Author: Shirley Brantley
Publisher: Lulu.com
ISBN: 1411650700
Category : Fiction
Languages : en
Pages : 341

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Book Description
In a homespun vernacular all her own, Shirley Brantley narrates this true tale of struggle and triumph. Her debut novel, No Other Help I Know, is set in the early sixties in the rural south. It centers on a family who is looking up and reaching out and holding on to the only thing that sustains them, their faith in God and themselves. Deeply rooted in the African American tradition, the message transcends cultural and racial divides with a universal truth. For every high, there is a low, and for every mountain top there is a valley experience. We are always in pursuit of our higher selves. Largely autobiographical, the story begins with Jeane Brockton en route to her hometown of Pendelton, South Carolina. During this sentimental journey, the scenes along the countryside cause intense memories to emerge, evoking a telling of her childhood that lends itself to the heart of traditional fiction.

Author: Esther Fleece Allen
Publisher: Zondervan
ISBN: 0310344778
Category : Religion
Languages : en
Pages : 220

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Book Description
Scripture reveals a God who meets us where we are, not where we pretend to be. No More Faking Fine is your invitation to get honest with God through the life-giving language of lament. If you've ever been given empty clichés during challenging times, you know how painful it is to be misunderstood by well-meaning people. When life hurts, we often feel pressure--from others and ourselves--to keep it together, suck it up, or pray it away. But Scripture reveals a God who lovingly invites us to give honest voice to our emotions when life hits hard. For most of her life, Esther Fleece Allen believed she could bypass the painful emotions of her broken past by shutting them down altogether. She was known as an achiever and an overcomer on the fast track to success. But in silencing her pain, she robbed herself of the opportunity to be healed. Maybe you've done the same. Esther's journey into healing began when she discovered that God has given us a real-world way to deal with raw emotions and an alternative to the coping mechanisms that end up causing more pain. It's called lament--the gut-level, honest prayer that God never ignores, never silences, and never wastes. No More Faking Fine is your permission to lament, taking you on a journey down the unexpected pathway to true intimacy with God. Drawing from careful biblical study and hard-won insight, Esther reveals how to use God's own language to come closer to him as he leads us through our pain to the light on the other side, teaching you that: We are robbing ourselves of a divine mystery and a divine intimacy when we pretend to have it all together God does not expect us to be perfect; instead, he meets us where we are There is hope beyond your heartache, disappointment, and grief Like Esther, you'll soon find that when one person stops faking fine, it gives everyone else permission to do the same.

Author: Joseph Funk
Publisher:
ISBN: 9781932676150
Category : Music
Languages : en
Pages : 0

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Book Description
The Harmonia Sacra is a hymn book of renown. In 1832 a Mennonite named Joseph Funk published a songbook that had a profound influence on Mennonite singing for generations. Its name, Genuine Church Music, indicated the compiler's intention that the contents be songs that, in his words, have stood the test of time and survived the changes of fashion. Its distinctively shaped notes of the fasola system linked it with dozens of songbooks published in America at the time to encourage musical literacy. The variety of musical content, ranging from simple psalm tunes and American folk melodies to complex early American anthems, offered ideal materials for singing schools. The Harmonia Sacra is still used in old folks' all-day singings in Rockingham and adjacent areas. In fact, this edition is the revised Legacy Edition, making it the twenty-seventh edition of The Harmonia Sacra.

Author: Daniel B. Merrick
Publisher: Chalice Press
ISBN: 9780827280304
Category : Hymns
Languages : en
Pages : 834

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Book Description
Every Sunday, thousands of Christians lift their voices in song and their spirits in worship using the acclaimed Chalice Hymnal-join them and sing from a brilliant blend of 620 easy-to-sing traditional and contemporary hymns.

Author: Matthew Henry
Publisher:
ISBN:
Category : Theology
Languages : en
Pages : 902

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Author: Margaret Oliphant
Publisher: R. CLAY, SONS, AND TAYLOR, PRINTERS
ISBN:
Category : Fiction
Languages : en
Pages : 118

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Book Description
Example in this ebook CHAPTER I. Was this then the conclusion of all things—that there was nothing so perfect that it was worth a man's while to struggle for it; that any officious interference with the recognised and existing was a mistake; that nothing was either the best or the worst, but all things mere degrees in a round of the comparative, in which a little more or a little less was of no importance, and the most strenuous efforts tended to failure as much as indifference? Walter, returning to the old house which was his field of battle, questioned himself thus, with a sense of despair not lessened by the deeper self-ridicule within him, which asked, was he then so anxious for the best, so ready to sacrifice his comfort for an ideal excellence? That he, of all men, should have this to do, and yet that, being done, it should be altogether ineffectual, was a sort of climax of clumsy mortal failure and hopelessness. The only good thing he had done was the restoration of those half-evicted cotters, and that was but a mingled and uncertain good, it appeared. What was the use of any struggle? If it was his own personal freedom alone that he really wanted, why here it was within his power to purchase it—or at least a moderate amount of it—a comparative freedom, as everything was comparative. His mind by this time had ceased to be able to think, or even to perceive with any distinctness the phrase or motif inscribed upon one of those confused and idly-turning wheels of mental machinery which had stood in the place of thought to him. It was the afternoon when he got back, and everything within him had fallen into an afternoon dreariness. He lingered when he landed on the waste bit of grass that lay between the little landing-place and the door of the old castle. He had no heart to go in and sit down unoccupied in that room which had witnessed so many strange meetings. He was no longer indeed afraid of his visitor there, but rather looked forward with a kind of relief to the tangible presence which delivered him from meetings of the mind more subtle and painful. But he had no expectation of any visitor; nor was there anything for him to do except to sit down and perhaps attempt to read, which meant solely a delivering over of himself to his spiritual antagonists—for how was it possible to give his mind to any fable of literature in the midst of a parable so urgent and all-occupying, of his own? He stood therefore idly upon the neglected turf, watching the ripple of the water as it lapped against the rough stones on the edge. The breadth of the loch was entirely hidden from him by the projection of the old tower, which descended into the water at the right, and almost shut off this highest corner of Loch Houran into a little lakelet of its own. Walter heard the sound of oars and voices from the loch without seeing any one: but that was usual enough, and few people invaded his privacy: so that he was taken by surprise when, suddenly raising his eyes, he was aware of the polished and gilded galley from Birkenbraes, in which already Mr. Williamson, seated in the stern, had perceived and was hailing him. "Hallo, my Lord Erradeen! Here we've all come to see ye this fine afternoon. I told them we should find ye under your own vine and your own fig-tree." This speech was accompanied by a general laugh. The arrival of such a party, heralded by such laughter in a desolate house, with few servants and no readiness for any such emergency, to a young man in Walter's confused and distracted condition would not, it may be supposed, have been very welcome in any case, and at present in his exhaustion and dismay he stood and gazed at them with a sort of horror. There was not even a ready servitor like Hamish to assist in the disembarkation. To be continue in this ebook

Author: Katie M. Reid
Publisher: WaterBrook
ISBN: 0735291322
Category : Religion
Languages : en
Pages : 242

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Book Description
An invitation for overachievers to discover what it means to rest as God's daughters without compromising their God-given design as doers. Are you a Martha who feels guilty for not being a Mary? Do you want to sit at Jesus’s feet as Mary did—but you feel the need to get things done? In Made Like Martha, Katie M. Reid invites you to exchange try-hard striving for hope-filled freedom without abandoning your doer’s heart in the process. Through her own story and rich biblical illustrations, Katie reminds you that it’s not important whether you sit and listen or stand and work. What matters is that your spiritual posture is one of a beloved daughter who knows she doesn’t need to earn God’s love. Your desire to get things done is not something to temper but something to embrace as you serve from a place of strength and peace—knowing Christ already did His most important work for you on the cross. With “It Is Finished” activities at the end of each chapter and a fiveweek Bible study included, Made Like Martha helps you find rest from striving even as you celebrate your God-given design to “do.” “Made Like Martha will infuse your life with a fresh perspective as you learn both to embrace your God-given personality and also discover how—and when—to rest and retreat.” —Karen Ehman, Proverbs 31 Ministries speaker and New York Times bestselling author of Keep It Shut

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 650

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Author: Jeremiah Burroughs
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 716

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Book Description

Author: John Ruskin
Publisher: anboco
ISBN: 3736406665
Category : Fiction
Languages : en
Pages : 1836

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Book Description
The work now laid before the public originated in indignation at the shallow and false criticism of the periodicals of the day on the works of the great living artist to whom it principally refers. It was intended to be a short pamphlet, reprobating the matter and style of those critiques, and pointing out their perilous tendency, as guides of public feeling. But, as point after point presented itself for demonstration, I found myself compelled to amplify what was at first a letter to the Editor of a Review, into something very like a treatise on art, to which I was obliged to give the more consistency and completeness, because it advocated opinions which, to the ordinary connoisseur, will sound heretical. I now scarcely know whether I should announce it is an Essay on Landscape Painting, and apologize for its frequent reference to the works of a particular master; or, announcing it as a critique on particular works, apologize for its lengthy discussion of general principles. But of whatever character the work may be considered, the motives which led me to undertake it must not be mistaken. No zeal for the reputation of any individual, no personal feeling of any kind, has the slightest weight or influence with me. The reputation of the great artist to whose works I have chiefly referred, is established on too legitimate grounds among all whose admiration is honorable, to be in any way affected by the ignorant sarcasms of pretension and affectation.