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Author: Elie Wiesel
Publisher: Schocken
ISBN: 080524364X
Category : Poetry
Languages : en
Pages : 66
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Book Description
Elie Wiesel’s heartbreaking narrative poem about history, immortality, and the power of song, accompanied by magnificent full-color illustrations by award-winning artist Mark Podwal. Based on an actual event that occurred during World War II. It is the evening before the holiday of Purim, and the Nazis have given the ghetto’s leaders twenty-four hours to turn over ten Jews to be hanged to “avenge” the deaths of the ten sons of Haman, the villain of the Purim story, which celebrates the triumph of the Jews of Persia over potential genocide some 2,400 years ago. If the leaders refuse, the entire ghetto will be liquidated. Terrified, they go to the ghetto’s rabbi for advice; he tells them to return the next morning. Over the course of the night the rabbi calls up the spirits of legendary rabbis from centuries past for advice on what to do, but no one can give him a satisfactory answer. The eighteenth-century mystic and founder of Hasidism, the Baal Shem Tov, tries to intercede with God by singing a niggun—a wordless, joyful melody with the power to break the chains of evil. The next evening, when no volunteers step forward, the ghetto’s residents are informed that in an hour they will all be killed. As the minutes tick by, the ghetto’s rabbi teaches his assembled community the song that the Baal Shem Tov had sung the night before. And then the voices of these men, women, and children soar to the heavens. How can the heavens not hear?
Author: Elie Wiesel
Publisher: Schocken
ISBN: 080524364X
Category : Poetry
Languages : en
Pages : 66
Get Book Here
Book Description
Elie Wiesel’s heartbreaking narrative poem about history, immortality, and the power of song, accompanied by magnificent full-color illustrations by award-winning artist Mark Podwal. Based on an actual event that occurred during World War II. It is the evening before the holiday of Purim, and the Nazis have given the ghetto’s leaders twenty-four hours to turn over ten Jews to be hanged to “avenge” the deaths of the ten sons of Haman, the villain of the Purim story, which celebrates the triumph of the Jews of Persia over potential genocide some 2,400 years ago. If the leaders refuse, the entire ghetto will be liquidated. Terrified, they go to the ghetto’s rabbi for advice; he tells them to return the next morning. Over the course of the night the rabbi calls up the spirits of legendary rabbis from centuries past for advice on what to do, but no one can give him a satisfactory answer. The eighteenth-century mystic and founder of Hasidism, the Baal Shem Tov, tries to intercede with God by singing a niggun—a wordless, joyful melody with the power to break the chains of evil. The next evening, when no volunteers step forward, the ghetto’s residents are informed that in an hour they will all be killed. As the minutes tick by, the ghetto’s rabbi teaches his assembled community the song that the Baal Shem Tov had sung the night before. And then the voices of these men, women, and children soar to the heavens. How can the heavens not hear?
Author: Shmuel Barzilai
Publisher: Peter Lang
ISBN: 9783631584521
Category : Music
Languages : en
Pages : 234
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Book Description
Music is of paramount importance in Judaism. On the verse, «Hearken unto the song and the prayer which Your servant prays before You this day» (I Kings 8:28), the Gemarrah states that wherever there is song, there shall be prayer; and indeed, in the Temple, song was an inseparable element of the sacrificial services, thereafter finding its position in the prayers and the Torah reading, with its special melody, in the synagogue. Chassidism employed music as one of its main avenues for serving G-d. Music served to bring the individual to a state of awakening and joy, nullifying sadness which was seen as an element that could only lead to negativity. Joy allowed one to reach ever higher levels in the service of G-d, leaving one's sorrows behind, as explained by the founder of the Modzits Chassidic court, Rabbi Yehezkel of Kozmir, when interpreting the verse, «with joy you shall go forth» (Isaiah 55) to mean that through joy, we shall go forth from all our difficulties. In this book, Shmuel Barzilai takes the reader on a brief and concise tour of the Chassidic courts and their world of music. It explains the wordless melody (Niggun), which is perhaps even more important than songs having words; the importance of dance; the place of honor given to Shabbat songs; and the role of music in Kabbalah. The book provides an overview of the activities of Rabbis who composed and sang at every opportunity, whether in the synagogue or while conducting the traditional Tisch where Chassidic adherents gathered each Shabbat and Festival to hear their Rebbe explain sections of Torah, sing and interpret sayings on music. Barzilai also discusses melodies - niggunim - that became particularly famous, or derived from non-Jewish sources but underwent a process that allowed them to be adopted by the Admoric leaders and integrated into the Chassidic court's repertoire.
Author: Mordechai Staiman
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 320
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Book Description
Stories about the power that the niggun -- the Jewish tune -- displays in the lives of the people who encounter it.
Author: DovBer Pinson
Publisher: Jason Aronson
ISBN: 9780765760982
Category : Music
Languages : en
Pages : 204
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Book Description
What is Jewish Music? What makes a song sound Jewish? What is the place of music in Jewish history and philosophy? The author writes, What is known to us as Jewish music is actually a compilation of styles and rhythms gathered over centuries and obtained in various manners and from countless sources. However, musicologists the world over agree that the purity of the Jewish song has always been retained. The quality which makes it uniquely Jewish, regardless of the influence on it, has remained untouched and clearly identifiable. What is this quality? What is it that makes a song sound Jewish? It is a note of longing, of a child yearning to unite with his parent, a nation pining for its homeland and lost temple, a soul in this world remembering the holiness above and longing to reunite. Each song resonates with the entirety of the Jewish experience, the devastations and victories, the separations and reunifications and above all the constant bound with the eternal. The study of Jewish music is vast and requires volumes to contain it. There are many who have analyzed its unique qualities and have written extensively on it. Their examination of music is essentially a lesson in history, another means of glimpsing a rich and diverse past. There is yet another way to examine a song, and that is, to view it as an eternal message, as relevant today as it was hundreds of years ago, at the time of its composition. Each song tells its own story in the heart of the one who sings it. It evokes a unique response in each listener. A tune can touch a soul, in a way no words ever could. The study of music as response is what I aim to portray in this work. Music can be used in a myriad of ways in our everyday lives. Especially today with all of the gadgets that can convey music, we are bombarded by sound. Just by taking a long walk, a person changes zones of melodies, beats, and compositions of various types. Our bodies seem to vibrate to uninvited songs and noises that permeate the air around us. But invited
Author: Marcin Wodzinski
Publisher: Rutgers University Press
ISBN: 1978804237
Category : Religion
Languages : en
Pages : 315
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Book Description
Hasidism, a Jewish religious movement that originated in Poland in the eighteenth century, today counts over 700,000 adherents, primarily in the U.S., Israel, and the UK. Popular and scholarly interest in Hasidic Judaism and Hasidic Jews is growing, but there is no textbook dedicated to research methods in the field, nor sources for the history of Hasidism have been properly recognized. Studying Hasidism, edited by Marcin Wodziński, an internationally recognized historian of Hasidism, aims to remedy this gap. The work’s thirteen chapters each draws upon a set of different sources, many of them previously untapped, including folklore, music, big data, and material culture to demonstrate what is still to be achieved in the study of Hasidism. Ultimately, this textbook presents research methods that can decentralize the role community leaders play in the current literature and reclaim the everyday lives of Hasidic Jews.
Author: Zalman Schacter-Shalomi
Publisher: Monkfish Book Publishing
ISBN: 1939681626
Category : Religion
Languages : en
Pages : 505
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Book Description
A Heart Afire is an intimate, guided tour of many of the lesser-known and previously unpublished stories and teachings of the first three generations of Hasidism, especially those of the Ba'al Shem Tov, his heirs (male and female) and the students of his successor, the Maggid of Mezritch.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1256
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Book Description
Author: David Biale
Publisher: Princeton University Press
ISBN: 0691202443
Category : History
Languages : en
Pages : 890
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Book Description
A must-read book for understanding this vibrant and influential modern Jewish movement Hasidism originated in southeastern Poland, in mystical circles centered on the figure of Israel Ba’al Shem Tov, but it was only after his death in 1760 that a movement began to spread. Today, Hasidism is witnessing a remarkable renaissance around the world. This book provides the first comprehensive history of the pietistic movement that shaped modern Judaism. Written by an international team of scholars, its unique blend of intellectual, religious, and social history demonstrates that, far from being a throwback to the Middle Ages, Hasidism is a product of modernity that forged its identity as a radical alternative to the secular world.
Author: William W. Young
Publisher: Rowman & Littlefield
ISBN: 1498576095
Category : Religion
Languages : en
Pages : 191
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Book Description
This book is a study of religious practices of listening in the Boston area. Through ethnographic study of a variety of religious communities, with an extensive focus on Quaker listening, it argues that religious practice shapes our habits of listening by creating a plurality of regimes of listening across Boston’s landscape. These practices, moreover, cultivate specific dispositions, as well as distinct patterns of religious and democratic virtues. Through these dispositions and virtues, religious listening facilitates a diverse range of forms of democratic engagement, and varied contributions to the pursuit of social justice. William Young provides an innovative interpretation of these religious practices. It argues that insofar as religious listening helps practitioners to extend and amplify their listening, and makes them more responsive to their communities, it creates a social mode of embodied receptivity and agency. Through both their listening and their actions, these groups express their conceptions of divinity, embodying divine attributes and activity within the sociopolitical realm—serving as God’s ears within the world. It is by interpreting their practices as creating modes of social discipline, reception, and agency that the book explicates the full significance of religious listening, in its adaptations and extensions of our aural capacities, and their implications for sociopolitical life.
Author: Amnon Shiloah
Publisher: Wayne State University Press
ISBN: 9780814322352
Category : History
Languages : en
Pages : 284
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Book Description
Shiloah (musicology, Hebrew U. of Jerusalem ) discusses the manner in which the 2,000-year-old Jewish musical heritage meshes with the complex web of Jewish history by way of central themes such as the relation of music to religion, music and the world of the Kabbalah, and music in communal life. He considers technical and theoretical approaches, as well as art music, folk music, and performance practices of poets, vocalists, instrumentalists and dancers. Annotation copyright by Book News, Inc., Portland, OR
