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Author: Anita Price Davis
Publisher: McFarland
ISBN: 1476621144
Category : Art
Languages : en
Pages : 231
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Book Description
As the United States struggled to recover from the Great Depression, 24 towns in Alabama would directly benefit from some of the $83 million allocated by the Federal Government for public art works under the New Deal. In the words of Harold Lloyd Hopkins, administrator of the Federal Emergency Relief Act, "artists had to eat, too," and these funds aided people who needed employment during this difficult period in American history. This book examines some of the New Deal art--murals, reliefs, sculptures, frescoes and paintings--of Alabama and offers biographical sketches of the artists who created them. An appendix describes federal art programs and projects of the period (1933-1943).
Author: Anita Price Davis
Publisher: McFarland
ISBN: 1476621144
Category : Art
Languages : en
Pages : 231
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Book Description
As the United States struggled to recover from the Great Depression, 24 towns in Alabama would directly benefit from some of the $83 million allocated by the Federal Government for public art works under the New Deal. In the words of Harold Lloyd Hopkins, administrator of the Federal Emergency Relief Act, "artists had to eat, too," and these funds aided people who needed employment during this difficult period in American history. This book examines some of the New Deal art--murals, reliefs, sculptures, frescoes and paintings--of Alabama and offers biographical sketches of the artists who created them. An appendix describes federal art programs and projects of the period (1933-1943).
Author: Sharon Ann Musher
Publisher: University of Chicago Press
ISBN: 022624718X
Category : Art
Languages : en
Pages : 306
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Book Description
At its height in 1935, the New Deal devoted roughly $27 million ($320 million today) to supporting tens of thousands of needy writers, dancers, actors, musicians, and visual artists, who created over 100,000 worksbooks, murals, plays, concertsthat were performed for or otherwise imbibed by millions of Americans. But why did the government get so involved with the arts in the first place? Musher addresses this question and many others by exploring the political and aesthetic concerns of the 1930s, as well as the range of responsesfrom politicians, intellectuals, artists, and taxpayersto the idea of active government involvement in the arts. In the process, she raises vital questions about the roles that the arts should play in contemporary society."
Author: Carolyn A. Bercier
Publisher: LSU Press
ISBN: 0807171026
Category : Art
Languages : en
Pages : 0
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Book Description
The artist Conrad Albrizio (1894–1973), a New York City native who studied internationally, made his home in New Orleans for more than a half century. To the people of Louisiana and Alabama, he bestowed the lasting gift of large-scale public frescoes, a form he championed long after the general popularity of communal art waned. From regional realism in his New Deal–commissioned works of the 1930s to his abstract-influenced, socially conscious interpretations of the 1950s, Albrizio’s creations exemplify the midcentury period while showcasing the ancient technique of fresco. In this lavishly illustrated volume, Carolyn A. Bercier analyzes Albrizio’s frescoes against the backdrop of the artist’s life. In her introduction, Elise Grenier, who has restored several of Albrizio’s murals, acquaints readers with the demands of painting in fresco, a method also employed by Albrizio’s contemporaries the Mexican muralists. By 1936, Albrizio had completed six fresco panels in the Louisiana State Capitol and his first federally funded mural, in the DeRidder, Louisiana, post office. That same year he joined the faculty of Louisiana State University’s new department of art, where his students depicted him within their murals in Allen Hall. Albrizio continued his fresco commissions for another eighteen years, including scenes in the post office in Russellville, Alabama; the State Fair Exhibits Building in Shreveport, Louisiana; the Capitol Annex Building in Baton Rouge; and the parish courthouse in New Iberia, Louisiana. His culminating accomplishments are an epic cycle portraying shipping, the elements, and the constellations in the lobby of the Waterman Building (now Wachovia Building) in Mobile, and a monumental rendition of Louisiana’s history in the New Orleans Union Passenger Terminal. Both visually lush and richly informative, The Frescoes of Conrad Albrizio pays deserved homage and brings fresh awareness to the under-recognized public murals of a passionate and prolific artist of the twentieth century.
Author:
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 376
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Book Description
An inventory of works of art produced under the Works Progress Administration, 1933-1943, located in non-Federal depositories, initiated by the Fine Arts Program of GSA.
Author: Francis V. O'Connor
Publisher: Washington : Smithsonian Institution
ISBN:
Category : Art
Languages : en
Pages : 362
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Book Description
Author: Anita Price Davis
Publisher: McFarland
ISBN: 0786437790
Category : Art
Languages : en
Pages : 255
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Book Description
As the people and economy of the United States struggled to recover during the Great Depression, 42 towns in North Carolina would benefit directly from the $83 million the federal government allocated for public art as part of the New Deal. The result was some of the state's most memorable murals, sculptures, reliefs, paintings, oils, and frescoes, most of which were installed in post offices and courthouses. This book is the only record of all of the North Carolina public art works under the program. It provides in-depth accounts of the works themselves and the artists who created them. Photographs of all of the buildings that originally received the art, the works themselves, and almost all of the 41 artists are provided. An appendix describes federal art projects, 1933-1943. There are detailed footnotes, an extensive bibliography, and an index.
Author: Mary Ann Calo
Publisher: Penn State Press
ISBN: 0271095741
Category : Art
Languages : en
Pages : 217
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Book Description
This book examines the involvement of African American artists in the New Deal art programs of the 1930s. Emphasizing broader issues informed by the uniqueness of Black experience rather than individual artists’ works, Mary Ann Calo makes the case that the revolutionary vision of these federal art projects is best understood in the context of access to opportunity, mediated by the reality of racial segregation. Focusing primarily on the Federal Art Project (FAP) of the Works Progress Administration (WPA), Calo documents African American artists’ participation in community art centers in Harlem, in St. Louis, and throughout the South. She examines the internal workings of the Harlem Artists’ Guild, the Guild’s activities during the 1930s, and its alliances with other groups, such as the Artists’ Union and the National Negro Congress. Calo also explores African American artists’ representation in the exhibitions sponsored by WPA administrators and the critical reception of their work. In doing so, she elucidates the evolving meanings of the terms race, culture, and community in the interwar era. The book concludes with an essay by Jacqueline Francis on Black artists in the early 1940s, after the end of the FAP program. Presenting essential new archival information and important insights into the experiences of Black New Deal artists, this study expands the factual record and positions the cumulative evidence within the landscape of critical race studies. It will be welcomed by art historians and American studies scholars specializing in early twentieth-century race relations.
Author: Katherine H. Adams
Publisher: McFarland
ISBN: 1476662975
Category : History
Languages : en
Pages : 229
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Book Description
In 1935, the United States Congress began employing large numbers of American artists through the Works Progress Administration--fiction writers, photographers, poster artists, dramatists, painters, sculptors, muralists, wood carvers, composers and choreographers, as well as journalists, historians and researchers. Secretary of Commerce and supervisor of the WPA Harry Hopkins hailed it a "renascence of the arts, if we can call it a rebirth when it has no precedent in our history." Women were eminently involved, creating a wide variety of art and craft, interweaving their own stories with those of other women whose lives might not otherwise have received attention. This book surveys the thousands of women artists who worked for the U.S. government, the historical and social worlds they described and the collaborative depiction of womanhood they created at a pivotal moment in American history.
Author: United States. Farm Security Administration
Publisher:
ISBN:
Category : Erosion
Languages : en
Pages : 44
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Book Description
Author: Sandra Opdycke
Publisher: Routledge
ISBN: 1317588452
Category : History
Languages : en
Pages : 213
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Book Description
Established in 1935 in the midst of the Great Depression, the Works Progress Administration (WPA) was one of the most ambitious federal jobs programs ever created in the U.S. At its peak, the program provided work for almost 3.5 million Americans, employing more than 8 million people across its eight-year history in projects ranging from constructing public buildings and roads to collecting oral histories and painting murals. The story of the WPA provides a perfect entry point into the history of the Great Depression, the New Deal, and the early years of World War II, while its example remains relevant today as the debate over government's role in the economy continues. In this concise narrative, supplemented by primary documents and an engaging companion website, Sandra Opdycke explains the national crisis from which the WPA emerged, traces the program's history, and explores what it tells us about American society in the 1930s and 1940s. Covering central themes including the politics, race, class, gender, and the coming of World War II, The WPA: Creating Jobs During the Great Depression introduces readers to a key period of crisis and change in U.S. history.
