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Author: Michelle Baldwin
Publisher: Speck Press
ISBN: 9780972577625
Category : Performing Arts
Languages : en
Pages : 188
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Book Description
Though burlesque has survived in the back of our cultural consciousness after being pushed aside by modern stripping in the '50s, the revival that began in the early '90s has finally brought burlesque back to the forefront of popular culture. Evolving from an underground movement to a nearly mainstream fetish, neo-burlesque embraces a wide variety of modern interpretations all based on the classic bump and grind and "taking it off" with a wink and a smile. From classic tributes to punk rock revisionists, women of all ages, sizes, and backgrounds are rediscovering burlesque and reinventing it. A sense of heightened imagination, empowerment and energy are being delivered to the stage, perhaps even more so than during the historic heyday, the Golden Age of Burlesque. Slipping behind the scene, Burlesque and the New Bump-n-Grind undresses the issues of feminism, modern popularity, and what exactly draws the unique and varied audience members to the shows. The women--and men!--of burlesque also receive their fleshed-out dues by a categorized peek into the various troupe styles including classical, re-creationists, revivalists, modern, circus, performance art, political, queer, bawdy singers and comics. Peppered throughout the book are full-color and black-and-white photographs that fully instill the picturesque dance into the reader's mind. Founder of one of the first neo-burlesque troupes, author Michelle Baldwin (a.k.a, Vivienne Va-Voom) has helped to bring the lost art of burlesque back to the forefront of pop culture. Baldwin has served as the creative director, choreographer, music director, costumer, financial head, and performer for her troupe, "Burlesque As It Was." Her deep immersion into this art form has provided her with a rare view into the growth and evolution of the revival.
Author: Michelle Baldwin
Publisher: Speck Press
ISBN: 9780972577625
Category : Performing Arts
Languages : en
Pages : 188
Get Book Here
Book Description
Though burlesque has survived in the back of our cultural consciousness after being pushed aside by modern stripping in the '50s, the revival that began in the early '90s has finally brought burlesque back to the forefront of popular culture. Evolving from an underground movement to a nearly mainstream fetish, neo-burlesque embraces a wide variety of modern interpretations all based on the classic bump and grind and "taking it off" with a wink and a smile. From classic tributes to punk rock revisionists, women of all ages, sizes, and backgrounds are rediscovering burlesque and reinventing it. A sense of heightened imagination, empowerment and energy are being delivered to the stage, perhaps even more so than during the historic heyday, the Golden Age of Burlesque. Slipping behind the scene, Burlesque and the New Bump-n-Grind undresses the issues of feminism, modern popularity, and what exactly draws the unique and varied audience members to the shows. The women--and men!--of burlesque also receive their fleshed-out dues by a categorized peek into the various troupe styles including classical, re-creationists, revivalists, modern, circus, performance art, political, queer, bawdy singers and comics. Peppered throughout the book are full-color and black-and-white photographs that fully instill the picturesque dance into the reader's mind. Founder of one of the first neo-burlesque troupes, author Michelle Baldwin (a.k.a, Vivienne Va-Voom) has helped to bring the lost art of burlesque back to the forefront of pop culture. Baldwin has served as the creative director, choreographer, music director, costumer, financial head, and performer for her troupe, "Burlesque As It Was." Her deep immersion into this art form has provided her with a rare view into the growth and evolution of the revival.
Author: Katharina Bosse
Publisher: Distributed Art Publishers (DAP)
ISBN:
Category : Photography
Languages : en
Pages : 94
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Book Description
Before it was a show business genre, burlesque was an attitude. It was parody, outrageousness, exaggeration, pastiche--even grotesquerie. If in 19th- and 20th-century America the term came to signify a variety show of light comedy, dance, and strip tease, eventually descending to a plateau of triviality, cheap sexuality, and predictable gaudy costumes, it has now--Woo Hoo! Ladies!--been resuscitated. (It's amazing what a feminist revolution can accomplish when pasties and sequins are introduced.) In New Burlesque, Katharina Bosse takes a trip across the United States to meet and document every proponent of the unabashed renaissance that she can get her camera lens around. Her colorful series of let-it-all-hang-out portraits of Babette la Fave, Kitten DeVille, Kitty Crimson, Ruby Darling, Dirty Martini, D'Milo, Starlet O'Hara, Scarlette Fever, Ursulina, and their many sisters give a wild, wicked stage to the very grown-up darlings of a new century. Whether pictured in a saloon or a kitchen, by the side of a country road or in front of a parking lot, these dames show it just how they please.
Author: Stan Guigui
Publisher: Hachette Livre Direction Paris
ISBN: 9782812305290
Category : Photography
Languages : en
Pages : 157
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Book Description
"If rock is walking on the wild paths of life, Stan Guigui embodies rock in its purest state!" Rolling Stone Magazine This collection of black and white photographs of the Cabaret New Burlesque troupe is an exuberant tribute to a unique group of wome
Author:
Publisher: Schiffer Publishing
ISBN: 9780764346873
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Roy Kemp's previously unpublished burlesque portfolio presents thirty-nine dancers performing in authentic clubs and backstage settings in 1950s New York. This nostalgic collection includes nearly 250 never-before-seen black and white and color photographs of well-known dancers, including Tempest Storm, Liz O'Leyar, Murine, Rita Gable, and Princess Domay, as well as other sultry performers, quite famous in their heyday. Kemp's talents as a photojournalist provide a fresh perspective on the lives of burlesque performers in this golden era. An artist as well as an investigator, Kemp created striptease photo montages and composed biographies for several dancers, giving the reader an intimate feel for the campy burlesque culture. This time capsule depicts live performances and peeps into club dressing rooms, and offers unedited material from pin-up photo sessions. It is a must-have for aspiring dancers, aficionados, or any modern-day guy or gal who appreciates the style and grit of this fabulous art form.
Author: Lynn Sally
Publisher: Rutgers University Press
ISBN: 1978828101
Category : Art
Languages : en
Pages : 193
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Book Description
The neo-burlesque movement seeks to restore a sense of glamour, theatricality, and humor to striptease. Neo-burlesque performers strut their stuff in front of audiences that appreciate their playful brand of pro-sex, often gender-bending, feminism. Performance studies scholar and acclaimed burlesque artist Lynn Sally offers an inside look at the history, culture, and philosophy of New York’s neo-burlesque scene. Revealing how twenty-first century neo-burlesque is in constant dialogue with the classic burlesque of the nineteenth and twentieth centuries, she considers how today’s performers use camp to comment on preconceived notions of femininity. She also explores how the striptease performer directs the audience’s gaze, putting on layers of meaning while taking off layers of clothing. Through detailed profiles of iconic neo-burlesque performers such as Dita Von Teese, Dirty Martini, Julie Atlas Muz, and World Famous *BOB*, this book makes the case for understanding neo-burlesque as a new sexual revolution. Yet it also examines the broader community of “Pro-Am” performers who use neo-burlesque as a liberating vehicle for self-expression. Raising important questions about what feminism looks like, Neo-Burlesque celebrates a revolutionary performing art and participatory culture whose acts have political reverberations, both onstage and off.
Author: Kaitlyn Regehr
Publisher: Oxford University Press
ISBN: 0190457562
Category : PERFORMING ARTS
Languages : en
Pages : 329
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Book Description
"The Burlesque Hall of Fame reunion has been an annual tradition since 1955, when the League of Exotic Dancers (LED), one of America's earliest unions for women in exotic entertainment, held its first meeting. Today, situated in downtown Las Vegas, often called "Old Vegas" or "50s Vegas," The Burlesque Hall of Fame reunion now takes the form of a social club and support group, where these late life dancers perform their half-century-year-old routines from the golden age of burlesque to a rally of counter culture neo-burlesque fans"--
Author: E. Aston
Publisher: Springer
ISBN: 1137300140
Category : Social Science
Languages : en
Pages : 185
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Book Description
Moving across the boundaries of mainstream and experimental circuits, from the affective pleasures of commercially successful shows such as Calendar Girls and Mamma Mia! to the feminist possibilities of new burlesque and stand-up, this book offers a lucid and accessible account of popular feminisms in contemporary theatre and performance.
Author: Alison J. Carr
Publisher: Routledge
ISBN: 1351977709
Category : Social Science
Languages : en
Pages : 122
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Book Description
Drawing on interviews with a breadth of different showgirls, from shows in Paris, Las Vegas, Berlin, and Los Angeles, as well as her own artworks and those by other contemporary and historical artists, this book examines the experiences of showgirls and those who watch them, to challenge the narrowness of representations and discussions around what has been termed ‘sexualisation’ and ‘the gaze’. An account of the experience of being ‘looked at’, the book raises questions of how the showgirl is represented, the nature of the pleasure that she elicits and the suspicion that surrounds it, and what this means for feminism and the act of looking. An embodied articulation of a new politics of looking, Viewing Pleasure and Being a Showgirl engages with the idea (reinforced by feminist critique) that images of women are linked to selling and that women’s bodies have been commodified in capitalist culture, raising the question of whether this enables particular bodies – those of glamorous women on display – to become scapegoats for our deeper anxieties about consumerism.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 928
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Book Description
Author: Sir Sidney Lee
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 752
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Book Description
