Author: Friedrich Perzynski
Publisher: Courier Corporation
ISBN: 0486141284
Category : Drama
Languages : en
Pages : 178
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Book Description
120 full-page plates of magnificent, elaborately carved, museum-quality masks worn by actors playing gods, warriors, beautiful women, feudal lords, and supernatural beings. Captions.
Author: Dr Sky
Publisher: Hillcrest Publishing Group
ISBN: 1626528225
Category : Body, Mind & Spirit
Languages : en
Pages : 307
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Book Description
The final volume in Dr. Skys inspiring five-book SohKiDo series explores Pathway VII, Therapeutic Noh Theater.
Author: David Wiles
Publisher: Cambridge University Press
ISBN: 9780521543521
Category : Crafts & Hobbies
Languages : en
Pages : 308
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Book Description
An examination of the conventions and techniques of the Greek theatre of Menander and subsequent Roman theatre.
Author: James R. Brandon
Publisher: University of Hawaii Press
ISBN: 9780824818104
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
How do classical, highly codified theatre arts retain the interest of today's audiences and how do they grow and respond to their changing circumstances? The eight essays presented here examine the contemporary relevance and significance of the "classic" No and Kyogen theatre to Japan and the West. They explore the theatrical experience from many perspectives--those of theatre, music, dance, art, literature, linguistics, philosophy, religion, history and sociology.
Author: Zeami Motokiyo
Publisher: Volume Edizioni srl
ISBN: 8897747108
Category : Drama
Languages : en
Pages : 37
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Book Description
The japanese Noh drama by the Master Zeami Motokiyo about the Buddhist priest Rensei and the warrior of the Taira Clan Atsumori. The story of redention of the warrior Kumagai Jiro Naozane that killed the young Atsumori. One of the most popular and touching Zeami's Noh drama inspired by "The Tales of Heike". Contents: Preface by Massimo Cimarelli Atsumori by Zeami Motokiyo Pearson Part I Interlude Part II Glossary Notes
Author: Benito Ortolani
Publisher: Princeton University Press
ISBN: 9780691043333
Category : Drama
Languages : en
Pages : 432
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Book Description
From ancient ritualistic practices to modern dance theatre, this study provides concise summaries of all major theatrical art forms in Japan. It situates each genre in its particular social and cultural contexts, describing in detail staging, costumes, repertory and noteworthy actors.
Author: Christoph Brumann
Publisher: Routledge
ISBN: 1135255733
Category : History
Languages : en
Pages : 239
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Book Description
This book examines the making of heritage in contemporary Japan, investigating the ways in which particular objects, practices and institutions come to be seen as forms of heritage which are ascribed public recognition and political significance.
Author: Karen Brazell
Publisher: Columbia University Press
ISBN: 9780231108737
Category : Drama
Languages : en
Pages : 580
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Book Description
The first book of its kind: a collection of the most important genres of Japanese performance--noh, kyogen, kabuki, and puppet theater--in one comprehensive, authoritative volume.
Author: Olga Taxidou
Publisher: Routledge
ISBN: 1134424574
Category : Performing Arts
Languages : en
Pages : 220
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Book Description
No study of modern theater is complete without a thorough understanding of the enormous influence of visionary genius Edward Gordon Craig. Born in England in 1872, Craig went on to become famous world-wide as an actor, manager, director, playwright, designer, and most importantly an author and theorist, whose books were translated into German, Russian, Japanese, Dutch, Hungarian, and Danish. Although an essential parallel to the European avant-garde, Craig was often read as "exceptional" and highly innovative in his native Britain, thus, The Mask not only appears as Craig's main cosmopolitan project but also at times functions as a surrogate stage for his experiments in theater practice. The book has a comprehensive chronology, extensive notes and a bibliography making it an essential text for undergraduates, postgraduates, actors, theatre professionals, designers, directors, researchers and writers in the fields of theatre studies (especially theater set and lighting) and theater history.
Author: Eugenio Barba
Publisher: BRILL
ISBN: 9004392939
Category : Drama
Languages : en
Pages : 420
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Book Description
The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars.
