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Author: Sefi Atta
Publisher: Interlink Publishing
ISBN: 162371009X
Category : Fiction
Languages : en
Pages : 320
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Book Description
Winner of the 2009 NOMA Award for Publishing in Africa From Zamfara up north to the Niger delta down south, with a finale in Lagos, this collection of stories and a novella respond to and amplify the newspaper headlines in a range of Nigerian voices. Men, women, and children speak out to us from these stories, from immigration centers and police barracks, from street corners and maternity wards. Ghanaian writer Mohammed Naseehu Ali says, Sefi Atta "writes like one who has lived the life of each single character in her dazzling collection of short stories."
Author: Sefi Atta
Publisher: Interlink Publishing
ISBN: 162371009X
Category : Fiction
Languages : en
Pages : 320
Get Book Here
Book Description
Winner of the 2009 NOMA Award for Publishing in Africa From Zamfara up north to the Niger delta down south, with a finale in Lagos, this collection of stories and a novella respond to and amplify the newspaper headlines in a range of Nigerian voices. Men, women, and children speak out to us from these stories, from immigration centers and police barracks, from street corners and maternity wards. Ghanaian writer Mohammed Naseehu Ali says, Sefi Atta "writes like one who has lived the life of each single character in her dazzling collection of short stories."
Author: Chantal Akerman
Publisher: Song Cave
ISBN: 9780998829081
Category : Biography & Autobiography
Languages : en
Pages : 175
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Book Description
First published in France in 2013, My Mother Laughs is the final book written by the legendary and beloved Belgian artist and director Chantal Akerman (1950-2015) before her death. A moving and unforgettable memoir, the book delves deeply into one of the central themes and focuses of Akerman's often autobiographical films: her mother, who was the direct subject of her final film No Home Movie (2015). With a particular focus on the difficulties Akerman faced in conjunction with the end of her mother's life, the book combines a matter-of-fact writing style with family photographs and stills from her own films in order to better convey the totality of her experience. Akerman writes: "With pride because I believed at last in my ability to say something that I'd had trouble saying. I told myself, I am strong for once, I speak. I speak the truth." Chantal Akerman (1950-2015) was a Belgian film director, screenwriter, artist and professor. She is best known for her film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975), which was dubbed a "masterpiece" by the New York Times. During her 42 years of active filmmaking, Akerman's influence on queer, feminist and avant-garde cinema remains unmatched, her films highlighting a near-physical passage of time. Akerman's films have been shown at the Venice Film Festival, Cannes Film Festival and the New York Film Festival, among many others.
Author: Walter R. Brooks
Publisher: Open Road Media
ISBN: 1497692180
Category : Juvenile Fiction
Languages : en
Pages : 142
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Book Description
In Freddy and the Bean Home News, Freddy’s friend Mr. Dimsey, the editor of the Guardian, is ousted for publishing news of Bean Farm in the local newspaper. To ensure that those who are interested might still learn of all the goings-on, Freddy takes it upon himself to found a newspaper of his own and calls it The Bean Home News (the basis for the ever-popular Freddy Fan Club newsletter). It turns out that being a newspaperman isn’t quite as easy as Freddy thought it might be, but with typical aplomb he manages to burn the wires!
Author: Julie Kibler
Publisher: St. Martin's Press
ISBN: 1250014530
Category : Fiction
Languages : en
Pages : 336
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Book Description
A National Best Seller! Calling Me Home by Julie Kibler is a soaring debut interweaving the story of a heartbreaking, forbidden love in 1930s Kentucky with an unlikely modern-day friendship Eighty-nine-year-old Isabelle McAllister has a favor to ask her hairdresser Dorrie Curtis. It's a big one. Isabelle wants Dorrie, a black single mom in her thirties, to drop everything to drive her from her home in Arlington, Texas, to a funeral in Cincinnati. With no clear explanation why. Tomorrow. Dorrie, fleeing problems of her own and curious whether she can unlock the secrets of Isabelle's guarded past, scarcely hesitates before agreeing, not knowing it will be a journey that changes both their lives. Over the years, Dorrie and Isabelle have developed more than just a business relationship. They are friends. But Dorrie, fretting over the new man in her life and her teenage son's irresponsible choices, still wonders why Isabelle chose her. Isabelle confesses that, as a willful teen in 1930s Kentucky, she fell deeply in love with Robert Prewitt, a would-be doctor and the black son of her family's housekeeper—in a town where blacks weren't allowed after dark. The tale of their forbidden relationship and its tragic consequences makes it clear Dorrie and Isabelle are headed for a gathering of the utmost importance and that the history of Isabelle's first and greatest love just might help Dorrie find her own way.
Author: Nancy McDonald Ladd
Publisher: Unitarian Universalist Association of Congregations
ISBN: 1558968288
Category : Liturgical reform
Languages : en
Pages : 184
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Book Description
Progressive faith is at a crossroads. Liberal pulpits ring with grand sermons about the arc that bends toward justice, and about progress “onward and upward forever.” Meanwhile, the people in the pews struggle to attend to the suffering of their souls and the tragic aspects of life. In this engaging polemic, using stories and metaphor, Nancy McDonald Ladd issues a call for change. Speaking from a rising generation of clergy and lay leaders who formed their commitments to liberal religion at the end of the optimistic modernist age, she shows how the religious life is not characterized by endless human advancement, but by lurching movement, crisis-management, and pain. With humor and humanity, Ladd calls religious progressives to greater authenticity and truth-telling rather than blind optimism. She charts a course forward that includes reclaiming rituals of atonement and lament, and becoming more vulnerable and accountable in our relationships. She shows how, together, we might build a necessary and greater resilience among ourselves and for the generations to come.
Author: Chantal Akerman
Publisher:
ISBN:
Category : Family & Relationships
Languages : en
Pages : 68
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Book Description
Author: Alison Butler
Publisher: Columbia University Press
ISBN: 0231851359
Category : Literary Criticism
Languages : en
Pages : 133
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Book Description
Women's Cinema provides an introduction to critical debates around women's filmmaking and relates those debates to a variety of cinematic practices. Taking her cue from the groundbreaking theories of Claire Johnston, Alison Butler argues that women's cinema is a minor cinema that exists inside other cinemas, inflecting and contesting the codes and systems of the major cinematic traditions from within. Using canonical directors and less established names, ranging from Chantal Akerman to Moufida Tlatli, as examples, Butler argues that women's cinema is unified in spite of its diversity by the ways in which it reworks cinematic conventions.
Author: Sefi Atta
Publisher:
ISBN:
Category : Family violence
Languages : en
Pages : 332
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Book Description
Author: Ivone Margulies
Publisher: Duke University Press
ISBN: 9780822317234
Category : Art
Languages : en
Pages : 292
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Book Description
Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that decade. In Nothing Happens, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker. Margulies grounds her critical analysis in detailed discussions of Akerman's work--from Saute ma ville, a 13-minute black-and-white film made in 1968, through Jeanne Dielman and Je tu il elle to the present. Focusing on the real-time representation of a woman's everyday experience in Jeanne Dielman, Margulies brings the history of social and progressive realism and the filmmaker's work into perspective. Pursuing two different but related lines of inquiry, she investigates an interest in the everyday that stretches from postwar neorealist cinema to the feminist rewriting of women's history in the seventies. She then shows how Akerman's "corporeal cinema" is informed by both American experiments with performance and duration and the layerings present in works by European modernists Bresson, Rohmer, and Dreyer. This analysis revises the tired opposition between realism and modernism in the cinema, defines Akerman's minimal-hyperrealist aesthetics in contrast to Godard's anti-illusionism, and reveals the inadequacies of popular characterizations of Akerman's films as either simply modernist or feminist. An essential book for students of Chantal Akerman's work, Nothing Happens will also interest international film critics and scholars, filmmakers, art historians, and all readers concerned with feminist film theory.
Author: Kayleen Schaefer
Publisher: Penguin
ISBN: 1101986123
Category : Biography & Autobiography
Languages : en
Pages : 290
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Book Description
'Text me when you get home.' After joyful nights out together, female friends say this to one another as a way of cementing their love. It's about safety but, more than that, it's about solidarity. A validation of female friendship unlike any that's ever existed before, Text Me When You Get Home is a mix of historical research, the author's own personal experience, and conversations about friendships with women across the country. Everything Schaefer uncovers reveals that these ties are making us, both as individuals and as society as a whole, stronger than ever before.
