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Author: menton3
Publisher: Dark Horse Comics (Single Issues)
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 34
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Book Description
If the undead have glory days, then the Black Plague was the era they never could have imagined. No longer hunted, no longer suspected, the vampires ran, exempt from fear. They were free to playuntil the night the vampires turned against each other. Collects all four _Dark Horse Presents_ installments! * Written by Steve Niles (_Breath of Bones_, _30 Days of Night_, _Criminal Macabre_)! * Art by menton3 (_Monocyte_, _Transfusion_, _The Dunwich Horror_)!
Author: menton3
Publisher: Dark Horse Comics (Single Issues)
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 34
Get Book Here
Book Description
If the undead have glory days, then the Black Plague was the era they never could have imagined. No longer hunted, no longer suspected, the vampires ran, exempt from fear. They were free to playuntil the night the vampires turned against each other. Collects all four _Dark Horse Presents_ installments! * Written by Steve Niles (_Breath of Bones_, _30 Days of Night_, _Criminal Macabre_)! * Art by menton3 (_Monocyte_, _Transfusion_, _The Dunwich Horror_)!
Author: Kevin Jackson
Publisher: Bloomsbury Publishing
ISBN: 1838717382
Category : Performing Arts
Languages : en
Pages : 142
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Book Description
F.W. Murnau's 1922 Nosferatu, the first (albeit unofficial) screen adaptation of Bram Stoker's Dracula, starring Max Schreck as the hollow-eyed, cadaverous vampire, remains a potent and disturbing horror film. Kevin Jackson's study traces Nosferatu's eventful production and reception history, including attempts by Stoker's widow to suppress it.
Author: Luke Robinson
Publisher: Oxford University Press
ISBN: 0197682871
Category : History
Languages : en
Pages : 313
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Book Description
In One Shot Hitchcock, some of the best writers and thinkers in film studies have taken up the challenge of writing about a single shot from an Alfred Hitchcock film. Fifteen of Hitchcock's most engaging, horrifying, beautiful, sexual, and bizarre shots are interrogated and loved. Single shots are looked at from multiple angles, considering its importance for the film in question, and for other ways we can think about the cinema. This book is not only for people who enjoy watching and discussing Hitchcock's films, but for those who wish to discover new ways of writing about the films they love.
Author: Istvan Pivarcsi
Publisher: New Europe Books
ISBN: 0982578156
Category : Social Science
Languages : en
Pages : 205
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Book Description
Mustering his extensive experience on the scene of the world's richest source of vampire lore, Transylvania, historian and author István Pivárcsi seeks to peel away the effects of popular culture and set the record straight, addressing essential questions in dozens of bite-size chapters: How did vampire legends emerge in the Balkans, Romania, and Transylvania? How did other monsters eventually coalesce as what we know as vampires? Who was the real Vlad the Impaler, and how did he come to personify the classic vampire? How did vampire-related oral traditions evolve over the centuries—and then explode with unprecedented force in both literature and popular culture from the mid-nineteenth century on? The ideal short reference for anyone with at least a passing interest in the undead, Just a Bite includes an extensive two-part appendix comprising a comprehensive glossary of vampire terms as well as a chronology of human beings' fascination (and interaction) with vampires through history. From the Trade Paperback edition.
Author: Bill Kovarik
Publisher: Bloomsbury Publishing USA
ISBN: 1628924780
Category : Social Science
Languages : en
Pages : 481
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Book Description
Revolutions in Communication offers a new approach to media history, presenting an encyclopedic look at the way technological change has linked social and ideological communities. Using key figures in history to benchmark the chronology of technical innovation, Kovarik's exhaustive scholarship narrates the story of revolutions in printing, electronic communication and digital information, while drawing parallels between the past and present. Updated to reflect new research that has surfaced these past few years, Revolutions in Communication continues to provide students and teachers with the most readable history of communications, while including enough international perspective to get the most accurate sense of the field. The supplemental reading materials on the companion website include slideshows, podcasts and video demonstration plans in order to facilitate further reading.
Author: Michael Hafftka
Publisher:
ISBN: 0976066505
Category : Artists
Languages : en
Pages : 84
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Book Description
Author: Brad Prager
Publisher: John Wiley & Sons
ISBN: 1444361406
Category : Performing Arts
Languages : en
Pages : 651
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Book Description
A Companion to Werner Herzog showcases over two dozen original scholarly essays examining nearly five decades of filmmaking by one of the most acclaimed and innovative figures in world cinema. First collection in twenty years dedicated to examining Herzog’s expansive career Features essays by international scholars and Herzog specialists Addresses a broad spectrum of the director’s films, from his earliest works such as Signs of Life and Fata Morgana to such recent films as The Bad Lieutenant and Encounters at the End of the World Offers creative, innovative approaches guided by film history, art history, and philosophy Includes a comprehensive filmography that also features a list of the director’s acting appearances and opera productions Explores the director’s engagement with music and the arts, his self-stylization as a global filmmaker, his Bavarian origins, and even his love-hate relationship with the actor Klaus Kinski
Author: Anton Kaes
Publisher: Princeton University Press
ISBN: 0691031363
Category : History
Languages : en
Pages : 327
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Book Description
'Shell Shock Cinema' shows how classical German cinema of the Weimar Republic was haunted by the horrors of World War I & the trauma of Germany's humiliating defeat. Anton Kaes argues that even films which do not depict war reveal a wounded nation in post-traumatic shock.
Author: Lucy Fischer
Publisher: Princeton University Press
ISBN: 1400859956
Category : Performing Arts
Languages : en
Pages : 361
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Book Description
Do films made by women comprise a "counter-cinema" radically different from the dominant tradition? Feminist film critics contend that women filmmakers do present from a distinctive vision, or "countershot," and Lucy Fischer argues persuasively for this view. In rich detail this book relates the idea of a counter-cinema to theories of intertextuality and locates it in the broad context of recent feminist film, literary, and art criticism. Fischer also employs an original critical model of the dialogue between women's cinema and film tradition in the very organization of the book. Each chapter discusses a theme or genre (such as the musical, the "double," the myth of womanhood, and the figure of the actress), counterposing two or more works--from the feminist and from the dominant cinema. What emerges is a fascinating picture of a women's film tradition that not only addresses but reworks and remakes the mainstream cinema. Fischer successfully combines two main strains of feminist criticism: the deconstructive critique of the dominant culture from a feminist standpoint and the study of a feminist counterculture. Examining films from Persona and The Lady from Shanghai to Girlfriends and Sisters, or the Balance of Happiness, the book offers fresh interpretations of individual works and can, incidentally, serve as an introduction to the field of feminist film criticism. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Stephen R. Wilk
Publisher: Oxford University Press
ISBN: 0197518605
Category : Science
Languages : en
Pages : 192
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Book Description
Why are candle flames yellow? Why does ultraviolet light supposedly kill vampires? What about the monocle? Why was the monocle--a corrective lens that only corrects vision in a single eye--so popular among businessmen and politicians for so many years? Stephen R. Wilk answers all this and so much more in Sandbows and Black Lights. This book is a collection of original essays on weird and unusual topics surrounding optics. Wilk uses the BBC's formula of "Education by Stealth" to explain unusual facets of science and technology through the matrix of interesting and cultural paths, all the while weaving in math equations in an accessible way. The first part of the book focuses on the history, the second moves to odd scientific approaches to visual phenomena, and the third part explains the unique use of optics in fiction, movies, and comic books over time. Chapters cover everything from endless corridors to the beam of light over treasure chests in movies. Whether he is explaining a rare discovery or answering a seemingly unapproachable question, Wilk is able to lure readers in on every page. He has a unique ability to turn complex science into an engaging story, and this book is full of narratives on esoteric topics anyone will find intriguing. Sandbows and Black Lights provides an enticing and entertaining look at physical illusions in a whole new way.
