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Author: Vanessa Place
Publisher: Dossier
ISBN: 9781933254463
Category : American literature
Languages : en
Pages : 0
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Book Description
What is conceptual writing, how does it differ from Conceptual Art, what are some of the dominant forms of conceptualism,where does an impure or hybrid conceptualism fit in, what about the baroque, what about the prosody of procedure, what are the links between appropriation and conceptual writing, how does conceptual writing rely on a new way of reading, a "thinkership" that can shift the focus away from the text and onto the concept, what is the relationship between conceptual writing and technology or information culture, and why has this tendency taken hold in the poetry community now? What follows, then, is a collection of notes, aphorisms, quotes and inquiries on conceptual writing. Notes on Conceptualisms is far from a definitive text, and much closer to a primer, a purposefully incomplete starting place, where readers, hopefully, can enter so as to participate in the shaping of these ideas. "For those not familiar with conceptualist practices in poetry, I can recommend few better places to start than Notes on Conceptualisms." --Thom Donovan for Bomblog
Author: Vanessa Place
Publisher: Dossier
ISBN: 9781933254463
Category : American literature
Languages : en
Pages : 0
Get Book Here
Book Description
What is conceptual writing, how does it differ from Conceptual Art, what are some of the dominant forms of conceptualism,where does an impure or hybrid conceptualism fit in, what about the baroque, what about the prosody of procedure, what are the links between appropriation and conceptual writing, how does conceptual writing rely on a new way of reading, a "thinkership" that can shift the focus away from the text and onto the concept, what is the relationship between conceptual writing and technology or information culture, and why has this tendency taken hold in the poetry community now? What follows, then, is a collection of notes, aphorisms, quotes and inquiries on conceptual writing. Notes on Conceptualisms is far from a definitive text, and much closer to a primer, a purposefully incomplete starting place, where readers, hopefully, can enter so as to participate in the shaping of these ideas. "For those not familiar with conceptualist practices in poetry, I can recommend few better places to start than Notes on Conceptualisms." --Thom Donovan for Bomblog
Author: Mary Ruefle
Publisher: Wave Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 346
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Book Description
This is one of the wisest books I've read in years... —New York Times Book Review No writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act—the fact that poetry must both guard and reveal, hint at and pull back... Also, and maybe most crucially, Ruefle’s work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that’s vital and welcome, that doesn’t make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon Review Profound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused... —Publishers Weekly This is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. —Matthew Dickman The accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature... —San Francisco Examiner Over the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utter—and utterly pleasurable—immersion. Finalist for the 2012 National Book Critics Circle Award. Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.
Author: Vanessa Place
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 148
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Book Description
A 117-page single-sentence novel about language and war. Vanessa Place withholds the period for 130 pages and one long night as its legless narrator recounts the war journey that has lead him to his final point of final truth, next to an armless man making stew. Place's single sentence unmoors time and space, subject and object, victim and perpetrator, in a voice sanctifying everything and elegizing nothing"--Publisher's statement http://lesfigues.com/book/dies/.
Author: Robert Fitterman
Publisher: Coach House Books
ISBN: 9781552451045
Category : Fiction
Languages : en
Pages : 132
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Book Description
Poetry. "In this unsentimental good-riddance to the city of Walter Benjamin, Fitterman assumes the role of the new flaneur, virtually ambling through the harrowingly dislocated psychographic landscape of the new metropolis. The once-glorious walls of the arcades have crumbled, leaving us only miles of aisles and infinite portals"--Kenneth Goldsmith. METROPOLIS 16-29 is the second installation in Fitterman's version of the modern project: the Temple built from memory, the city built from words. And since we're cruising here, the language is largely about food and anxiety, desire and escape. "your organization's top priorities. Why is the window of a jail / the toughest challenge you currently face in your job?"
Author: Andrea Andersson
Publisher: University of Toronto Press
ISBN: 1442649844
Category : Art
Languages : en
Pages : 429
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Book Description
Postscript is the first collection of writings on the subject of conceptual writing by a diverse field of scholars in the realms of art, literature, media, as well as the artists themselves
Author: Vanessa Place
Publisher: University of Alabama Press
ISBN: 1573661457
Category : Fiction
Languages : en
Pages : 489
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Book Description
Contemporary Los Angeles. A trucker and his wife, a nine-year-old saxophonist, an ice cream vendor, a sex worker, and a corpse, among others--are borderless selves in a borderless city, a city impossible to contain.
Author: Craig Dworkin
Publisher: Northwestern University Press
ISBN: 0810127113
Category : Art
Languages : en
Pages : 657
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Book Description
Charles Bernstein has described conceptual "poetry pregnant with thought." Against Expression, the premier anthology of conceptual writing, presents work that is by turns thoughtful, funny, provocative, and disturbing. Editors Craig Dworkin and Kenneth Goldsmith chart the trajectory of the conceptual aesthetic from early precursors such as Samuel Beckett and Marcel Duchamp through major avant-garde groups of the past century, including Dada, Oulipo, Fluxus, and language poetry, to name just a few. The works of more than a hundred writers from Aasprong to Zykov demonstrate a remarkable variety of new ways of thinking about the nature of texts, information, and art, using found, appropriated, and randomly generated texts to explore the possibilities of non-expressive language. --Book Jacket.
Author: Alexander Alberro
Publisher: MIT Press
ISBN: 9780262511179
Category : Design
Languages : en
Pages : 628
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Book Description
This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the conceptual art movement. Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years—in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians. This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the movement. It also contains more recent memoirs by participants, as well as critical histories of the period by some of today's leading artists and art historians. Many of the essays and artists' statements have been translated into English specifically for this volume. A good portion of the exchange between artists, critics, and theorists took place in difficult-to-find limited-edition catalogs, small journals, and private correspondence. These influential documents are gathered here for the first time, along with a number of previously unpublished essays and interviews. Contributors Alexander Alberro, Art & Language, Terry Atkinson, Michael Baldwin, Robert Barry, Gregory Battcock, Mel Bochner, Sigmund Bode, Georges Boudaille, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Victor Burgin, Ian Burn, Jack Burnham, Luis Camnitzer, John Chandler, Sarah Charlesworth, Michel Claura, Jean Clay, Michael Corris, Eduardo Costa, Thomas Crow, Hanne Darboven, Raúl Escari, Piero Gilardi, Dan Graham, Maria Teresa Gramuglio, Hans Haacke, Charles Harrison, Roberto Jacoby, Mary Kelly, Joseph Kosuth, Max Kozloff, Christine Kozlov, Sol LeWitt, Lucy Lippard, Lee Lozano, Kynaston McShine, Cildo Meireles, Catherine Millet, Olivier Mosset, John Murphy, Hélio Oiticica, Michel Parmentier, Adrian Piper, Yvonne Rainer, Mari Carmen Ramirez, Nicolas Rosa, Harold Rosenberg, Martha Rosler, Allan Sekula, Jeanne Siegel, Seth Siegelaub, Terry Smith, Robert Smithson, Athena Tacha Spear, Blake Stimson, Niele Toroni, Mierle Ukeles, Jeff Wall, Rolf Wedewer, Ian Wilson
Author: Vanessa Place
Publisher: Other Press, LLC
ISBN: 159051386X
Category : Law
Languages : en
Pages : 331
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Book Description
An English court in 1736 described rape as an accusation “easily to be made and hard to be proved, and harder to be defended by the party accused, though never so innocent. ”To prove the crime, the law required a woman to physically resist, to put up a “hue and cry,” as evidence of her unwillingness. Beginning in the 1970s, however, feminist and victim-advocacy groups began changing attitudes toward rape so the crime is now seen as violent in itself: the legal definition of rape now includes everything from the sadistic serial rapist to the eighteen-year-old who has consensual sex with a fourteen-year-old. This inclusiveness means there are now more rapists among us. And more of rape’s camp followers: the prison-makers, the community watchdogs, law-and-order politicians, and the real-crime/real-time entertainment industry. Vanessa Place examines the ambiguity of rape law by presenting cases where guilt lies, but lies uneasily, and leads into larger ethical questions of what defines guilt, what is justice, and what is considered just punishment. Assuming a society can and must be judged by the way it treats its most despicable members, The Guilt Project looks at the way the American legal system defines, prosecutes, and punishes sex offenders, how this Dateline NBC justice has transformed our conception of who is guilty and how they ought to be treated, and how this has come to undo our deeper humanity
Author:
Publisher:
ISBN: 9781946433589
Category : Art
Languages : en
Pages : 124
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Book Description
A lost gem of permutational conceptualism from a key figure in artist's book culture, available again Known internationally as one of Mexico's most important conceptual artists, Ulises Carrión (1941-89) played a decisive role in defining and conceptualizing the genre of the artists' book through his manifesto, "The New Art of Making Books" (1975), which he wrote soon after the 1972 publication of SONNET(S) and his move from Mexico City to Amsterdam, where he opened the legendary bookshop gallery, Other Books and So, the first space dedicated exclusively to artists' publications and an important precursor to such artists' book hubs as Printed Matter. One of Carrión's earliest "bookworks," SONNET(S) represents a landmark shift in the artist's output from poetry to artists' books. Here, Carrión takes a single poem by Dante Gabriel Rossetti through 50 typographic and procedural permutations. This republication is supplemented by new essays on Carrión's bookworks by contemporary artists, writers, and scholars from Mexico, Europe and the US.
