Author: Anna Eliza Bray
Publisher:
ISBN:
Category :
Languages : en
Pages : 452

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Author: Edward Bulwer Lytton Baron Lytton
Publisher:
ISBN:
Category :
Languages : en
Pages : 576

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Author: Ogden Whitney
Publisher: New York Review of Books
ISBN: 1681373440
Category : Comics & Graphic Novels
Languages : en
Pages : 121

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Book Description
By turns amusing and disturbing, this collection of 1960s romance comic strips provides a provocative window into male-female power dynamics as conceived by one of mid-century America's foremost comic book artists. Ogden Whitney was one of the unsung masters of American comics. He is perhaps best remembered for co-creating the satirical superhero Herbie Popnecker, also known as the Fat Fury, but his romance comics of the late 1950s and 1960s may be even more unique. In Whitney’s hands, the standard formula of meet-cute, minor complications, and final blissful kiss becomes something very different: an unsettling vision of midcentury American romance as a devastating power struggle, a form of intimate psychological warfare dressed up in pearls and flannel suits. From suburban lawns and offices to rocket labs and factories, his men and women scheme and clash, dominate and escape. It is darkly hilarious, truly terrifying—and yes, occasionally even a bit romantic.

Author: Troy Public Library (N.Y.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 248

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Author: Hubert McDermott
Publisher: Springer
ISBN: 1349102121
Category : Fiction
Languages : en
Pages : 265

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McDermott argues that the novels of the 18th century should be seen as part of an age-old European tradition going back to Homer rather than as a unique English event. He examines European fictional narratives and romance and their influence on authors such as Richardson and Fielding.

Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 962

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Author: Jessica Richard
Publisher: Springer
ISBN: 0230307272
Category : Fiction
Languages : en
Pages : 213

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Book Description
Gambling permeated the daily lives of eighteenth-century Britons of all classes. This book explicates the relationship between the rampant gambling in eighteenth-century England, the new forms of gambling-inspired capitalism that transformed British society, and novels that interrogate the new socio-economy of long odds and lucky breaks.

Author: Janice A. Radway
Publisher: Univ of North Carolina Press
ISBN: 0807898856
Category : Social Science
Languages : en
Pages : 289

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Book Description
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.

Author:
Publisher:
ISBN:
Category : Publishers' catalogs
Languages : en
Pages : 1240

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Author: Ioan Williams
Publisher: Routledge
ISBN: 1136823492
Category : Literary Criticism
Languages : en
Pages : 375

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Book Description
The documents collected in this volume, first published in 1970, trace the development of novel criticism during one of the most formative periods in the history of fiction: from 1700-1800. The material includes prefaces to collections, translations and original novels; essays written for journals modelled on the Spectator; passages taken from miscellanies and from books written primarily for some purpose unconnected with the novel; reviews from the monthly reviews; and introductions to the collected works of certain authors. This volume covers 100 years of criticism and creative writing, and the materials are arranged chronologically. Each of the documents is headed by an Introductory Note and the Editor has provided an important historical introduction.