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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1136
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Author: Nathan Bransford
Publisher: Nathan Bransford
ISBN: 173414940X
Category : Language Arts & Disciplines
Languages : en
Pages : 188
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Book Description
Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."
Author: David L. Ulin
Publisher: Sasquatch Books
ISBN: 157061721X
Category : Literary Criticism
Languages : en
Pages : 89
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Book Description
Reading is a revolutionary act, an act of engagement in a culture that wants us to disengage. In The Lost Art of Reading, David L. Ulin asks a number of timely questions - why is literature important? What does it offer, especially now? Blending commentary with memoir, Ulin addresses the importance of the simple act of reading in an increasingly digital culture. Reading a book, flipping through hard pages, or shuffling them on screen - it doesn't matter. The key is the act of reading, and it's seriousness and depth. Ulin emphasizes the importance of reflection and pause allowed by stopping to read a book, and the accompanying focus required to let the mind run free in a world that is not one's own. Are we willing to risk our collective interest in contemplation, nuanced thinking, and empathy? Far from preaching to the choir, The Lost Art of Reading is a call to arms, or rather, to pages.
Author: Emily Henry
Publisher: Penguin
ISBN: 0593334833
Category : Fiction
Languages : en
Pages : 417
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Book Description
“One of my favorite authors.”—Colleen Hoover An insightful, delightful, instant #1 New York Times bestseller from the author of Beach Read and People We Meet on Vacation. Named a Most Anticipated Book of 2022 by Oprah Daily ∙ Today ∙ Parade ∙ Marie Claire ∙ Bustle ∙ PopSugar ∙ Katie Couric Media ∙ Book Bub ∙ SheReads ∙ Medium ∙ The Washington Post ∙ and more! One summer. Two rivals. A plot twist they didn't see coming... Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
Author: John Mullan
Publisher: OUP Oxford
ISBN: 0191622923
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
Never has contemporary fiction been more widely discussed and passionately analysed; recent years have seen a huge growth in the number of reading groups and in the interest of a non-academic readership in the discussion of how novels work. Drawing on his weekly Guardian column, 'Elements of Fiction', John Mullan examines novels mostly of the last ten years, many of which have become firm favourites with reading groups. He reveals the rich resources of novelistic technique, setting recent fiction alongside classics of the past. Nick Hornby's adoption of a female narrator is compared to Daniel Defoe's; Ian McEwan's use of weather is set against Austen's and Hardy's; Carole Shield's chapter divisions are likened to Fanny Burney's. Each section shows how some basic element of fiction is used. Some topics (like plot, dialogue, or location) will appear familiar to most novel readers; others (metanarrative, prolepsis, amplification) will open readers' eyes to new ways of understanding and appreciating the writer's craft. How Novels Work explains how the pleasures of novel reading often come from the formal ingenuity of the novelist. It is an entertaining and stimulating exploration of that ingenuity. Addressed to anyone who is interested in the close reading of fiction, it makes visible techniques and effects we are often only half-aware of as we read. It shows that literary criticism is something that all fiction enthusiasts can do. Contemporary novels discussed include: Monica Ali's Brick Lane; Martin Amis's Money; Margaret Atwood's The Blind Assassin; A.S. Byatt's Possession; Jonathan Coe's The Rotters' Club; J.M. Coetzee's Disgrace; Michael Cunningham's The Hours; Don DeLillo's Underworld; Michel Faber's The Crimson Petal and the White; Ian Fleming's From Russia with Love; Jonathan Franzen's The Corrections; Mark Haddon's The Curious Incident of the Dog in the Night-time; Patricia Highsmith's Ripley under Ground; Alan Hollinghurst's The Spell; Nick Hornby's How to Be Good; Ian McEwan's Atonement; John le Carré's The Constant Gardener; Andrea Levy's Small Island; David Mitchell's Cloud Atlas; Andrew O'Hagan's Personality; Orhan Pamuk's My Name Is Red; Ann Patchett's Bel Canto; Ruth Rendell's Adam and Eve and Pinch Me; Philip Roth's The Human Stain; Jonathan Safran Foer's Everything Is Illuminated; Carol Shields's Unless; Zadie Smith's White Teeth; Muriel Spark's Aiding and Abetting; Graham Swift's Last Orders; Donna Tartt's The Secret History; William Trevor's The Hill Bachelors; and Richard Yates's Revolutionary Road .
Author: John B. Olson
Publisher: Enclave Publishing
ISBN: 9781621840633
Category : Fiction
Languages : en
Pages : 408
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Book Description
Take a Deep Breath... It Could be Your Last Valkerie Jansen is rough, beautiful, and has an uncanny knack for survival. But that doesn't explain why NASA picks her to be part of a two man, two woman crew to Mars--or does it?Halfway to the Red Planet, an explosion leaves the crew with only enough oxygen for one while the other three must be put in stasis. The crew's survival depends on complete trust in one another but all evidence points to sabotage. Who do they trust to stay awake?A Christy Award Winning Novel
Author: John Olson
Publisher:
ISBN: 9781937031268
Category :
Languages : en
Pages :
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Book Description
Author: R. S. Ingermanson
Publisher: Crown of Thorns
ISBN: 9781937031237
Category : Fiction
Languages : en
Pages : 592
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Book Description
Nazareth has been cruel to my mother, more cruel than any village ever was. All the village says that my blood father is not the man who married my mother. They have shamed her on the matter all my life. Every woman asks which man of the village is my blood father. Every man scowls and says he was not the one my mother seduced. My mother will not tell who is my blood father. My mother will not speak on the matter. My mother bears her shame in silence. Some righteous man, a prophet, said a word over me when I was a babe in arms. He told how I will redeem Israel when I grow to be a man. Now I have grown to be a man, but I do not know how to redeem Israel. The scriptures do not explain the matter. My people say that the man who redeems Israel must take up the sword and throw off our enemy, Rome, which we call the Great Satan. My family says I must take up the sword. Only I am no man of the sword. I wish with all my heart to redeem Israel, but HaShem, the God of our fathers, must tell me how. Lately, there came a new prophet to Israel, who immerses for repentance at the river Jordan. I went to ask the prophet how I should redeem Israel. He said I am to smite the four Powers. I asked what are the four Powers. He could not say, but he said HaShem will reveal the matter to me. I wish HaShem will reveal the matter, only I am not a prophet. Not yet. But I will be. Here is what I know. Every hour of every day, I feel the Presence of HaShem. I do not know why I should feel the Presence always. My mother does not. My village does not. Even the prophet of HaShem does not. I think the Presence will teach me the way to redeem Israel. But I am afraid to redeem Israel. To redeem Israel is to leave my mother to the scorn of the village. The rage of the village. My mother begs and cries on me to make a justice for her. To make a justice on the village. I do not know how to make a justice on the village. I do not know how to redeem Israel. But HaShem will show me the way. I will learn how to be a prophet of HaShem. I will learn how to redeem Israel. I will learn how to make a justice for my mother. I will smite the first Power. Or I will die in the trying.
Author: Randy Ingermanson
Publisher: Ingermanson Communications, Incorporated
ISBN: 9781937031220
Category :
Languages : en
Pages : 446
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Book Description
There's a Code Even the NSA Can't Crack But Dillon Richard can. Dillon is a straight-arrow genius with Asperger's syndrome. He's never told a lie. He's never been kissed. And he's never had a badass quantum computer for cracking codes. Until now. In just a few days, Dillon will finish the software to crack the "unbreakable" code that banks and terrorists use to protect their most valuable secrets. Everybody's going to want a piece of Dillon. The Mafia. The NSA. And his two beautiful co-workers, Keryn and Rachel. Who'll get him first? About the Book Double Vision is a hilarious geeky suspense novel about a guy who has no idea how attractive he is to women. In fact, he has no idea how women think at all. Dillon is terribly strait-laced, and he's a bit shocked when he sees that his sexy co-worker Rachel doesn't wear a bra. But he's in for a bigger surprise when Keryn shows him where she hid the quantum computer. Dillon is just a wee bit opinionated, and he can't say a word without offending somebody with his thoughts on science, religion, national security, and the burning question of whether the multiverse is real. Excerpt 1: The passenger door opened and a petite young woman sprang out. She had shoulder-length silky hair of a golden blond color, and she wore a garish pink-and-blue tie-dyed shirt that stretched tight across her chest and did not reach down to her navel. Her faded jeans had a hole in one knee and did not reach up to her navel. She wore an old-fashioned leather fanny pack low around her hips. Dillon thought she looked like one of those supermodels on the covers of magazines in the supermarket. For a second, he simply stared at her. Then he caught himself and looked down at the ground. A wave of dizziness washed over him and he thought for a moment that he was going to fall over. Excerpt 2: Keryn did not like the way the blonde was staring at Dillon. Ogling him. Which was what every woman did the first time they saw Dillon Richard. If any guy on the planet ever deserved the word gorgeous, it was him. And the amazing thing about Dillon was that he had no idea how he affected women. Click the book cover at the top of this page to read more.
Author: Randall Scott Ingermanson
Publisher: Harvest House Publishers
ISBN: 9780736901956
Category : Christian fiction
Languages : en
Pages : 0
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Book Description
While playing a virtual reality game, Rivka Meyers, an American Messianic Jew visiting Israel for an archaeological dig, becomes trapped in ancient Jerusalem, involved in a plot to destroy the spread of Christianity.
Author: Marguerite Young
Publisher:
ISBN:
Category : Mind and reality
Languages : en
Pages : 0
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Book Description
This novel is one of the most ambitious and remarkable literary achievements of our time. It is a picaresque, psychological novel--a novel of the road, a journey or voyage of the human spirit in its search for reality in a world of illusion and nightmare. It is an epic of what might be called the Arabian Nights of American life. Marguerite Young's method is poetic, imagistic, incantatory; in prose of extraordinary richness she tests the nature of her characters--and the nature of reality. Miss MacIntosh, My Darling is written with oceanic music moving at many levels of consciousness and perception; but the toughly fibred realistic fabric is always there, in the happenings of the narrative, the humor, the precise details, the definitions of the characters. Miss MacIntosh herself, who hails from What Cheer, Iowa, and seems downright and normal, with an incorruptible sense of humor and the desire to put an end to phantoms; Catherine Cartwheel, the opium lady, a recluse who is shut away in a great New England seaside house and entertains imaginary guests; Mr. Spitzer, the lawyer, musical composer and mystical space traveler, a gentle man, wholly unsure of himself and of reality; his twin brother Peron, the gay and raffish gambler and virtuoso in the world of sports; Cousin Hannah, the horsewoman, balloonist, mountain-climber and militant Boston feminist, known as Al Hamad through all the seraglios of the East; Titus Bonebreaker of Chicago, wild man of God dreaming of a heavenly crown; the very efficient Christian hangman, Mr. Weed of the Wabash River Valley; a featherweight champion who meets his equal in a graveyard--these are a few who live with phantasmagorical vividness in the pages of Miss MacIntosh, My Darling. The novel touches on many aspects of life--drug addiction, woman's suffrage, murder, suicide, pregnancy both real and imaginary, schizophrenia, many strange loves, the psychology of gambling, perfectionism; but the profusion of this huge book serves always to intensify the force of the central question: "What shall we do when, fleeing from illusion, we are confronted by illusion?" What is real, what is dream? Is the calendar of the human heart the same as that kept by the earth? Is it possible that one may live a secondary life of which one does not know? In every aspect, Miss MacIntosh, My Darling stands by itself--in the lyric beauty of its prose, its imaginative vitality and cumulative emotional power. It is the work of a writer of genius.
