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Author: Laura Ashe
Publisher: Boydell & Brewer
ISBN: 1843846233
Category : Literature, Medieval
Languages : en
Pages : 311
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Book Description
New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined. Book jacket.
Author: Laura Ashe
Publisher: Boydell & Brewer
ISBN: 1843846233
Category : Literature, Medieval
Languages : en
Pages : 311
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Book Description
New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined. Book jacket.
Author: James Paz
Publisher: Manchester University Press
ISBN: 1526116006
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book is available as an open access ebook under a CC-BY-NC-ND licence. Nonhuman voices in Anglo-Saxon literature and material culture uncovers the voice and agency possessed by nonhuman things across Anglo-Saxon literature and material culture. It makes a new contribution to ‘thing theory’ and rethinks conventional divisions between animate human subjects and inanimate nonhuman objects in the early Middle Ages. Anglo-Saxon writers and craftsmen describe artefacts and animals through riddling forms or enigmatic language, balancing an attempt to speak and listen to things with an understanding that these nonhumans often elude, defy and withdraw from us. But the active role that things have in the early medieval world is also linked to the Germanic origins of the word, where a þing is a kind of assembly, with the ability to draw together other elements, creating assemblages in which human and nonhuman forces combine.
Author: Marion Turner
Publisher: John Wiley & Sons
ISBN: 0470655380
Category : Literary Criticism
Languages : en
Pages : 466
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Book Description
A Handbook of Middle English Studies “This sharp-minded, coherent set of essays both maps and liberates: not only does it map the intellectual territory of contemporary cultural debate; it also liberates the extraordinary texts of later medieval England to move across that contemporary cultural terrain.” James Simpson, Harvard University “Marion Turner has skilfully choreographed an exciting ensemble of fresh accounts of the English Middle Ages. We see the period in a new light that shows with compassion and imagination, as well as thoughtful scholarship, how the literature of the past speaks to contemporary preoccupations.” Ardis Butterfield, Yale University “Strikingly original: theory-literate and materially-grounded ways of reading Middle English texts.” David Wallace, University of Pennsylvania A Handbook of Middle English Studies presents twenty-six original and accessible essays by leading scholars, analyzing the relationship between critical theory and late-medieval literature. The collection offers a range of entry points into the rich field of medieval literary studies, exploring subjects including the depiction of the self and the mind, the literature of conquest, ideas of beauty and aesthetics, and the relationship between place and literature. Topics that have long been central to the field, such as authorship, gender, and race, feature alongside areas only recently coming under critical scrutiny, such as globalization, the environment, and animality. Collectively, the essays demonstrate that the manuscript culture of late medieval literature raises key theoretical issues concerning the relationship between authors, texts, and readers. A Handbook of Middle English Studies models diverse approaches to medieval texts and stakes a claim in debates about topics ranging from class to the canon, from imagination to nationhood, from sexuality to the public sphere.
Author: Gemma Wheeler
Publisher: Boydell & Brewer
ISBN: 1843846071
Category : History
Languages : en
Pages : 229
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Book Description
An important text from the "twelfth-century Renaissance" of history writing re-evaluated, drawing out its complex representations of monarchs from Cnut to William Rufus.Geffrei Gaimar's Estoire des Engleis is its author's sole surviving work. His translation and adaptation of the Anglo-Saxon Chronicle, expanded with a number of lengthy interpolations which appear to draw upon oral traditions and other, unknown written sources, is all that remains of an ambitious history which once reached back as far as Jason and the Golden Fleece. However, the extent of Gaimar's achievement - as poet, historian, and translator - has been obscured by a tendency among scholars to dismiss him as a writer of romance masquerading as history, his work riddled with guesswork, errors, and outright fabrications. This volume aims to challenge such views of Gaimar by providing the first holistic study of his Estoire's incisive commentary upon kingship: its virtues, vices and conflicting models, as applied to rulers such as Edgar "the Peaceable", Cnut, and the ill-fated William Rufus. One good king, for Gaimar, is much like another. A bad king, by contrast, is vividly characterised as ineffectual, tyrannical, or both. Gaimar, a product of that extraordinary period in medieval English culture often termed the "twelfth-century Renaissance'" blends history with literary tropes to yield a sophisticated account of the invasions, betrayals, and familial conflicts that shaped his England's history.eaceable", Cnut, and the ill-fated William Rufus. One good king, for Gaimar, is much like another. A bad king, by contrast, is vividly characterised as ineffectual, tyrannical, or both. Gaimar, a product of that extraordinary period in medieval English culture often termed the "twelfth-century Renaissance'" blends history with literary tropes to yield a sophisticated account of the invasions, betrayals, and familial conflicts that shaped his England's history.eaceable", Cnut, and the ill-fated William Rufus. One good king, for Gaimar, is much like another. A bad king, by contrast, is vividly characterised as ineffectual, tyrannical, or both. Gaimar, a product of that extraordinary period in medieval English culture often termed the "twelfth-century Renaissance'" blends history with literary tropes to yield a sophisticated account of the invasions, betrayals, and familial conflicts that shaped his England's history.eaceable", Cnut, and the ill-fated William Rufus. One good king, for Gaimar, is much like another. A bad king, by contrast, is vividly characterised as ineffectual, tyrannical, or both. Gaimar, a product of that extraordinary period in medieval English culture often termed the "twelfth-century Renaissance'" blends history with literary tropes to yield a sophisticated account of the invasions, betrayals, and familial conflicts that shaped his England's history.
Author: Steven Justice
Publisher: University of Pennsylvania Press
ISBN: 0812246934
Category : History
Languages : en
Pages : 224
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Book Description
Adam Usk, a Welsh lawyer in England and Rome during the first years of the fifteenth century, lived a peculiar life. He was, by turns, a professor, a royal advisor, a traitor, a schismatic, and a spy. He cultivated and then sabotaged figures of great influence, switching allegiances between kings, upstarts, and popes at an astonishing pace. Usk also wrote a peculiar book: a chronicle of his own times, composed in a strangely anxious and secretive voice that seems better designed to withhold vital facts than to recount them. His bold starts tumble into anticlimax; he interrupts what he starts to tell and omits what he might have told. Yet the kind of secrets a political man might find safer to keep—the schemes and violence of regime change—Usk tells openly. Steven Justice sets out to find what it was that Adam Usk wanted to hide. His search takes surprising turns through acts of political violence, persecution, censorship, and, ultimately, literary history. Adam Usk's narrow, eccentric literary genius calls into question some of the most casual and confident assumptions of literary criticism and historiography, making stale rhetorical habits seem new. Adam Usk's Secret concludes with a sharp challenge to historians over what they think they can know about literature—and to literary scholars over what they think they can know about history.
Author: Katharine Breen
Publisher: University of Chicago Press
ISBN: 022677659X
Category : History
Languages : en
Pages : 374
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Book Description
"Katharine Breen challenges our understanding of how medieval authors received philosophical paradigms from antiquity in their construction and use of personification in their writings. She shows that our modern categories for this literary device (extreme realism versus extreme rhetoric, or novelistic versus allegorical characters) would've been unrecognizable to their medieval practitioners. Through new readings of key authors and works--including Prudentius's "Psychomachia," Langland's "Piers Plowman," Boethius's "Consolation of Philosophy," and Deguileville's "Pilgrimage of Human Life"--she finds that medieval writers accessed a richer, more fluid literary domain than modern critics have allowed. Breen identifies three different types of personification--Platonic, Aristotelian, and Prudentian--inherited from antiquity that both gave medieval writers a surprisingly varied spectrum with which to paint their characters, while bypassing the modern confusion of conflicting relationships between personifications and persons on the path connecting divine power and human frailty. Recalling Gregory the Great's phrase "machinae mentis" (machines of the mind), Breen demonstrates that medieval writers applied personification with utility and subtlety, much the same way that, within the category of hand-tools, an open-end wrench differs in function from a hex-key wrench or a socket wrench. It will be read by medievalists working at the crossroads of religion, philosophy, and literature, as well as scholars interested in character-making and gendered relationships among characters, readers, and texts beyond the Middle Ages"--
Author: Geoffrey Chaucer
Publisher: W. W. Norton & Company
ISBN: 0393655121
Category : Literary Criticism
Languages : en
Pages : 758
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Book Description
“This book has been more helpful to the students—both the better ones and the lesser ones—than any other book I have ever used in any of my classes in my more than a quarter century of university teaching.” —RICHARD L. KIRKWOOD, University of Wisconsin–Eau Claire This Norton Critical Edition includes: • The medieval masterpiece’s most popular tales, including—new to the Third Edition—The Man of Law’s Prologue and Tale and The Second Nun’s Prologue and Tale. • Extensive marginal glosses, explanatory footnotes, a preface, and a guide to Chaucer’s language by V. A. Kolve and Glending Olson. • Sources and analogues arranged by tale. • Twelve critical essays, seven of them new to the Third Edition. • A Chronology, a Short Glossary, and a Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.
Author: Susan Broomhall
Publisher: Springer
ISBN: 1137531169
Category : History
Languages : en
Pages : 246
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Book Description
This collection explores how situations of authority, governance, and influence were practised through both gender ideologies and affective performances in medieval and early modern England. Authority is inherently relational it must be asserted over someone who allows or is forced to accept this dominance. The capacity to exercise authority is therefore a social and cultural act, one that is shaped by social identities such as gender and by social practices that include emotions. The contributions in this volume, exploring case studies of women and men's letter-writing, political and ecclesiastical governance, household rule, exercise of law and order, and creative agency, investigate how gender and emotions shaped the ways different individuals could assert or maintain authority, or indeed disrupt or provide alternatives to conventional practices of authority.
Author: Hannah Weaver
Publisher: Cornell University Press
ISBN: 1501776215
Category : History
Languages : en
Pages : 247
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Book Description
In Experimental Histories, Hannah Weaver examines the medieval practice of interpolation—inserting material from one text into another—which is often categorized as being a problematic, inauthentic phenomenon akin to forgery and pseudepigraphy. Instead, Weaver promotes interpolation as the signature form of medieval British historiography and a vehicle of historical theory, arguing that some of the most novel concepts of time in medieval historiography can be found in these altered narratives of the past. For Weaver, historiographical interpolation constitutes the traces of active experimentation with how best to write history, particularly the history of Britain. Historians in twelfth- and thirteenth-century Britain recognized the difficulty of enfolding complex events into a linear chronology and embraced innovative textual methods of creating history. Focusing on the Brut tradition but also analyzing the long history of interpolated historiography, including the Bayeux Embroidery, Experimental Histories offers a new interpretation of generic remixing in medieval writing about the past. Drawing on both manuscript studies and the new formalism, it shows that the practice of inserting materials from romance and hagiography allowed creative revisers to explore how lived events relate to passing time. By embracing interpolation, Weaver provides lively insights into the ways that time becomes history and human actors experience time.
Author: Gillian R. Overing
Publisher: V&R Unipress
ISBN: 3847009524
Category : Science
Languages : en
Pages : 289
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Book Description
"One of the great virtues of American/Medieval Goes North is ist wide range of contributors with fascinatingly diverse relationships to the main terms of analysis. There are academic scholars, poets, filmmakers, tribal elders, teachers at various levels; there are Indigenous people, people from settler colonial cultures, expats, immigrants. Their analytic and imaginative encounters with the North catch at the intensely symbolic and political charge of that locus. At a time when Medieval Studies cannot afford to ignore the period's popular uptake – cannot continue with business as usual in the face of white supremacists' brazen appropriations of the Middle Ages – this volume points to new possibilities for grappling with the uneasy relationships between the 'American' and the 'medieval'." – Prof Carolyn Dinshaw, New York University
