Nineteenth-Century Settler Emigration in British Literature and Art PDF Download
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Author: Fariha Shaikh
Publisher: Edinburgh Critical Studies in
ISBN: 9781474433709
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Nineteenth-Century Settler Emigration in British Literature and Art is the first book to undertake a comprehensive survey of the literature produced by nineteenth-century settler emigration.
Author: Fariha Shaikh
Publisher: Edinburgh Critical Studies in
ISBN: 9781474433709
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Nineteenth-Century Settler Emigration in British Literature and Art is the first book to undertake a comprehensive survey of the literature produced by nineteenth-century settler emigration.
Author: Philip Steer
Publisher: Cambridge University Press
ISBN: 1108484425
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
A transnational study of how settler colonialism remade the Victorian novel and political economy by challenging ideas of British identity.
Author: Patricia Cove
Publisher: Edinburgh University Press
ISBN: 1474447260
Category : Electronic books
Languages : en
Pages : 200
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Book Description
This book examines the intersections among literary works by Elizabeth Barrett Browning, Mary Shelley and Wilkie Collins, journalism, parliamentary records and pamphlets, to establish Britain's imaginative investment in the seismic geopolitical realignment of Italian unification.
Author: Giles Whiteley
Publisher: Edinburgh University Press
ISBN: 1474443745
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Charting an 'aesthetic', post-realist tradition of writing, this book considers the significant role played by John Ruskin's art criticism in later writing which dealt with the new kinds of spaces encountered in the nineteenth-century.
Author: Robertson Lisa C. Robertson
Publisher: Edinburgh University Press
ISBN: 1474457908
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Explores radical designs for the home in the nineteenth-century metropolis and the texts that shaped themUncovers a series of innovative housing designs that emerged in response to London's rapid growth and expansion throughout the nineteenth century Brings together the writing of prominent authors such as Charles Dickens and George Gissing with understudied novels and essays to examine the lively literary engagement with new models of urban housing Focuses on the ways that these new homes provided material and creative space for thinking through the relationship between home and identity Identifies ways in which we might learn from the creative responses to the nineteenth-century housing crisis This book brings together a range of new models for modern living that emerged in response to social and economic changes in nineteenth-century London, and the literature that gave expression to their novelty. It examines visual and literary representations to explain how these innovations in housing forged opportunities for refashioning definitions of home and identity. Robertson offers readers a new blueprint for understanding the ways in which novels imaginatively and materially produce the city's built environment.
Author: Thomas Hughes
Publisher: Taylor & Francis
ISBN: 1003834124
Category : Art
Languages : en
Pages : 257
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Book Description
Resonating with contemporary ecological and queer theory, this book pioneers the theorization of the Victorian idyll, establishing its nature, lineaments, and significance as a formal mode widely practised in nineteenth-century British culture across media and genre. Chapters trace the Victorian idyll’s emergence in the 1830s, its flourishing in the 1860s, and its evolution up to the century’s close, drawing attention to the radicalism of idyllic experiments with pictorial, photographic, dramatic, literary, and poetic form in the work of canonical and lesser-known figures. Approaching the idyll through three intersecting categories—subject, ecology, and form—this book remaps Victorian culture, reshaping thinking about artistic form in the nineteenth century, and recalibrating accepted chronologies. In the representations by a host of Victorian artists and writers engaging with other-than-human forms, and in the natures of the subjectivities animated by these encounters, we find versions of Victorian ecology providing provocative imaginative material for ecocritics, scholars, writers, and artists today. This book will be of interest to scholars working in art history, English literature, Victorian studies, British history, queer and trans* theory, musicology, and ecocriticism, and will enliven debates pertaining to the environmental across periods.
Author: Josephine McDonagh
Publisher: Oxford University Press
ISBN: 0192895753
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
Building on the growing critical engagement with globalization in literary studies, this book confronts the paradox that at a time when transnational human movement occurred globally on an unprecedented scale, British fiction appeared to turn inward to tell stories of local places that valorized stability and rootedness. In contrast, this book reveals how literary works, from the end of the Napoleonic Wars to the advent of the New Imperialism, were active components of a culture of colonization and emigration. Fictional texts, as print commodities, were enmeshed in technologies of transport and communication, and innovations in literary form were spurred by the conditions and consequences of human movement.
Author: Dickson Melissa Dickson
Publisher: Edinburgh University Press
ISBN: 1474443672
Category : Fiction
Languages : en
Pages : 258
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Book Description
Dickson identifies the nineteenth century as the beginning of the large-scale absorption of the Arabian Nights into British literature and culture.
Author: Sarah Comyn
Publisher: Manchester University Press
ISBN: 1526152878
Category : Literary Criticism
Languages : en
Pages : 614
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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This collection brings together for the first time literary studies of British colonies in nineteenth-century Australia, New Zealand, South Africa, South America, Southeast Asia, and the South Pacific Islands. Drawing on hemispheric studies, Indigenous studies, and southern theory to decentre British and other European metropoles, the collection offers a groundbreaking challenge to national paradigms and traditional literary periodisations and canons by prioritising southern cultural networks in multiple regional centres from Cape Town to Dunedin. Worlding the south examines the dialectics of literary worldedness in ways that recognise inequalities of power, textual and material violence, and literary and cultural resistance. The collection revises current literary histories of the ‘British world’ by arguing for the distinctiveness of settler colonialism in the southern hemisphere, and by incorporating Indigenous, diasporic, and south-south perspectives.
Author: Crawford Iain Crawford
Publisher: Edinburgh University Press
ISBN: 1474453163
Category : Journalism
Languages : en
Pages : 392
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Book Description
Reframes the long-standing critical narrative of the relationship between Harriet Martineau and Charles DickensDemonstrates, through new readings of Martineau and Dickens's travel in and writing about the United States, how their encounters with the American public sphere were crucially formative in both writers' careers and in their shaping as journalistsPlaces Martineau and Dickens within the context of Anglo-American liberalism, thereby expanding our reading of them beyond earlier schema framed in narrower terms of political economyExpands understandings of transatlantic literary exchange to offer a more comprehensive reading than those offered through an earlier critical focus simply on the issue of international copyrightFocusing on the importance of Martineau's contribution to the development of the early Victorian press, this book highlights the degree to which the public quarrel between her and Dickens in the mid-1850s represented larger fissures within nineteenth-century liberalism. It places Martineau and Dickens within the context of Anglo-American liberalism and demonstrates how these fissures were embedded within a transatlantic conversation over the role of the press in forming a public sphere essential to the development of a liberal society.
