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Author: Jo Dahn
Publisher: Bloomsbury Publishing
ISBN: 1474264689
Category : Antiques & Collectibles
Languages : en
Pages : 161
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Book Description
New Directions in Ceramics explores and responds to contemporary ceramists' use of innovative modes of practice, investigating how change is happening and interpreting key works. Jo Dahn provides an overview of the current ceramics landscape, identifying influential exhibitions, events and publications, to convey a flavour of debates at a time when much about the character of ceramics is in a state of flux. What non-traditional activities does the term 'ceramics' now encompass? How have these practices developed and how have they been accommodated by institutions in Britain and internationally? Work by a wide range of ceramists, including Edmund de Waal, Nina Hole, Clare Twomey, Keith Harrison, Alexandra Engelfriet, Linda Sormin, Walter McConnell and Phoebe Cummings is considered. Following an extended introduction on ceramics in critical discourse, chapters on performance, installation, raw clay and figuration each provide an introductory overview to the area under discussion, with a closer examination of work by key ceramists, and illustrations of relevant examples. The interplay of actions and ideas is a central concern: critical and cultural contexts are woven into the account throughout, and dialogues with practitioners provide a privileged insight into thought processes as well as studio activities.
Author: Jo Dahn
Publisher: Bloomsbury Publishing
ISBN: 1474264689
Category : Antiques & Collectibles
Languages : en
Pages : 161
Get Book Here
Book Description
New Directions in Ceramics explores and responds to contemporary ceramists' use of innovative modes of practice, investigating how change is happening and interpreting key works. Jo Dahn provides an overview of the current ceramics landscape, identifying influential exhibitions, events and publications, to convey a flavour of debates at a time when much about the character of ceramics is in a state of flux. What non-traditional activities does the term 'ceramics' now encompass? How have these practices developed and how have they been accommodated by institutions in Britain and internationally? Work by a wide range of ceramists, including Edmund de Waal, Nina Hole, Clare Twomey, Keith Harrison, Alexandra Engelfriet, Linda Sormin, Walter McConnell and Phoebe Cummings is considered. Following an extended introduction on ceramics in critical discourse, chapters on performance, installation, raw clay and figuration each provide an introductory overview to the area under discussion, with a closer examination of work by key ceramists, and illustrations of relevant examples. The interplay of actions and ideas is a central concern: critical and cultural contexts are woven into the account throughout, and dialogues with practitioners provide a privileged insight into thought processes as well as studio activities.
Author: Rob Barnard
Publisher: Black Dog Publishing
ISBN: 9781904772767
Category : Art
Languages : en
Pages : 218
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Book Description
The international ceramics scene is enjoying the highest profile it has had for many years. Breaking the Mould looks at ceramic artists working within this versatile medium. Drawing on the rich history of pottery these artists are pushing the techniques, objectives and perceptions of the medium into new, exciting territory. The book profiles the work of over 70 ceramicists, including Suzanne King, Simon Fell, Grayson Perry, Barnaby Barford, Carina Ciscato and Amy Houghton. Their work ranges from interpretations of utilitarian pots, to abstract sculpture and a revisioning of kitch porcelain ornaments, all of which are brought to life in beautiful colour reproductions. Essays by prolific makers and academics look at the history and inspirations behind the medium today. Following in the footsteps of New Directions in Jewellery, Fashioning Fabrics and The Cutting Edge of Wallpaper, Breaking the Mould is a definitive overview of a craft scene that is simultaneously building upon and breaking with its roots, and in doing so creating a brave new future for itself.
Author: Hannah Stouffer
Publisher: Gingko Press Editions
ISBN: 9781584236245
Category : Art
Languages : en
Pages : 0
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Book Description
While most surveys of contemporary art focus largely on two-dimensional work, there is a growing movement of emerging as well as established artists that are producing work in the ceramic medium. The New Age of Ceramics documents that movement; accross 180 illustrations it showcases a story of the art world redefining what was previously considered 'craft' rather than art.
Author: Kathy Triplett
Publisher: Lark Books
ISBN: 9781579901844
Category : Crafts & Hobbies
Languages : en
Pages : 168
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Book Description
Written for the general reader with an interest in ceramics, Handbuilt Ceramics is a big, colorful, and complete how-to manual for shaping clay without a potter’s wheel. Features 8 projects, complete with materials lists, clear step-by-step instructions, and detailed “how-to” color photos.
Author: Jo Dahn
Publisher: Bloomsbury Publishing
ISBN: 1472526716
Category : Antiques & Collectibles
Languages : en
Pages : 161
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Book Description
This is an overview of the contemporary scene in ceramics, looking at the various areas which are rapidly expanding in exciting new ways.
Author: Maureen Mills
Publisher: Sterling Publishing Company, Inc.
ISBN: 1579908446
Category : Ceramics
Languages : en
Pages : 148
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Book Description
This studio reference captures all the popular techniques available for embellishing clay, as well as a wealth of practical information and detailed images that lead readers through every phase of the design and decorating process.
Author: Susan Peterson
Publisher:
ISBN: 0823009378
Category : Crafts & Hobbies
Languages : en
Pages : 176
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Book Description
This unprecedented survey of the most outstanding ceramics being created today offers a sweeping close-up look at the work of more than 260 artists from more than thirty countries. A special feature of this collection is the range of work from China, almost unknown outside of this country until now. Organized by the distinctive categories of functional ceramics, figurative pieces, and installation works, the book gives a complete picture of the latest developments in each area of contemporary ceramic art. Chapters on materials, firing techniques, ethnic influences in design, and related topics delve into every aspect of ceramics creation that would be of interest to crafters, collectors, and other readers who are drawn to contemporary art. Stimulating essays by the author tie together the wide range of work shown in superbly detailed color photographs. Artists included: John Mason, Jun Kaneko, Peter Voulkos, Ralph Bacerra, Rudy Autio, Ken Price, Peter Lane "The book is lavishly illustrated and delights the eyes with the exuberance and variety of ceramic art in the 20th century."--"Mills Quarterly," Spring 2001
Author: Shay Amber
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781600592430
Category : Crafts & Hobbies
Languages : en
Pages : 132
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Book Description
Ceramics are always popular with crafters, and hand building with low-fire earthenware is a natural place to start. This book by artist Shay Amber will inspire even the most intimidated beginner.
Author: Angelica Pozo
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781600594090
Category : Crafts & Hobbies
Languages : en
Pages : 164
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Book Description
Contains creative techniques for a number of ceramic tile projects with detailed information and instruction on basic tools and materials, glaze application, and techniques for making slab tiles.
Author: Laura Breen
Publisher: Bloomsbury Publishing
ISBN: 1350047856
Category : Design
Languages : en
Pages : 257
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Book Description
Ceramics and the Museum interrogates the relationship between art-oriented ceramic practice and museum practice in Britain since 1970. Laura Breen examines the identity of ceramics as an art form, drawing on examples of work by artist-makers such as Edmund de Waal and Grayson Perry; addresses the impact of policy making on ceramic practice; traces the shift from object to project in ceramic practice and in the evolution of ceramic sculpture; explores how museums facilitated multisensory engagement with ceramic material and process, and analyses the exhibition as a text in itself. Proposing the notion that 'gestures of showing,' such as exhibitions and installation art, can be read as statements, she examines what they tell us about the identity of ceramics at particular moments in time. Highlighting the ways in which these gestures have constructed ceramics as a category of artistic practice, Breen argues that they reveal gaps between narrative and practice, which in turn can be used to deconstruct the art.
