New Theatre Quarterly 45: Volume 12, Part 1 PDF Download
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Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521558402
Category : Drama
Languages : en
Pages : 98
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Book Description
New Theatre Quarterly provides a forum where theatrical scholarship and practice can meet. Topics covered in number 45 include: Palimpsestus: Frank Wedekind's Theatre of Self Performance, and 'Leaking Bodies and Fractured Texts': Representing the Female Body at the Omaha Magic Theatre.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521558402
Category : Drama
Languages : en
Pages : 98
Get Book Here
Book Description
New Theatre Quarterly provides a forum where theatrical scholarship and practice can meet. Topics covered in number 45 include: Palimpsestus: Frank Wedekind's Theatre of Self Performance, and 'Leaking Bodies and Fractured Texts': Representing the Female Body at the Omaha Magic Theatre.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521565011
Category : Drama
Languages : en
Pages : 100
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Book Description
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives. The books are aimed at drama and theatre teachers, advanced students in schools and colleges, arts authorities, actors, playwrights, critics and directors.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521656016
Category : Drama
Languages : en
Pages : 100
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Book Description
New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521001458
Category : Drama
Languages : en
Pages : 100
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Book Description
Provides an international forum where theatrical scholarship and practice can meet.
Author: Robert Leach
Publisher: Routledge
ISBN: 0429873336
Category : Art
Languages : en
Pages : 1004
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Book Description
An Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacted with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland. Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props. Continuing on from the Enlightenment, Volume Two of An Illustrated History of British Theatre and Performance leads its readers from the drama and performances of the Industrial Revolution to the latest digital theatre. Moving from Punch and Judy, castle spectres and penny showmen to Modernism and Postdramatic Theatre, Leach’s second volume triumphantly completes a collated account of all the British Theatre History knowledge anyone could ever need.
Author: Simon Trussler
Publisher: Cambridge University Press
ISBN: 9780521535915
Category : Drama
Languages : en
Pages : 110
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Book Description
Provides an international forum where theatrical scholarship and practice can meet.
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 336
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Book Description
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 288
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Book Description
Author: Christopher Innes
Publisher: Routledge
ISBN: 1134920881
Category : Performing Arts
Languages : en
Pages : 278
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Book Description
Examining the development of avant garde theatre from its inception in the 1890s right up to the present day, Christopher Innes exposes a central paradox of modern theatre; that the motivating force of theatrical experimentation is primitivism. What links the work of Strindberg, Artaud, Brook and Mnouchkine is an idealisation of the elemental and a desire to find ritual in archaic traditions. This widespread primitivism is the key to understanding both the political and aesthetic aspects of modern theatre and provides fresh insights into contemporary social trends. The original text, first published in 1981 as Holy Theatre, has been fully revised and up-dated to take account of the most recent theoretical developments in anthropology, critical theory and psychotherapy. New sections on Heiner Muller, Robert Wilson, Eugenio Barba, Ariane Mnouchkine and Sam Shepard have been added. As a result, the book now deals with all the major avant garde theatre practitioners, in Europe and North America. Avant Garde Theatre will be essential reading for anyone attempting to understand contemporary drama.
Author: Stephen G. Jones
Publisher: Routledge
ISBN: 0429830904
Category : Business & Economics
Languages : en
Pages : 225
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Book Description
First published in 1986. This book explores developments in the cinema, sport, holidays, gambling, drinking and many more recreational activities, and situates working-class leisure within the determining economic and social context. In particular, the inventiveness of working people ‘at play’ is highlighted. Drawing on an extensive range of source material, the book has a wide general appeal, and will be useful to those professionally concerned with leisure, as well as teachers and students of social history, and all those interested in the patterns of working-class life in the past.
