New Images from Spain PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download New Images from Spain PDF full book. Access full book title New Images from Spain by Margit Rowell. Download full books in PDF and EPUB format.
Author: Margit Rowell
Publisher: Guggenheim Museum
ISBN:
Category : Art
Languages : en
Pages : 152
Get Book Here
Book Description
El 21 de marzo de 1980 se inauguraba en The Solomon R. Guggenheim de Nueva York la muestra colectiva New Images from Spain. Su comisaria, Margit Rowell, había visitado durante los dos años anteriores cerca de un centenar de estudios de jóvenes artistas a lo largo de la geografía española, entre los cuales escogió a una decena para organizar una exposición dedicada a nuestra escena artística. La selección final contaba con obras de Sergi Aguilar, Carmen Calvo, Teresa Gancedo, Antoni Muntadas/Germán Serrán Pagán, Miquel Navarro, Guillermo Pérez Villalta, Jordi Teixidor, Darío Villalba, Zush y José Luis Alexanco (presentes todos ellos en la Colección Josep Suñol), algunos de los cuales habían tenido la oportunidad de exponer previamente en la galería Vandrés de Fernando Vijande, con quien Josep Suñol estableció una de las relaciones entre coleccionismo y galerismo más interesantes del momento.
Author: Margit Rowell
Publisher: Guggenheim Museum
ISBN:
Category : Art
Languages : en
Pages : 152
Get Book Here
Book Description
El 21 de marzo de 1980 se inauguraba en The Solomon R. Guggenheim de Nueva York la muestra colectiva New Images from Spain. Su comisaria, Margit Rowell, había visitado durante los dos años anteriores cerca de un centenar de estudios de jóvenes artistas a lo largo de la geografía española, entre los cuales escogió a una decena para organizar una exposición dedicada a nuestra escena artística. La selección final contaba con obras de Sergi Aguilar, Carmen Calvo, Teresa Gancedo, Antoni Muntadas/Germán Serrán Pagán, Miquel Navarro, Guillermo Pérez Villalta, Jordi Teixidor, Darío Villalba, Zush y José Luis Alexanco (presentes todos ellos en la Colección Josep Suñol), algunos de los cuales habían tenido la oportunidad de exponer previamente en la galería Vandrés de Fernando Vijande, con quien Josep Suñol estableció una de las relaciones entre coleccionismo y galerismo más interesantes del momento.
Author: Margit Rowell
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 149
Get Book Here
Book Description
Author: Brandon Ruud
Publisher: Other Distribution
ISBN: 9780300252965
Category : Painters
Languages : en
Pages : 0
Get Book Here
Book Description
A revealing exploration of Spain's significant impact on American painting in the 19th and early 20th century
Author:
Publisher:
ISBN: 9788430023073
Category :
Languages : en
Pages : 149
Get Book Here
Book Description
Author: Carmen Pérez Vidal
Publisher: Multilingual Matters
ISBN: 184769022X
Category : Language Arts & Disciplines
Languages : en
Pages : 312
Get Book Here
Book Description
This book examines the main issues in bilingual and multilingual language acquisition through children and youngsters growing up in todays multicultural Spain, where four official languages and other new languages are used. The studies cover phonetics, g
Author: Eduardo Olid Guerrero
Publisher: U of Nebraska Press
ISBN: 1496213807
Category : Biography & Autobiography
Languages : en
Pages : 461
Get Book Here
Book Description
Queen Elizabeth I was an iconic figure in England during her reign, with many contemporary English portraits and literary works extolling her virtue and political acumen. In Spain, however, her image was markedly different. While few Spanish fictional or historical writings focus primarily on Elizabeth, numerous works either allude to her or incorporate her as a character. The Image of Elizabeth I in Early Modern Spain explores the fictionalized, historical, and visual representations of Elizabeth I and their impact on the Spanish collective imagination. Drawing on works by Miguel de Cervantes, Lope de Vega, Pedro de Ribadeneira, Luis de Góngora, Cristóbal de Virués, Antonio Coello, and Calderón de la Barca, among others, the contributors to this volume limn contradictory assessments of Elizabeth's physical appearance, private life, personality, and reign. In doing so they articulate the various and sometimes conflicting ways in which the Tudor monarch became both the primary figure in English propaganda efforts against Spain and a central part of the Spanish political agenda. This edited volume revives and questions the image of Elizabeth I in early modern Spain as a means of exploring how the queen's persona, as mediated by its Spanish reception, has shaped the ways in which we understand Anglo-Spanish relations during a critical era for both kingdoms.
Author: Magali M. Carrera
Publisher: University of Texas Press
ISBN: 9780292712454
Category : Art
Languages : en
Pages : 228
Get Book Here
Book Description
Reacting to the rising numbers of mixed-blood (Spanish-Indian-Black African) people in its New Spain colony, the eighteenth-century Bourbon government of Spain attempted to categorize and control its colonial subjects through increasing social regulation of their bodies and the spaces they inhabited. The discourse of calidad(status) and raza(lineage) on which the regulations were based also found expression in the visual culture of New Spain, particularly in the unique genre of castapaintings, which purported to portray discrete categories of mixed-blood plebeians. Using an interdisciplinary approach that also considers legal, literary, and religious documents of the period, Magali Carrera focuses on eighteenth-century portraiture and castapaintings to understand how the people and spaces of New Spain were conceptualized and visualized. She explains how these visual practices emphasized a seeming realism that constructed colonial bodies--elite and non-elite--as knowable and visible. At the same time, however, she argues that the chaotic specificity of the lives and lived conditions in eighteenth-century New Spain belied the illusion of social orderliness and totality narrated in its visual art. Ultimately, she concludes, the inherent ambiguity of the colonial body and its spaces brought chaos to all dreams of order.
Author:
Publisher: Penn State Press
ISBN: 9780271047201
Category : Art
Languages : en
Pages : 328
Get Book Here
Book Description
The news media have given us potent demonstrations of the ambiguity of ostensibly truthful representations of public events. Jordana Mendelson uses this ambiguity as a framework for the study of Spanish visual culture from 1929 to 1939--a decade marked, on the one hand, by dictatorship, civil war, and Franco's rise to power and, on the other, by a surge in the production of documentaries of various types, from films and photographs to international exhibitions. Mendelson begins with an examination of El Pueblo Español, a model Spanish village featured at the 1929 International Exposition in Barcelona. She then discusses Buñuel's and Dalí's documentary films, relating them not only to French Surrealism but also to issues of rural tradition in the formation of regional and national identities. Her highly original book concludes with a discussion of the 1937 Spanish Pavilion, where Picasso's famed painting of the Fascist bombing of a Basque town--Guernica--was exhibited along with monumental photomurals by Josep Renau. Based upon years of archival research, Mendelson's book opens a new perspective on the cultural politics of a turbulent era in modern Spain. It explores the little-known yet rich intersection between avant-garde artists and government institutions. It shows as well the surprising extent to which Spanish modernity was fashioned through dialogue between the seemingly opposed fields of urban and rural, fine art, and mass culture.
Author: Magali M. Carrera
Publisher: Duke University Press
ISBN: 0822349914
Category : Art
Languages : en
Pages : 350
Get Book Here
Book Description
How colonial mapping traditions were combined with practices of nineteenth-century visual culture in the first maps of independent Mexico, particularly in those created by the respected cartographer Antonio Garc&ía Cubas.
