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Author: Paul Williamson
Publisher: Victoria & Albert Museum
ISBN:
Category : Art
Languages : en
Pages : 182
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Book Description
One of the very few books available on this subject in English, this volume presents a selection of the best and most representative works from the Victoria and Albert Museum's extensive collection of late-medieval Netherlandish sculpture. Ranging from small, single figures and devotional altar carvings to full-scale altarpieces, the book looks not only at these fine sculptures themselves but at their social and artistic context as well. The result is a splendidly illustrated general introduction to the subject, accessible to all those interested in medieval art as well as to students and scholars. The principle categories of sculptural production are all represented, from the free-standing figure, the altarpiece and the small-scale devotional aid. Subjects range from statues of the Virgin and Child to narrative reliefs. Materials vary from alabaster and stone to woods such as oak, walnut and boxwood.
Author: Paul Williamson
Publisher: Victoria & Albert Museum
ISBN:
Category : Art
Languages : en
Pages : 182
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Book Description
One of the very few books available on this subject in English, this volume presents a selection of the best and most representative works from the Victoria and Albert Museum's extensive collection of late-medieval Netherlandish sculpture. Ranging from small, single figures and devotional altar carvings to full-scale altarpieces, the book looks not only at these fine sculptures themselves but at their social and artistic context as well. The result is a splendidly illustrated general introduction to the subject, accessible to all those interested in medieval art as well as to students and scholars. The principle categories of sculptural production are all represented, from the free-standing figure, the altarpiece and the small-scale devotional aid. Subjects range from statues of the Virgin and Child to narrative reliefs. Materials vary from alabaster and stone to woods such as oak, walnut and boxwood.
Author: MiaM. Mochizuki
Publisher: Routledge
ISBN: 1351541994
Category : Art
Languages : en
Pages : 424
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Book Description
Debunking the myth of the stark white Protestant church interior, this study explores the very objects and architectural additions that were in fact added to Netherlandish church interiors in the first century after iconoclasm. In charting these additions, Mia Mochizuki helps explain the impact of iconoclasm on the cultural topography of the Dutch Golden Age, and by extension, permits careful scrutiny of a decisive moment in the history of the image. Focusing on the Great or St. Bavo Church in Haarlem, this interdisciplinary book draws on art history, history and theology to look at the impact of iconoclasm and reformation on the process of image-making in the early modern Netherlands. The new objects that began to appear in the early Dutch Reformed Church signaled a dramatic change in the form, function and patronage of church art and testified to new roles for church, government, guild and resident. Each chapter in the book introduces a major theme of the nascent Protestant church interior - the Word made material, the Word made memorial and the Word made manifest - which is then explored through the painting, sculpture and architecture of the early Dutch Reformed Church. The text is heavily illustrated with images of the objects under discussion, many of them never before published. A large number of these images are from the camera of prize-winning photographer Tjeerd Frederikse, with additional photography courtesy of E.A. van Voorden. This book unveils, defines and reproduces a host of images previously unaddressed by scholarship and links them to more familiar and long studied Dutch paintings. It provides a religious art companion to general studies of Dutch Golden Age art and lends greater depth to our understanding of iconoclasm, as well as the way in which cultural artifacts and religious material culture reflect and help to shape the values of a community. Taking up the challenge of an unusual category of objects for visual analysis, this
Author: Colum Hourihane
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064
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Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Author: Michele D. Marincola
Publisher: Getty Publications
ISBN: 1606066552
Category : Art
Languages : en
Pages : 298
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Book Description
The first English-language book to comprehensively discuss the history and methodology of conserving medieval polychrome wood sculpture. Medieval polychrome wood sculptures are highly complex objects, bearers of histories that begin with their original carving and adornment and continue through long centuries of repainting, deterioration, restoration, and conservation. Abundantly illustrated, this book is the first in English to offer a comprehensive overview of the conservation of medieval painted wood sculpture for conservators, curators, and others charged with their care. Beginning with an illuminating discussion of the history, techniques, and meanings of these works, it continues with their examination and documentation, including chapters on the identification of both the wooden support and the polychromy itself—the paint layers, metal leaf, and other materials used for these sculptures. The volume also covers the many aspects of treatment: the process of determining the best approach; consolidation and adhesion of paint, ground, and support; overpaint removal and surface cleaning; and compensation. Four case studies on artworks in the collection of The Cloisters in New York, a comprehensive bibliography, and a checklist to aid in documentation complement the text.
Author: Susan L. Green
Publisher: Taylor & Francis
ISBN: 1003850839
Category : Art
Languages : en
Pages : 251
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Book Description
This book is the first introduction to Western art that not only considers how choice of materials can impact form, but also how objects in different media can alter in appearance over time, and the role of conservators in the preservation of our cultural heritage. The first four chapters cover wall and easel paintings, sculpture, drawings, and prints, from the late Middle Ages to the present day. They examine, with numerous examples, how these works have been produced, how they might have been transformed, and how efforts regarding their preservation can sometimes be misleading or result in controversy. The final two chapters look at how photography, new techniques, and modern materials prompted innovative ways of creating art in the twentieth century, and how the rapid expansion of technology in the twenty-first century has led to a revolution in how artworks are constructed and seen, generating specific challenges for collectors, curators, and conservators alike. This book is primarily directed at undergraduates interested in art history, museum studies, and conservation, but will also be of interest to a more general non-specialist audience.
Author: Ilja M. Veldman
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 312
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Book Description
Author: Susan L. Green
Publisher: Routledge
ISBN: 1351187619
Category : Art
Languages : en
Pages : 325
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Book Description
This book is the first detailed investigation to focus on the late medieval use of Tree of Jesse imagery, traditionally a representation of the genealogical tree of Christ. In northern Europe, from the mid-fifteenth to the early sixteenth centuries, it could be found across a wide range of media. Yet, as this book vividly illustrates, it had evolved beyond a simple genealogy into something more complex, which could be modified to satisfy specific religious requirements. It was also able to function on a more temporal level, reflecting not only a clerical preoccupation with a sense of communal identity, but a more general interest in displaying a family’s heritage, continuity and/or social status. It is this dynamic and polyvalent element that makes the subject so fascinating.
Author: Norbert Jopek
Publisher: Victoria & Albert Museum
ISBN:
Category : Architecture
Languages : en
Pages : 192
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Book Description
A comprehensive catalogue of late gothic and early renaissance German sculpture from the collection at the Victoria and Albert Museum - probably the largest outside Germany.
Author: Robin S. Oggins
Publisher: Yale University Press
ISBN: 9780300100587
Category : History
Languages : en
Pages : 294
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Book Description
Perhaps the equivalent of polo-playing today, the sport of falconry was the preserve of the wealthy and royalty, regarded as both a suitable and enjoyable leisure activity, and as a source of status and prestige.
Author: Maryan W. Ainsworth
Publisher: Metropolitan Museum of Art
ISBN: 1588390101
Category : Art
Languages : en
Pages : 132
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Book Description
The nine papers collected in this publication- which comprises the third and latest edition to the symposium volumes by the Metropolitan Museum of Art - were first presented in conjunction with the Museum's exhibition of Early Netherlandish painting culled from its own holdings in 1998. The essays, by an international roster of leading specialists, together uncover the circumstances underlying the creation of works of art and shed new light on their meaning, in the context of the growing interdisciplinary activity and burgeoning scholarship in the field. The importance of archival research into the socio-economic factors that existed in the late fifteenth and early sixteenth centuries is emphasized- especially, the impact of art markets on the production of paintings as well as sculpture. Much new material has surfaced as a result of advances in the technical investigation of works of art, underscoring the premise that the clues to the meaning of a work are often found not only in its method of manufacture but also in the specific audience for which it was intended and in the function that it originally served for that audience. -- Publisher description.
