Notes and Queries, Number 190, June 18, 1853 PDF Download
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Author: Various
Publisher: Litres
ISBN: 5041705550
Category : Education
Languages : en
Pages : 129
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Author: Various
Publisher: Litres
ISBN: 5041705550
Category : Education
Languages : en
Pages : 129
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Author: George Bell
Publisher:
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Category :
Languages : en
Pages : 0
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Author: George Bell
Publisher: Createspace Independent Publishing Platform
ISBN: 9781724324207
Category :
Languages : en
Pages : 42
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Notes and Queries, Number 190, June 18, 1853 by George Bell This remark of Bingham's brings me at once to the subject of my present communication. What evidence exists of the practice of preaching by the hour-glass, thus treated as improbable, if not ridiculous, by the learned writer just quoted? If the early Fathers of the church timed their sermons by any instrument of the kind, we should expect their writings to contain internal evidence of the fact, just as frequent allusion is made by Demosthenes and other ancient orators to the klepshydra or water-clock, by which the time allotted to each speaker was measured. Besides, the close proximity of such an instrument would be a constant source of metaphorical allusion on the subject of time and eternity. Perhaps those of your readers who are familiar with the extant sermons of the Greek and Latin fathers, may be able to supply some illustration on this subject. At all events there appears to be indisputable evidence of the use of the hour-glass in the pulpit formerly in this country. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
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Category : Electronic journals
Languages : en
Pages : 562
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Category : History
Languages : en
Pages : 494
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Languages : en
Pages : 668
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Author: George Bell
Publisher: Createspace Independent Publishing Platform
ISBN: 9781722638863
Category :
Languages : en
Pages : 84
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Notes and Queries, Number 190, June 18, 1853 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. George Bell ON THE USE OF THE HOUR-GLASS IN PULPITS. George Herbert says: "The parson exceeds not an hour in preaching, because all ages have thought that a competency."-A Priest to the Temple, p. 28. Ferrarius, De Ritu Concion., lib. i. c. 34., makes the following statement: "Huic igitur certo ac communi malo (the evil of too long sermons) ut medicinam facerent, Ecclesiæ patres in concionando determinatum dicendi tempus fereque unius horæ spatio conclusum aut ipsi sibi præscribant, aut ab aliis præfinitum religiosè observabant." Bingham, commenting on this passage, observes: "Ferrarius and some others are very positive that they (their sermons) were generally an hour long; but Ferrarius is at a loss to tell by what instrument they measured their hour, for he will not venture to affirm that they preached, as the old Greek and Roman orators declaimed, by an hour-glass."-See Bingham, vol. iv. p. 582. This remark of Bingham's brings me at once to the subject of my present communication. What evidence exists of the practice of preaching by the hour-glass, thus treated as improbable, if not ridiculous, by the learned writer just quoted? If the early Fathers of the church timed their sermons by any instrument of the kind, we should expect their writings to contain internal evidence of the fact, just as frequent allusion is made by Demosthenes and other ancient orators to the klepshydra or water-clock, by which the time allotted to each speaker was measured. Besides, the close proximity of such an instrument would be a constant source of metaphorical allusion on the subject of time and eternity. Perhaps those of your readers who are familiar with the extant sermons of the Greek and Latin fathers, may be able to supply some illustration on this subject. At all events there appears to be indisputable evidence of the use of the hour-glass in the pulpit formerly in this country. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
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Languages : en
Pages :
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Author: Gordon Baldwin
Publisher: Metropolitan Museum of Art
ISBN: 1588391280
Category : Photography, Artistic
Languages : en
Pages : 305
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"Roger Fenton (1819-1869) was England's most celebrated photographer during the 1850s, the young medium's most glorious moment. After studying law and painting, Fenton took up the camera in 1851 and immediately began to produce highly original images. During a decade of work he mastered every photographic genre he attempted: architectural photography, landscape, portraiture, still life, reportage, and tableau vivant." "This volume presents ninety of Fenton's finest photographs, exactingly reproduced. Six leading scholars have contributed nine illustrated essays that address every aspect of Fenton's career, as well as a comprehensive, documented chronology."--BOOK JACKET.
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