Northern Haida Master Carvers PDF Download
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Author: Robin Kathleen Wright
Publisher: University of Washington Press
ISBN: 9781550548426
Category : Art
Languages : en
Pages : 428
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Book Description
Author: Robin Kathleen Wright
Publisher: University of Washington Press
ISBN: 9781550548426
Category : Art
Languages : en
Pages : 428
Get Book Here
Book Description
Author: Robin K. Wright
Publisher:
ISBN: 9780295751047
Category :
Languages : en
Pages : 192
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Book Description
In 1892 seventeen Haida artists were commissioned to carve a model of HlGaagilda Llnagaay (the village of Skidegate on Haida Gwaii, British Columbia) for the 1893 World's Fair in Chicago. The Skidegate model, featuring twenty-nine large houses and forty-two poles, is the only known model village in North America carved by nineteenth-century Indigenous residents of the village it portrayed. Based on over twenty years of collaborative research with the Skidegate Haida community, the book features vital cultural context. Robin K. Wright explores how Haida people represented their culture to the outside world at a time when they were suffering from devastating population loss due to introduced diseases and from ongoing attempts by the settler government to suppress their culture by making the potlatch illegal. While promoters of the Chicago World's Fair used the village to celebrate the perceived "progress" of the dominant society, for Skidegate residents it provided a means to preserve their history and culture. After the exposition, many models were dispersed to the Field Museum of Natural History and other collections, but fourteen of the model houses have not yet been located. The book provides extensive archival information and photographs that contextualize the model village and might help locate the missing houses. Wright's community-engaged research offers valuable insights into Northwest Coast art history.
Author: Kathryn Bunn-Marcuse
Publisher: University of Washington Press
ISBN: 0295747145
Category : Art
Languages : en
Pages : 344
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Book Description
Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to this volume foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices.
Author: Emily L. Moore
Publisher: University of Washington Press
ISBN: 0295743948
Category : History
Languages : en
Pages : 296
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Book Description
Among Southeast Alaska�s best-known tourist attractions are its totem parks, showcases for monumental wood sculptures by Tlingit and Haida artists. Although the art form is centuries old, the parks date back only to the waning years of the Great Depression, when the US government reversed its policy of suppressing Native practices and began to pay Tlingit and Haida communities to restore older totem poles and move them from ancestral villages into parks designed for tourists. Dramatically altering the patronage and display of historic Tlingit and Haida crests, this New Deal restoration project had two key aims: to provide economic aid to Native people during the Depression and to recast their traditional art as part of America�s heritage. Less evident is why Haida and Tlingit people agreed to lend their crest monuments to tourist attractions at a time when they were battling the US Forest Service for control of their traditional lands and resources. Drawing on interviews and government records, as well as the totem poles themselves, Emily Moore shows how Tlingit and Haida leaders were able to channel the New Deal promotion of Native art as national art into an assertion of their cultural and political rights. Just as they had for centuries, the poles affirmed the ancestral ties of Haida and Tlingit lineages to their lands.
Author:
Publisher: University of Toronto Press
ISBN:
Category : Canada Imprints
Languages : en
Pages : 1610
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Book Description
Author: Ronald W. Hawker
Publisher: University of Toronto Press
ISBN: 1442620145
Category : Social Science
Languages : en
Pages : 264
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Book Description
Charlie James (1867–1937) was a premier carver and painter from the Kwakwaka'wakw First Nation of British Columbia. Also known by his ceremonial name Yakuglas, he was hawker a prolific artist and activist during a period of severe oppression for First Nations people in Canada. Yakuglas’ Legacy examines the life of Charlie James. During the early part of his career James created works primarily for ritual use within Kwakwaka'wakw society. However, in the 1920s, his art found a broader audience as he produced more miniatures and paintings. Through a balanced reading of the historical period and James’ artistic production, Ronald W. Hawker argues that James’ shift to contemporary art forms allowed the artist to make a critical statement about the vitality of Kwakwaka'wakw culture. Yakuglas’ Legacy, aided by the inclusion of 123 colour illustrations, is at once a beautiful and poignant book about the impact of the Canadian project on Aboriginal people and their artistic response.
Author: Gaadgas Nora Bellis
Publisher: Harbour Publishing
ISBN: 1550179780
Category : Biography & Autobiography
Languages : en
Pages : 271
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Book Description
Collected wisdoms, reflections and stories from Indigenous Elder Naanii Nora of the Haida Nation. So You Girls Remember That is an oral history of a Haida Elder, Naanii Nora, who lived from 1902 to 1997. A collaborative effort, this project was initiated and guided by Charlie Bellis and Maureen McNamara and was years in the making. The resulting book, compiled by Jenny Nelson, is a window into Nora’s life and her family—from the young girl singing all day in the canoe, bossing her brothers around or crossing Hecate Strait on her dad’s schooner, to the young woman making her way in the new white settlers’ town up the inlet, with music always a refrain—these are stories of childhood; of people and place, seasons and change; life stages and transitions such as moving and marriage; and Haida songs and meanings. This book also contains the larger story of Nora’s times, a representation of changing political relationships between Canada and the Haida people and a personal part of the Haida tale. What ultimately shines through is Nora’s singular and dynamic voice speaking with the wisdom of years. For example, on giving advice she says: “I like to give anybody advice because when you’re young you don’t know nothing on this world. What’s coming; what’s going ... You have to remember it’s a steep hill; you’re right on the top. You slide down anytime if you don’t be careful.” This is a work of great generosity, expressing Nora’s spirit of living—her joy, humour, spirituality and resourcefulness; her love of children, music and social life; her kindness, strong will and creativity; and her spirit that has nurtured a community and endures to this day. Royalties will be donated to the Carl Hart Legacy Trust through the Haida Gwaii Community Foundation, to support the Rediscovery Camp at T'aalan Stl'ang.
Author: Marius Barbeau
Publisher:
ISBN:
Category : Haida Indians
Languages : en
Pages : 214
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Book Description
Author: A. B. Cunningham
Publisher: Earthscan
ISBN: 184407045X
Category : Wood-carving industry
Languages : en
Pages : 307
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Book Description
Very little has yet been written about the cultural or economic contributions of woodcarving to people's livelihoods or the consequences of felling hardwood and softwood trees for the international woodcarving trade. Carving Out a Future is the first examination of this trade and its critical links to rural livelihoods, biodiversity, conservation, forestry and the international trade regime. A range of case studies from Australia, Bali, India,Africa and Mexico provides a lens for examining the critical issues relating to the significant impacts of woodcarving on forests, conservation efforts, the need to promote sustainable rural livelihoods and efforts to promote trade so that skilled artisans in developing countries get a fair economic return.Livelihoods, Carving and Conservation * Global Overview * The Case of Woodcarving in Kenya * Drums and Hornbills * Sculpture and Identity * Carving Wood in Southern Zimbabwe * The Kiaat Woodcrafters of Bushbuckridge, South Africa * Carvers, Conservation and Certification in India * Colour, Sustainability and Market Sense in Bali * Aboriginal Woodcarvers in Australia * BurseraWoodcarving in Oaxaca, Mexico * Linaloe Wood Handicrafts * Learning from a Comparison of Cases * Carving, Sustainability and Scarcity * Certification of Woodcarving * Planning for Woodcarving in the 21st Century *
Author: Brian Belcher
Publisher: Routledge
ISBN: 1136570160
Category : Nature
Languages : en
Pages : 317
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Book Description
Very little has yet been written about the cultural or economic contributions of woodcarving to people's livelihoods or the consequences of felling hardwood and softwood trees for the international woodcarving trade. Carving Out a Future is the first examination of this trade and its critical links to rural livelihoods, biodiversity, conservation, forestry and the international trade regime. A range of case studies from Australia, Bali, India,Africa and Mexico provides a lens for examining the critical issues relating to the significant impacts of woodcarving on forests, conservation efforts, the need to promote sustainable rural livelihoods and efforts to promote trade so that skilled artisans in developing countries get a fair economic return. Livelihoods, Carving and Conservation * Global Overview * The Case of Woodcarving in Kenya * Drums and Hornbills * Sculpture and Identity * Carving Wood in Southern Zimbabwe * The Kiaat Woodcrafters of Bushbuckridge, South Africa * Carvers, Conservation and Certification in India * Colour, Sustainability and Market Sense in Bali * Aboriginal Woodcarvers in Australia * BurseraWoodcarving in Oaxaca, Mexico * Linaloe Wood Handicrafts * Learning from a Comparison of Cases * Carving, Sustainability and Scarcity * Certification of Woodcarving * Planning for Woodcarving in the 21st Century *
