North Carolina Museum of Art Bulletin, 1997, Vol. 17 (Classic Reprint) PDF Download
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Author: North Carolina Museum of Art
Publisher: Forgotten Books
ISBN: 9781528504751
Category : Art
Languages : en
Pages : 104
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Book Description
Excerpt from North Carolina Museum of Art Bulletin, 1997, Vol. 17 Pre-eminent scholar, sought - after connoisseur, and master museum builder, the German-born Valentiner was a central figure on the American art scene for much of the first half of this century. As director of the Detroit Institute of Arts in the 19205 and 19305, he guided the development of its distinguished Collections as well as seéuring its international reputation. Subsequently, as co-director-consultant at the Los Angeles County Museum of History, Science and Art, he engineered its division, thereby helping to create the Los Angeles County Museum of Art. From there, Valentiner led J. Paul Getty's early efforts to establish his museum before being persuaded in 1955 to become the first director of the North Carolina Museum of Art. He served here from 1956 until his death in September of 1958. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: North Carolina Museum of Art
Publisher: Forgotten Books
ISBN: 9781528504751
Category : Art
Languages : en
Pages : 104
Get Book Here
Book Description
Excerpt from North Carolina Museum of Art Bulletin, 1997, Vol. 17 Pre-eminent scholar, sought - after connoisseur, and master museum builder, the German-born Valentiner was a central figure on the American art scene for much of the first half of this century. As director of the Detroit Institute of Arts in the 19205 and 19305, he guided the development of its distinguished Collections as well as seéuring its international reputation. Subsequently, as co-director-consultant at the Los Angeles County Museum of History, Science and Art, he engineered its division, thereby helping to create the Los Angeles County Museum of Art. From there, Valentiner led J. Paul Getty's early efforts to establish his museum before being persuaded in 1955 to become the first director of the North Carolina Museum of Art. He served here from 1956 until his death in September of 1958. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: North Carolina Museum of Art
Publisher: Forgotten Books
ISBN: 9780266833758
Category : Art
Languages : en
Pages : 286
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Book Description
Excerpt from North Carolina Museum of Art Bulletin, Vol. 1: Spring 1957 But there is one more proof for this dating of our painting. Three times has Tintoretto made use of the forge motive. One of the four paintings which he executed for the Salotto Dorato of the Ducal Palace, in 1578, shows. The Forge of Vulcan again. As in our painting, four figures surround the anvil, but no story is told. All emphasis is on the melodious rhythm of the action of forging. There is no interest in the descrip tion of the Cyclopes, who appear here as normal human beings. Placed in an even distribution around the anvil, the rise and fall of their hammers conveys the feeling of an incessant circulating motion, a dynamic manifestation of movement in space and time. This version of the motive is certainly a long way from the graceful, decorative arrangement of our painting. The motive appears for the third time in one of Tintoretto's most mature paintings, the Gathering of the Manna in San Giorgio Maggiore, from about 1594. In the upper left corner of this wonderfully exuberant symphony to the praise of this life on earth are three men gathered around an anvil. The almost jubilant intensity of their movements seems to rotate around the anvil in a frenzy' of action. Thus, the three versions of our motive really sum up the whole course of Tintoretto's transfor mation from a graceful representative of the dying High Renaissance to the forceful innovator of the baroque. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Bosiljka Raditsa
Publisher: Metropolitan Museum of Art
ISBN: 0870999532
Category : Art, Renaissance
Languages : en
Pages : 225
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Book Description
Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 786
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Book Description
Includes section: Notes and reviews.
Author: Bowker Editorial Staff
Publisher: R. R. Bowker
ISBN: 9780835238007
Category : Reference
Languages : en
Pages : 2776
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Book Description
Author: Joost vander Auwera
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
"Jacob Jordaens (1593-1678) was a Flemish Baroque painter whose work has largely been overshadowed by his contemporaries Peter Paul Rubens and Anthony van Dyck. Providing new insight on the artist as well as art historical context for his works, Jacob Jordaens and Antiquity emphasizes his strategic intelligence with respect to imagery and the art market and challenges the common characterization of Jordaens as a bourgeois artist of genre scenes. Jordaens's work is examined as an example of classical culture being introduced into the commercial and intellectual life of Antwerp. He was an artist with an unusual talent for conveying imagery from classical literature, ranging from Satyr and Peasant to Diogenes Searching for an Honest Man. Focusing on the theme of antiquity, this volume features eighty paintings, drawings, tapestries, and sculptures from private collections and major museums, including the Museo Nacional del Prado in Spain and the Statens Museum for Kunst in Denmark."--Publisher's website.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392406
Category : Painting
Languages : en
Pages : 344
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Book Description
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 3054
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Book Description
Author: Jonathan Bikker
Publisher: Yale University Press
ISBN: 0300105819
Category : Art
Languages : en
Pages : 244
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Book Description
"The book draws on extensive research to revise what has been known about Drost's life, his stylistically diverse oeuvre, and his influences. The artist's training and his relationship to Rembrandt and other artists in the Rembrandt circle are examined, as is his Venetian period and the relation of his style to that of German-born painter Johann Carl Loth. Drost emerges as one of Rembrandt's most talented imitators and, despite his very short career, an artist with a variety of faces."--BOOK JACKET.
