O Warst Du Mein!, Op. 26 No. 2 ; Ruhe, Meine Seele, Op. 27 No. 1 ; Hochzeitlich Lied, Op. 37 No. 6 ; O Susser Mai!, Op. 32 No. 4 PDF Download
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Author:
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Languages : en
Pages : 37
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Author:
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ISBN:
Category :
Languages : en
Pages : 37
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Category :
Languages : de
Pages : 37
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Author: Richard Strauss
Publisher:
ISBN:
Category : Songs (Low voice) with piano
Languages : en
Pages : 50
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Author:
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ISBN:
Category :
Languages : en
Pages : 37
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Enth. Traum durch die Dämmerung op. 29, 1 ; Ich trage meine Minne op. 32, 1 ; All mein Gedanken op. 21, 1 ; Nachtgang op. 29, 3 ; Geduld op. 10, 5 ; Wie sollten wir geheim sie halten op. 19, 4 ; O wärst du mein op. 26, 2 ; Ruhe, meine Seele op. 27, 1 ; Hochzeitlich Lied op. 37, 6 ; O süßer Mai op. 32, 4.
Author:
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ISBN:
Category :
Languages : en
Pages : 37
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Enth. Traum durch die Dämmerung op. 29, 1 ; Ich trage meine Minne op. 32, 1 ; All mein Gedanken op. 21, 1 ; Nachtgang op. 29, 3 ; Geduld op. 10, 5 ; Wie sollten wir geheim sie halten op. 19, 4 ; O wärst du mein op. 26, 2 ; Ruhe, meine Seele op. 27, 1 ; Hochzeitlich Lied op. 37, 6 ; O süßer Mai op. 32, 4.
Author: Charles Osborne
Publisher: Springer Science & Business Media
ISBN: 1475700490
Category : Music
Languages : en
Pages : 278
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W HAT I H A V E attempted in this book is a survey of song; the kind of song which one finds variously described as 'concert', 'art', or sometimes even 'classical song'. 'Concert song' seems the most useful, certainly the least inexact or misleading, of some descriptions, especially since 'art song' sounds primly off putting, and 'classical song' really ought to be used only to refer to songs written during the classical period, i. e. the 18th century. Concert song clearly means the kind of songs one hears sung at concerts or recitals. Addressing myself to the general music-lover who, though he possesses no special knowledge of the song literature, is never theless interested enough in songs and their singers to attend recitals of Lieder or of songs in various languages, I have naturally confined myself to that period of time in which the vast majority of these songs was composed, though not necessarily only to those composers whose songs have survived to be remembered in recital programmes today. I suppose this to be roughly the three centuries covered by the years 1650-1950, though most of the songs we, as audiences, know and love were composed in the middle of this period, in other words in the 19th century.
Author: Donald Jay Grout
Publisher: Columbia University Press
ISBN: 0231119585
Category : Opera
Languages : en
Pages : 1049
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"The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day."--Jacket.
Author: Ernst Krause
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 616
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Publisher: Read Books
ISBN: 1406793892
Category : Music
Languages : en
Pages : 704
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"It is a little over eight years since this compact but comprehensive little work first appeared. Much has happened during that period: new composers have emerged in Europe and America, those already represented in the first edition who are still alive have produced many new works, a number of eminent performers have become eligible for inclusion through their death, new organizations and institutions have been formed and old ones have changed their personnel, and even some new technical subjects have called for discussion. What is more, mistakes, errors and misprints have been noted by the editor and by numerous users of this Dictionary who have been kind enough to communicate them, so that this new edition has had the benefit of far-reaching corrections as well of sufficient additions to swell its size considerably" 1946.Keywords: This Dictionary Europe And America Eminent Performers Technical Subjects New Edition Still Alive Composers Swell Inclusion Additions Benefit
Author: Richard Strauss
Publisher:
ISBN:
Category : Songs (High voice) with piano
Languages : en
Pages : 8
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