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Author: Mitra Abbaspour
Publisher: Museum of Modern Art, New York
ISBN: 9780870709418
Category : Photography
Languages : en
Pages : 400
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Book Description
OBJECT:PHOTO shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. This shift is especially significant for a study of the period during which photography developed a distinctive formal language. A growing awareness of the rarity of images made between the two world wars has altered historians' considerations, encouraging new approaches privileging the originality of each work and the density of references each contains. This richly illustrated publication culminates a four-year collaborative research endeavor between The Museum of Modern Art's Departments of Photography and Conservation, and nearly 30 visiting scholars, on the material and aesthetic evolution of avant-garde photography in the early twentieth century. The 341 modernist photographs known as The Thomas Walther Collection, a major museum acquisition made in 2001, is presented in its entirety, establishing a new standard of depth for the medium. Essays by curators, researchers, and conservators consider the history of collecting from this era to the present and how deepening knowledge has shifted the perspective on the medium; the material facts of the Walther pictures as a baseline for understanding the development of photographic materials in this era; and how the intellectual formation of the writers of critical photographic publications of the era and the societal and cultural pressures of that historical moment inflected the photography's sense of its own history. Together with thematic, object-based case studies of groups of pictures that demonstrate new approaches in specific, divergent examples, these contributions reanimate the dialogue on this formative era in photography.
Author: Mitra Abbaspour
Publisher: Museum of Modern Art, New York
ISBN: 9780870709418
Category : Photography
Languages : en
Pages : 400
Get Book
Book Description
OBJECT:PHOTO shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. This shift is especially significant for a study of the period during which photography developed a distinctive formal language. A growing awareness of the rarity of images made between the two world wars has altered historians' considerations, encouraging new approaches privileging the originality of each work and the density of references each contains. This richly illustrated publication culminates a four-year collaborative research endeavor between The Museum of Modern Art's Departments of Photography and Conservation, and nearly 30 visiting scholars, on the material and aesthetic evolution of avant-garde photography in the early twentieth century. The 341 modernist photographs known as The Thomas Walther Collection, a major museum acquisition made in 2001, is presented in its entirety, establishing a new standard of depth for the medium. Essays by curators, researchers, and conservators consider the history of collecting from this era to the present and how deepening knowledge has shifted the perspective on the medium; the material facts of the Walther pictures as a baseline for understanding the development of photographic materials in this era; and how the intellectual formation of the writers of critical photographic publications of the era and the societal and cultural pressures of that historical moment inflected the photography's sense of its own history. Together with thematic, object-based case studies of groups of pictures that demonstrate new approaches in specific, divergent examples, these contributions reanimate the dialogue on this formative era in photography.
Author: Sarah Hamill
Publisher: Getty Publications
ISBN: 1606065343
Category : Photography
Languages : en
Pages : 314
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Book Description
Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to what, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph’s place in writing the history of sculpture? How has it changed according to culture, generation, criti-cal conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Their essays consider iconic photographs, archival collections, new and forgotten technologies, and conceptual challenges in photographing three-dimensional forms that have directed changing historical and stylistic attitudes about how we see, write about, and narrate histories of sculpture. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be non-photographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.
Author: John A. Tennant
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 624
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Book Description
Author: Mary Statzer
Publisher: Univ of California Press
ISBN: 0520281470
Category : Art
Languages : en
Pages : 268
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Book Description
"In 1970, photography curator Peter C. Bunnell organized the exhibition Photography into Sculpture for the Museum of Modern Art in New York, bringing together twenty-three photographers and artists from across the United States as well as Vancouver, British Columbia, whose work challenged accepted practices and categories. The Photographic Object 1970 serves as an exhibition catalogue after the fact, an oral history, and critical reading of exhibitions and experimental photography during the 1960s and 70s. It proposes precedents for contemporary artists who continue to blur the boundaries between photography and other art mediums."--Provided by publisher.
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 550
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Book Description
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 656
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Book Description
Author: Franz Mayinger
Publisher: Springer Science & Business Media
ISBN: 3662029677
Category : Science
Languages : en
Pages : 462
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Book Description
Increasing possibilities of computer-aided data processing have caused a new revival of optical techniques in many areas of mechanical and chemical en gineering. Optical methods have a long tradition in heat and mass transfer and in fluid dynamics. Global experimental information is not sufficient for developing constitution equations to describe complicated phenomena in fluid dynamics or in transfer processes by a computer program . Furthermore, a detailed insight with high local and temporal resolution into the thermo-and fluiddynamic situations is necessary. Sets of equations for computer program in thermo dynamics and fluid dynamics usually consist of two types of formulations: a first one derived from the conservation laws for mass, energy and momentum, and a second one mathematically modelling transport processes like laminar or turbulent diffusion. For reliably predicting the heat transfer, for example, the velocity and temperature field in the boundary layer must be known, or a physically realistic and widely valid correlation describing the turbulence must be avail able. For a better understanding of combustion processes it is necessary to know the local concentration and temperature just ahead of the flame and in the ignition zone.
Author: Larry S. Miller
Publisher: Routledge
ISBN: 1455774480
Category : Law
Languages : en
Pages : 391
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Book Description
Quality photographs of evidence can communicate details about crime scenes that otherwise may go unnoticed, making skilled forensic photographers invaluable assets to modern police departments. For those seeking a current and concise guide to the skills necessary in forensic photography, Police Photography, Seventh Edition, provides both introductory and more advanced information about the techniques of police documentation. Completely updated to include information about the latest equipment and techniques recommended for high-quality digital forensic photography, this new edition thoroughly describes the techniques necessary for documenting a range of crime scenes and types of evidence, including homicides, arson, and vehicle incidents. With additional coverage of topics beyond crime scenes, such as surveillance and identification photography, Police Photography, Seventh Edition is an important resource for students and professionals alike. Completely updated to reflect the rise of digital police photography Four-color photographs and illustrations added throughout to illustrate concepts Defines the steps for producing high-quality photographs of a range of crime scenes and types of evidence Explores specialized topics, including ultraviolet imaging, laser enhanced evidence, and surveillance photography Access to instructor ancillaries, including Test Banks, Instructor's Guides, and PowerPoint Lecture Slides for every chapter
Author: Alexander Eugen Conrady
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 630
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Book Description
Author: Anna-Lena Robisch
Publisher: Göttingen University Press
ISBN: 3863952529
Category :
Languages : en
Pages : 178
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Book Description
Lensless, holographic X-ray microscopy is a non-invasive imaging technique that provides resolution on the nanometer scale. Therefore, a divergent, coherent and especially clean wave front impinging on the sample is needed. Yet, focusing X-rays by even the most advanced X-ray mirrors causes so called figure errors of high spatial frequency content. The results are strongly deteriorated intensity profiles that are often even more pronounced than the holographic image of the sample itself. A common strategy to compensate these figure errors is to divide the hologram by the pure intensity profile of the beam (the so called flat field). However, this division is only valid in the limiting case of an illumination focused down to a point source. In reality, as a consequence of a fi nite spot size, one has to accept a loss in resolution when performing the flat field correction. An approach different from the described straightforward procedure is necessary. Here, the simultaneous reconstruction of object and probe is proposed using holograms which were not flat field corrected before phase retrieval. To this end, a method has been developed that allows simultaneously reconstructing object and probe in amplitude and phase from holographic intensity recordings. The experimental way of proceeding was mainly inspired by well-established holographic full-field X-ray imaging techniques that require holograms defocused to different degrees. Consequently, the conclusion seems reasonable that diversity in the optical near-field arises mainly from variation of the propagation distance of light. This so called longitudinal diversity is used to properly phase the transmission function of the sample of interest. The algorithmic strategy of simultaneous phase retrieval for object and probe draws on far-field ptychography where lateral translations of the sample create diverse diffraction patterns. In view of the need for longitudinal diversity realized by shifts of the sample along the optical axis, ptychography has been generalized and adapted for the optical near-field. Hence, translations of the sample in all three dimensions of space need to be exploited to collect enough information about object and probe such that both can be reconstructed simultaneously in amplitude and phase. Concepts have been put into practice by simulations as well as by experiments with coherent visible light and hard X-rays from synchrotron sources. The presented approach offers the opportunity to perform high resolution imaging, to be extended to tomography and to be adapted to super-resolution experiments.
