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Author: Alessandro Bertolotti
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 288
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Book Description
Bertolotti explores the history of nude photography, from the first academic snapshots all the way to the most audacious avant-gardists. Organized chrono-thematically and accompanied by socio-cultural analysis, this book includes the works by Germaine Krull, Man Ray, Bill Brandt, Araki, Robert Mapplethorpe, and Jean-Loup Sieff.
Author: Alessandro Bertolotti
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 288
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Book Description
Bertolotti explores the history of nude photography, from the first academic snapshots all the way to the most audacious avant-gardists. Organized chrono-thematically and accompanied by socio-cultural analysis, this book includes the works by Germaine Krull, Man Ray, Bill Brandt, Araki, Robert Mapplethorpe, and Jean-Loup Sieff.
Author: Albert Arthur Allen
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 262
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Book Description
Author: David Seidner
Publisher: Gina Kehayoff Verlag
ISBN:
Category : Photography
Languages : en
Pages : 68
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Book Description
Well-known as a fashion photographer for the likes of Yves Saint-Laurent & Vogue magazine, David Seidner here turns his attention to the bodies beneath the clothes.
Author: Laurie Toby Edison
Publisher: Paragon Press(TN)
ISBN: 9780974334301
Category : Body image in men
Languages : en
Pages : 0
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Book Description
Author: Alison Smith
Publisher: Manchester University Press
ISBN: 9780719044038
Category : Art
Languages : en
Pages : 282
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Book Description
Smith reveals how images of the nude were used at all levels of Victorian culture, from prestigious high-art paintings through to photographs and popular entertainments; and discusses the many views as to whether these were legitimate forms of representation or, in fact, pornography and an incitement to unregulated sexual activity.
Author: Frances Borzello
Publisher: Thames & Hudson
ISBN: 0500777713
Category : Art
Languages : en
Pages : 307
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Book Description
The representation of the nude in art remained for many centuries a victory of fiction over fact. Beautiful, handsome, flawless its great success was to distance the unclothed body from any uncomfortably explicit taint of sexuality, eroticism or imperfection. In this newly updated study, Frances Borzello contrasts the civilized, sanitized, perfected nude of Kenneth Clarks classic, The Nude: A Study in Ideal Form (1956), with todays depictions: raw, uncomfortable, both disturbing and intriguing. Grittier and more subtle, depicting variously gendered bodies, the new nude asks awkward questions and behaves provocatively. It is a very naked nude, created to deal with the issues and contradictions that surround the body in our time. Borzello explores the role of the nude in twentieth- and twenty-first-century art, looking at the work of a wide range of international artists creating contemporary nudes. Her fascinating text is complemented by a profusion of well-chosen, unusual and beautifully reproduced illustrations. The story begins with a tale of life, death and resurrection an investigation into how and why the nude has survived and flourished in an art world that prematurely announced its demise. Subsequent chapters take a thematic approach, focusing in turn on Body art and Performance art, the new perspectives of women artists, the nude in painting, portraiture and sculpture and in its most extreme and graphic expressions that intentionally push the boundaries of both art and our comfort zone. The final chapter illustrates radical developments in art and culture over the last decade, focusing in particular on artworks by women, trans artists and artists of colour. Borzello links these works to their art-historical and political predecessors, demonstrating the continually unending capacity of the nude to disrupt traditional hierarchies and gender categories in life and art.
Author: Isabelle Cahn
Publisher: Universe Publishing(NY)
ISBN:
Category : Art
Languages : en
Pages : 86
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Book Description
Renoir favored and sought a particular physical type, characterized by round, heart-shaped faces, snub noses, narrow, almond-shaped eyes, blushing cheeks, and wide, rose-colored mouths. Among his preferred models were Aline Charigot, Nini, Gabrielle Renard, a cousin of his wife, and Lise Trehot.
Author: Craig Blacklock
Publisher: Blacklock Nature Photography
ISBN: 9781892472151
Category : Photography
Languages : en
Pages : 121
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Book Description
Author:
Publisher:
ISBN: 9780985240387
Category :
Languages : en
Pages : 80
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Book Description
From the foreword: "One of the High Line's powers is its ability to evoke time, to remind us of the changes we've experienced during our own lives, to bring forth echoes of the past, and to make us guess what life might be like years from now. I love the photos on these pages, because they have that power, too." --Joshua David, Co-Founder of the Friends of the High Line. Ten Avenues Press, in association with Friends of the High Line, announce the publication of High Line Nudes. In 2006, photographer Kevin McDermott took three of his friends up on the abandoned railroad tracks that would become New York City's High Line park to shoot a series of nudes. As McDermott states in his introduction, "at the time I took these photos, what I sought from its beauty was its sense of isolation, being alone, surrounded by nature in the middle of this metropolis." A decade later, this location is now one of the most visited tourist destinations in NYC and one of the largest real estate developments in the world. High Line Nudes captures a seemingly impossible, but beautiful moment in the history of the West Side Rail Yards, Chelsea and an ever changing New York City. The cloth hardcover book is beautifully printed in color and rich black and white duotone images.
Author: Lee Friedlander
Publisher: Vintage
ISBN: 9780224032179
Category : Photography
Languages : en
Pages : 84
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Book Description
"The Nude lies at the centre of Western art. From the beginning of photography it has attracted photographers, many of whom have imitated the forms and postures portrayed by painters. There are a few moments when a photographer has abandoned derivative styles and allowed the viewer to see the body in completely new manner. This occured in America in the work of Edward Weston and in Britain in the work of Bill Brandt. It now occurs in the photographs of Lee Friedlander. ver the last fifteen years, Friedlander has been working with a number of models to create his own way of seeing and photographing the female nude. Little of this work has ever appeared. The photographs are both highly intimate and coolly detached. The frequently surprising perspectives are balanced by the mundane backdrops of ordinary life, the real domestic interiors of the models. his book is published on the occasion of an exhibition at The Museum of Modern Art, New York, and confirms Friedlander's stature as one of the greatest photographers of his generation. He appears to have taken a primary theme of Western art and re-invented it."
