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Author:
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Languages : fr
Pages : 244
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Author: Jean François Marmontel
Publisher:
ISBN:
Category :
Languages : fr
Pages : 256
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Author:
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ISBN:
Category :
Languages : fr
Pages : 230
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Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 244
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Book Description
Author: Jean-François Marmontel
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Author:
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ISBN:
Category :
Languages : fr
Pages : 242
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Author:
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ISBN:
Category :
Languages : fr
Pages : 303
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Author: Katherine Astbury
Publisher: Routledge
ISBN: 1351556622
Category : Foreign Language Study
Languages : en
Pages : 313
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Book Description
During the French Revolution, traditional literary forms such as the sentimental novel and the moral tale dominate literary production. At first glance, it might seem that these texts are unaffected by the upheavals in France; in fact they reveal not only a surprising engagement with politics but also an internalised emotional response to the turbulence of the period. In this innovative and wide-ranging study, Katherine Astbury uses trauma theory as a way of exploring the apparent contradiction between the proliferation of non-political literary texts and the events of the Revolution. Through the narratives of established bestselling literary figures of the Ancien Regime (primarily Marmontel, Madame de Genlis and Florian), and the early works of first generation Romantics Madame de Stael and Chateaubriand, she traces how the Revolution shapes their writing, providing an intriguing new angle on cultural production of the 1790s.Katherine Astbury is Senior Lecturer in French Studies at the University of Warwick.
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ISBN:
Category :
Languages : fr
Pages : 242
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Author: Margaret Cohen
Publisher: Princeton University Press
ISBN: 0691188246
Category : Literary Criticism
Languages : en
Pages : 230
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The nineteenth-century French novel has long been seen as the heroic production of great men, who confronted in their works the social consequences of the French Revolution. And it is true that French realism, especially as developed by Balzac and Stendhal, was one of the most influential novelistic forms ever invented. Margaret Cohen, however, challenges the traditional account of the genesis of realism by returning Balzac and Stendhal to the forgotten novelistic contexts of their time. Reconstructing a key formative period for the novel, she shows how realist codes emerged in a "hostile take-over" of a prestigious contemporary sentimental practice of the novel, which was almost completely dominated by women writers. Cohen draws on impressive archival research, resurrecting scores of forgotten nineteenth-century novels, to demonstrate that the codes most closely identified with realism were actually the invention of sentimentality, a powerful aesthetic of emerging liberal-democratic society, although Balzac and Stendhal trivialized sentimental works by associating them with "frivolous" women writers and readers. Attention to these gendered struggles over genre explains why women were not pioneers of realism in France during the nineteenth century, a situation that contrasts with England, where women writers played a formative role in inventing the modern realist novel. Cohen argues that to understand how literary codes respond to material factors, it is imperative to see how such factors take shape within the literary field as well as within society as a whole. The book also proposes that attention to literature as a social institution will help critics resolve the current, vital question of how to practice literary history in the wake of poststructuralism.
Author: Fanny Burney
Publisher:
ISBN:
Category : English letters
Languages : en
Pages : 578
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