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Author: Leonardo Gabrielli
Publisher: Springer
ISBN: 9811003351
Category : Technology & Engineering
Languages : en
Pages : 117
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Book Description
This book presents a comprehensive overview of the state of the art in Networked Music Performance (NMP) and a historical survey of computer music networking. It introduces current technical trends in NMP and technical issues yet to be addressed. It also lists wireless communication protocols and compares these to the requirements of NMP. Practical use cases and advancements are also discussed.
Author: Leonardo Gabrielli
Publisher: Springer
ISBN: 9811003351
Category : Technology & Engineering
Languages : en
Pages : 117
Get Book Here
Book Description
This book presents a comprehensive overview of the state of the art in Networked Music Performance (NMP) and a historical survey of computer music networking. It introduces current technical trends in NMP and technical issues yet to be addressed. It also lists wireless communication protocols and compares these to the requirements of NMP. Practical use cases and advancements are also discussed.
Author: Miriam Iorwerth
Publisher: CRC Press
ISBN: 1000933261
Category : Music
Languages : en
Pages : 228
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Book Description
Networked Music Performance (NMP) is the essential guide to both playing music online and ensemble music through networks. Offering a range of case studies, from highly technical solutions to inclusive community projects, this book provides inspiration to musicians to try NMP whatever their level of technical expertise. Drawing upon recent research to examine the background and history of the practice as well as specific practical approaches, technical and musical considerations are included for readers, as are ideas around accessibility and creativity. Accessibility is considered in the context of the opportunities that NMP gives to musicians working remotely, as well as some of the barriers to participation in NMP and how these can be overcome. Synchronous and asynchronous approaches to NMP are explored in detail, examining the technical and musical affordances and challenges of working remotely for musicians. Networked Music Performance will appeal to music and music technology students as well as professional musicians and technicians who have started working online and wish to improve their practice. As NMP in the context of music education and community music are also explored, this book supplies educators and community leaders with knowledge and practical guidance on how to move their practice online.
Author: Rolf Bader
Publisher: Springer
ISBN: 3030026957
Category : Music
Languages : en
Pages : 350
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Book Description
The future of music archiving and search engines lies in deep learning and big data. Music information retrieval algorithms automatically analyze musical features like timbre, melody, rhythm or musical form, and artificial intelligence then sorts and relates these features. At the first International Symposium on Computational Ethnomusicological Archiving held on November 9 to 11, 2017 at the Institute of Systematic Musicology in Hamburg, Germany, a new Computational Phonogram Archiving standard was discussed as an interdisciplinary approach. Ethnomusicologists, music and computer scientists, systematic musicologists as well as music archivists, composers and musicians presented tools, methods and platforms and shared fieldwork and archiving experiences in the fields of musical acoustics, informatics, music theory as well as on music storage, reproduction and metadata. The Computational Phonogram Archiving standard is also in high demand in the music market as a search engine for music consumers. This book offers a comprehensive overview of the field written by leading researchers around the globe.
Author: Stephan Winkler
Publisher: GRIN Verlag
ISBN: 3640951824
Category : Computers
Languages : en
Pages : 31
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Book Description
Bachelor Thesis from the year 2010 in the subject Communications - Multimedia, Internet, New Technologies, grade: 1, St. Pölten University of Applied Sciences, course: Grundlagen der Audiotechnik, language: English, abstract: High Bandwidth and the rapid development of social networks introduce a new way of making music together. The users of this new community are ambitious musicians and can log into online jam sessions to play together, overcoming the distance between them. Remote collaborative musical performances over the internet are already possible and there are numerous solutions out there. But all these solutions are dealing with one problem: Latency. This means, the audio signal of one user reaches the other user not in real time but lagged, which makes it impractical to make music together. It’s not feasible to eliminate Latency but it is feasible to reduce it. In this work I will define tolerable latency and I will outline possible problems which create latency in the audio conduction and recommend solutions, for keeping latency as low as possible. This includes both client-side difficulties like bandwidth, real time audio compression, buffer times, and problems in the server-side streaming architecture like transport protocols, synchronization, packet loss, and delay times.
Author: Paul Sanden
Publisher: Routledge
ISBN: 0415895405
Category : Art
Languages : en
Pages : 222
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Book Description
This study investigates the idea and practice of liveness in modern music.. The book argues that liveness itself emerges from dynamic tensions inherent in mediated musical contexts--tensions between music as an acoustic human utterance, and musical sound as something produced or altered by machines.
Author: Alvin Curran
Publisher: Kehrer Verlag
ISBN: 9783969000410
Category :
Languages : en
Pages : 144
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Book Description
This comprehensive publication depicts the work of the music collective in a historical context and serves as inspiration for a new generation of network music.
Author: Philip Auslander
Publisher: University of Michigan Press
ISBN: 0472054716
Category : Music
Languages : en
Pages : 305
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Book Description
The conventional way of understanding what musicians do as performers is to treat them as producers of sound; some even argue that it is unnecessary to see musicians in performance as long as one can hear them. But musical performance, counters Philip Auslander, is also a social interaction between musicians and their audiences, appealing as much to the eye as to the ear. In Concert: Performing Musical Persona he addresses not only the visual means by which musicians engage their audiences through costume and physical gesture, but also spectacular aspects of performance such as light shows. Although musicians do not usually enact fictional characters on stage, they nevertheless present themselves to audiences in ways specific to the performance situation. Auslander’s term to denote the musician’s presence before the audience is musical persona. While presence of a musical persona may be most obvious within rock and pop music, the book’s analysis extends to classical music, jazz, blues, country, electronic music, laptop performance, and music made with experimental digital interfaces. The eclectic group of performers discussed include the Beatles, Miles Davis, Keith Urban, Lady Gaga, Nicki Minaj, Frank Zappa, B. B. King, Jefferson Airplane, Virgil Fox, Keith Jarrett, Glenn Gould, and Laurie Anderson.
Author: James Pritchett
Publisher: Cambridge University Press
ISBN: 9780521565448
Category : Biography & Autobiography
Languages : en
Pages : 244
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Book Description
The first book to examine fully the work of John Cage, leading figure of the post-war musical avant-garde.
Author: Cole Dane Ingraham
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 60
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Book Description
Author: Nick Crossley
Publisher: Routledge
ISBN: 1317964764
Category : Social Science
Languages : en
Pages : 277
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Book Description
Social networks are critical for the creation and consumption of music. This edited collection, Social Networks and Music Worlds, introduces students and scholars of music in society to the core concepts and tools of social network analysis. The collection showcases the use of these tools by sociologists, historians and musicologists, examining a variety of distinct 'music worlds', including post-punk, jazz, rap, folk, classical music, Ladyfest and the world of 'open mic' performances, on a number of different scales (local, national and international). In addition to their overarching Introduction, the editors offer a very clear and detailed introduction to the methodology of social network analysis for the uninitiated. The collection builds upon insights from canonic texts in the sociology of music, with the crucial innovation of examining musical network interaction via formal methods. With network analysis in the arts and humanities at an emergent stage, Social Networks and Music Worlds highlights its possibilities for non-scientists. Contributions hail from leading and emerging scholars who present social network graphs and data to represent different music worlds, locating individuals, resources and styles within them. The collection sits at the nexus of sociological, musicological and cultural studies traditions. Its range should ensure a large scholarly readership.
