as they are known to many persons, have been the subject of considerable interest on the part of the public as well as the U.S. Air Force for two decades. On Dec. 30, 1947, the Air Force was given the responsibility by the Department of Defense for investigating UFO sightings. This booklet is intended to meet the needs of individuals seeking information about UFOs. The introduction is a brief history of UFO reports and studies and provides some information on scientific observations and analyses. The section "aids to identification of flying objects" is more technical and should be of interest to persons desiring in-depth information on flying objects and natural phenomena. The "questions and answers" section will help answer many of the questions commonly asked about UFOs.
Publisher:
ISBN:
Category : Aircraft spotting
Languages : en
Pages : 40
Book Description
Unidentified flying objects (UFOs), or flying saucers as they are known to many persons, have been the subject of considerable interest on the part of the public as well as the U.S. Air Force for two decades. On Dec. 30, 1947, the Air Force was given the responsibility by the Department of Defense for investigating UFO sightings. This booklet is intended to meet the needs of individuals seeking information about UFOs. The introduction is a brief history of UFO reports and studies and provides some information on scientific observations and analyses. The section "aids to identification of flying objects" is more technical and should be of interest to persons desiring in-depth information on flying objects and natural phenomena. The "questions and answers" section will help answer many of the questions commonly asked about UFOs.
Objects in Motion
Author: Paul Fleisher
Publisher: Twenty-First Century Books
ISBN: 9780822529859
Category : Juvenile Nonfiction
Languages : en
Pages : 88
Book Description
Explains the physics of gravity and gravitational pull, offering information on the contributions made in this area by Copernicus, Galileo, and Newton.
Publisher: Twenty-First Century Books
ISBN: 9780822529859
Category : Juvenile Nonfiction
Languages : en
Pages : 88
Book Description
Explains the physics of gravity and gravitational pull, offering information on the contributions made in this area by Copernicus, Galileo, and Newton.
Air-objects
Author: Marinus Boezem
Publisher:
ISBN:
Category :
Languages : en
Pages : 7
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 7
Book Description
Final Report of the Scientific Study of Unidentified Flying Objects
Author: University of Colorado (Boulder campus)
Publisher:
ISBN:
Category : Unidentified flying objects
Languages : en
Pages : 1026
Book Description
Publisher:
ISBN:
Category : Unidentified flying objects
Languages : en
Pages : 1026
Book Description
The preparation & mounting of microscopic objects
Author: Thomas Davies
Publisher:
ISBN:
Category :
Languages : en
Pages : 206
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 206
Book Description
My Life in 100 Objects
Author: Margaret Randall
Publisher: New Village Press
ISBN: 1613321155
Category : Biography & Autobiography
Languages : en
Pages : 252
Book Description
Traces the remarkable life of a feminist poet through the items and images that have have defined her experiences My Life in 100 Objects is a personal reflection on the events and moments that shaped the life and work of one extraordinary woman. With a masterful, poetic voice, Margaret Randall uses talismanic objects and photographs as launching points for her nonlinear narrative. Through each “object,” Randall uncovers another part of herself, starting in a museum in Amman, Jordan, and ending in the Latin American Studies Association in Boston. Interwoven throughout are her most precious relationships, her growth as an artist, and her brave, revolutionary spirit. As Randall’s adventures often coincide with important moments in history, many of her objects provide a transcontinental glimpse into social upheavals and transitions. She shares memories from her years in Cuba (1969 to 1980) and Nicaragua (1980 to 1984), as well as briefer periods in North Vietnam (immediately preceding the end of the war in 1975), and Peru (during the government of Velasco Alvarado). In her introduction, Randall states, “objects and places have always been alive to me.” Her history too is alive, as much of a means to consider our own present as it is to glimpse her vibrant past.
Publisher: New Village Press
ISBN: 1613321155
Category : Biography & Autobiography
Languages : en
Pages : 252
Book Description
Traces the remarkable life of a feminist poet through the items and images that have have defined her experiences My Life in 100 Objects is a personal reflection on the events and moments that shaped the life and work of one extraordinary woman. With a masterful, poetic voice, Margaret Randall uses talismanic objects and photographs as launching points for her nonlinear narrative. Through each “object,” Randall uncovers another part of herself, starting in a museum in Amman, Jordan, and ending in the Latin American Studies Association in Boston. Interwoven throughout are her most precious relationships, her growth as an artist, and her brave, revolutionary spirit. As Randall’s adventures often coincide with important moments in history, many of her objects provide a transcontinental glimpse into social upheavals and transitions. She shares memories from her years in Cuba (1969 to 1980) and Nicaragua (1980 to 1984), as well as briefer periods in North Vietnam (immediately preceding the end of the war in 1975), and Peru (during the government of Velasco Alvarado). In her introduction, Randall states, “objects and places have always been alive to me.” Her history too is alive, as much of a means to consider our own present as it is to glimpse her vibrant past.
The Preparation & Mounting of Microscopic Objects
Author: Thomas Davies (Microscopist)
Publisher:
ISBN:
Category :
Languages : en
Pages : 200
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 200
Book Description
A Handbook of the Microscope and Microscopic Objects
Author: William Lowndes Notcutt
Publisher:
ISBN:
Category : Microscopes
Languages : en
Pages : 202
Book Description
Publisher:
ISBN:
Category : Microscopes
Languages : en
Pages : 202
Book Description