Aristophanes' Old-and-new Comedy: Six essays in perspective PDF Download
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Author: Kenneth J. Reckford
Publisher: UNC Press Books
ISBN: 9780807817209
Category : Literary Criticism
Languages : en
Pages : 600
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Book Description
Aristophanes' Old-and-New Comedy: Volume I: Six Essays in Perspective
Author: Kenneth J. Reckford
Publisher: UNC Press Books
ISBN: 9780807817209
Category : Literary Criticism
Languages : en
Pages : 600
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Book Description
Aristophanes' Old-and-New Comedy: Volume I: Six Essays in Perspective
Author: Honoré de Balzac
Publisher:
ISBN:
Category :
Languages : en
Pages : 1065
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Book Description
Author: Jerry Seinfeld
Publisher: Thomas T. Beeler Publisher
ISBN: 9781574905595
Category : American wit and humor
Languages : en
Pages : 0
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Book Description
Seinfeld. For more than 33 million viewers, the Emmy Award-winning television show had become a Thursday night ritual. The show has ended, but Jerry Seinfeld's distinct brand of humor can still be yours. In his #1 New York Times bestselling book, SeinLanguage, Jerry Seinfeld has captured on the page his views on topics ranging from Raisinettes to relationships, from childhood to cop shows, and from parents to power suits. This is a must-have book for all fans--and who isn't a fan?
Author: Trae Crowder
Publisher: Simon and Schuster
ISBN: 1501160400
Category : Humor
Languages : en
Pages : 352
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Book Description
"The Liberal Rednecks--a three-man stand-up comedy group doing scathing political satire--celebrate all that's good about the South while leading the Redneck Revolution and standing proudly blue in a sea of red. Smart, hilarious, and incisive, the Liberal Rednecks confront outdated traditions and intolerant attitudes, tackling everything people think they know about the South--the good, the bad, the glorious, and the shameful--in a laugh-out-loud funny and lively manifesto for the rise of a New South. Home to some of the best music, athletes, soldiers, whiskey, waffles, and weather the country has to offer, the South has also been bathing in backward bathroom bills and other bigoted legislation that Trae Crowder has targeted in his Liberal Redneck videos, which have gone viral with over 50 million views. Perfect for fans of Stuff White People Like and I Am America (And So Can You), The Liberal Redneck Manifesto skewers political and religious hypocrisies in witty stories and hilarious graphics--such as the Ten Commandments of the New South--and much more! While celebrating the South as one of the richest sources of American culture, this entertaining book issues a wake-up call and a reminder that the South's problems and dreams aren't that far off from the rest of America's"--
Author: Gene Perret
Publisher: Linden Publishing
ISBN: 1610351088
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
Three-time Emmy Award-winner Gene Perret's ""Comedy Writing Step by Step"" has been the manual for humor writers for 25 years. In this new book, his first update, Perret offers readers a treasure trove of guidelines and suggestions covering a broad range of comedy writing situations, along with many all-important insights into the selling of one's work. Perret covers all aspects of comedy writing in his uniquely knowledgeable and anecdotal fashion.
Author: John Limon
Publisher: Duke University Press
ISBN: 0822380501
Category : Performing Arts
Languages : en
Pages : 161
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Book Description
Stand-Up Comedy in Theory, or, Abjection in America is the first study of stand-up comedy as a form of art. John Limon appreciates and analyzes the specific practice of stand-up itself, moving beyond theories of the joke, of the comic, and of comedy in general to read stand-up through the lens of literary and cultural theory. Limon argues that stand-up is an artform best defined by its fascination with the abject, Julia Kristeva’s term for those aspects of oneself that are obnoxious to one’s sense of identity but that are nevertheless—like blood, feces, or urine—impossible to jettison once and for all. All of a comedian’s life, Limon asserts, is abject in this sense. Limon begins with stand-up comics in the 1950s and 1960s—Lenny Bruce, Carl Reiner, Mel Brooks, Mike Nichols, Elaine May—when the norm of the profession was the Jewish, male, heterosexual comedian. He then moves toward the present with analyses of David Letterman, Richard Pryor, Ellen DeGeneres, and Paula Poundstone. Limon incorporates feminist, race, and queer theories to argue that the “comedification” of America—stand-up comedy’s escape from its narrow origins—involves the repossession by black, female, queer, and Protestant comedians of what was black, female, queer, yet suburbanizing in Jewish, male, heterosexual comedy. Limon’s formal definition of stand-up as abject art thus hinges on his claim that the great American comedians of the 1950s and 1960s located their comedy at the place (which would have been conceived in 1960 as a location between New York City or Chicago and their suburbs) where body is thrown off for the mind and materiality is thrown off for abstraction—at the place, that is, where American abjection has always found its home.
Author: Antonio Savorelli
Publisher: McFarland
ISBN: 0786458437
Category : Performing Arts
Languages : en
Pages : 219
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Book Description
This book explores the mechanisms that have driven the evolution of televisual comedy from the classic sitcom, a genre deeply rooted in its theatrical origins, toward a more mature stage of television's history. It analyzes four comic series--Scrubs, The Office, The Comeback, and Ugly Betty--revealing how each separates itself from the traditional sitcom archetype and shows increased awareness of the comic genre. Throughout the author focuses on two cardinal themes: the relationship between comedy and euphoria; and the relationship between comic texts and reality.
Author: Raymond Lambert
Publisher: Agate Publishing
ISBN: 1572847638
Category : Humor
Languages : en
Pages : 241
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Book Description
Chris Rock. Jamie Foxx. Steve Harvey. Dave Chappelle. Some of the biggest names in American entertainment today all appeared at Raymond Lambert's club All Jokes Aside, the legendary Chicago showcase for African-American comedy, early in their careers. This insightful memoir follows up on Lambert's critically acclaimed 2012 Showtime documentary, Phunny Business, and tells the story of his life as seen through the lens of All Jokes Aside—its successes, failures, and lessons learned. By the late 1980s, Lambert was earning a six-figure salary as an investment banker on Wall Street, but dreamed of starting his own company. With zero experience, an equally committed partner, and a little borrowed money, he opened All Jokes Aside, and before long was helping to launch some of the biggest names in comedy. This is story of Lambert's journey, a behind-the-scenes look at the world of show business, and an inspiring tale for any would-be entrepreneur. Chock-full of cautionary tales both humorous and dramatic, revealing details on the early careers of top performers, and tangible guidance on how to build a business from the ground up, this book is a much-needed recent history of black entertainment and a powerful memoir of entrepreneurial ups and downs.
Author: Judy Carter
Publisher: Dell
ISBN: 0307575209
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
If you think you’re funny, buy this book! Whether you dream of becoming a star . . . A better public speaker . . . A more effective communicator . . . A funnier, happier human being . . . You can learn to leave ‘em laughing! David Letterman learned to do it. Jay Leno learned to do it. Roseanne Barr learned to do it. So can you! Now successful stand-up comic Judy Carter—who went from teaching high school to performing in Las Vegas, Atlantic City, Lake Tahoe, and on over 45 major TV shows—gives you the same hands-on, step-by-step instruction she’s taught to students in her comedy workshops. She shows you how to do it: create an act, perform it, make money with it, or apply it to everyday life. Discover: • The formulas for creating comedy material • How to find your own style • The three steps to putting your act together • Rehearsal do’s and don’ts • What to do if you bomb • Ways to punch up your everyday life with humor
Author: V. Ulea
Publisher: SIU Press
ISBN: 9780809324521
Category : Language Arts & Disciplines
Languages : en
Pages : 232
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Book Description
Applying systems theory to the comedies of Chekhov, Balzac, Kleist, Moliere, and Shakespeare, A Concept of Dramatic Genre and the Comedy of a New Type: Chess, Literature, and Film approaches dramatic genre from the point of view of the degree of richness and strength of a character’s potential. Its main focus is to establish a methodology for analyzing the potential from multidimensional perspectives, using systems thinking. The whole concept is an alternative to the Aristotelian plot-based approach and is applied to an analysis of western and eastern European authors as well as contemporary American film. This innovative study consists of three parts: The first part is mostly theoretical, proposing a new definition of the dramatic as a category linked to general systems phenomena and offering a new classification of dramatic genre. In the second part, Ulea offers a textual analysis of some works based on this new classification. She analyzes comedies, tragedies, and dramas on the same or similar topics in order to reveal what makes them belong to opposite types of dramatic genre. Additionally, she considers the question of fate and chance, with regard to tragedy and comedy, from the point of view of the predispositioning theory. In the third part, Ulea explores an analysis of the comedy of a new type—CNT. Her emphasis is on the integration of the part and the whole in approaching the protagonist’s potential. She introduces the term quasi-strong potential in order to reveal the illusory strength of protagonists of the CNT and to show the technique of CNT’s analysis and synthesis. Ulea’s research begins with the notion of the comic, traditionally considered synonymous with the laughable, and attempts to approach it as independent from the laughable and laughter. The necessity to do so is dictated by the desire to penetrate the enigmatic nature of Chekhov’s comedy. The result is A Concept of Dramatic Genre and the Comedy of a New Type: Chess, Literature, and Film, a completely new approach to potential and systems thinking—which has never been a focus of dramatic theory before. Such potential is the touchstone of the comic and comedy, their permanent basic characteristic, the heart and axis around which the comedic world spins.
