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Author: Florence Wilford
Publisher:
ISBN:
Category :
Languages : en
Pages : 262
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Author: Florence Wilford
Publisher:
ISBN:
Category :
Languages : en
Pages : 262
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Author: Caroline Holroyd
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Author: Janet Horowitz Murray
Publisher: Routledge
ISBN: 131541175X
Category : History
Languages : en
Pages : 388
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Book Description
The Englishwoman’s Review, which published from 1866 to 1910, participated in and recorded a great change in the range of possibilities open to women. The ideal of the magazine was the idea of the emerging emancipated middle-class woman: economic independence from men, choice of occupation, participation in the male enterprises of commerce and government, access to higher education, admittance to the male professions, particularly medicine, and, of course, the power of suffrage equal to that of men. First published in 1980, this first volume contains issues from 1868 to 1869. With an informative introduction by Janet Horowitz Murray and Myra Stark, and an index compiled by Anna Clark, this set will be an invaluable resource to those studying nineteenth and early twentieth-century feminism and the women’s movement in Britain.
Author: Tabitha Sparks
Publisher: University of Virginia Press
ISBN: 081394872X
Category : Literary Criticism
Languages : en
Pages : 293
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Critics agree in the abstract that "metafiction" refers to any novel that draws attention to its own fictional construction, but metafiction has been largely associated with the postmodern era. In this innovative new book Tabitha Sparks identifies a sustained pattern of metafiction in the Victorian novel that illuminates the art and intentions of its female practitioners. From the mid-nineteenth century through the fin de siècle, novels by Victorian women such as Charlotte Brontë, Rhoda Broughton, Charlotte Riddell, Eliza Lynn Linton, and several New Women authors share a common but underexamined trope: the fictional characterization of the woman novelist or autobiographer. Victorian Metafiction reveals how these novels systemically dispute the assumptions that women wrote primarily about their emotions or were restricted to trivial, sentimental plots. Countering an established tradition that has read novels by women writers as heavily autobiographical and confessional, Sparks identifies the literary technique of metafiction in numerous novels by women writers and argues that women used metafictional self-consciousness to draw the reader’s attention to the book and not the novelist. By dislodging the narrative from these cultural prescriptions, Victorian Metafiction effectively argues how these women novelists presented the business and art of writing as the subject of the novel and wrote metafiction in order to establish their artistic integrity and professional authority.
Author: Nicholas Rance
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634448
Category : Literary Criticism
Languages : en
Pages : 218
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This work adopts a fresh approach by relating the vogue in the 1860s for sensation fiction to a specific phase of a crisis of faith in the bourgeois ideology of self-help. The demise of sensation fiction after a mere decade is then associated with a returned sense in the 1870s of the durability of the status quo, and the temporary revival of a moralism, which had seemed in a terminal condition in the 1860s.
Author:
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Category : Bibliography
Languages : en
Pages : 1100
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Author:
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Category : English literature
Languages : en
Pages : 788
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Author: Bolton (England). Public Libraries
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Category : Library catalogs
Languages : en
Pages : 180
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Author: Detroit Public Library
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 172
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Author: Andrew Mangham
Publisher: Cambridge University Press
ISBN: 1107511690
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
In 1859 the popular novelist Wilkie Collins wrote of a ghostly woman, dressed from head to toe in white garments, laying her cold, thin hand on the shoulder of a young man as he walked home late one evening. His novel The Woman in White became hugely successful and popularised a style of writing that came to be known as sensation fiction. This Companion highlights the energy, the impact and the inventiveness of the novels that were written in 'sensational' style, including the work of Mary Elizabeth Braddon, Mrs Henry Wood and Florence Marryat. It contains fifteen specially-commissioned essays and includes a chronology and a guide to further reading. Accessible yet rigorous, this Companion questions what influenced the shape and texture of the sensation novel, and what its repercussions were both in the nineteenth century and up to the present day.
