Author: Eva Cherniavsky
Publisher: NYU Press
ISBN: 1479880914
Category : Political Science
Languages : en
Pages : 227
Book Description
Neocitizenship and critique -- Post-Soviet American studies -- Uncivil society in The white boy shuffle -- Beginnings without end : derealizing the political in Battlestar Galactica -- Unreal -- Refugees from this native dreamland
Neocitizenship
Author: Eva Cherniavsky
Publisher: NYU Press
ISBN: 1479880914
Category : Political Science
Languages : en
Pages : 227
Book Description
Neocitizenship and critique -- Post-Soviet American studies -- Uncivil society in The white boy shuffle -- Beginnings without end : derealizing the political in Battlestar Galactica -- Unreal -- Refugees from this native dreamland
Publisher: NYU Press
ISBN: 1479880914
Category : Political Science
Languages : en
Pages : 227
Book Description
Neocitizenship and critique -- Post-Soviet American studies -- Uncivil society in The white boy shuffle -- Beginnings without end : derealizing the political in Battlestar Galactica -- Unreal -- Refugees from this native dreamland
Neocitizenship
Author: Eva Cherniavsky
Publisher: NYU Press
ISBN: 1479893579
Category : Political Science
Languages : en
Pages : 227
Book Description
Neocitizenship and critique -- Post-Soviet American studies -- Uncivil society in The white boy shuffle -- Beginnings without end : derealizing the political in Battlestar Galactica -- Unreal -- Refugees from this native dreamland
Publisher: NYU Press
ISBN: 1479893579
Category : Political Science
Languages : en
Pages : 227
Book Description
Neocitizenship and critique -- Post-Soviet American studies -- Uncivil society in The white boy shuffle -- Beginnings without end : derealizing the political in Battlestar Galactica -- Unreal -- Refugees from this native dreamland
Programming the Future
Author: Sherryl Vint
Publisher: Columbia University Press
ISBN: 0231552572
Category : Performing Arts
Languages : en
Pages : 163
Book Description
From 9/11 to COVID-19, the twenty-first century looks increasingly dystopian—and so do its television shows. Long-form science fiction narratives take one step further the fears of today: liberal democracy in crisis, growing economic precarity, the threat of terrorism, and omnipresent corporate control. At the same time, many of these shows attempt to visualize alternatives, using dystopian extrapolations to spotlight the possibility of building a better world. Programming the Future examines how recent speculative television takes on the contradictions of the neoliberal order. Sherryl Vint and Jonathan Alexander consider a range of popular SF narratives of the last two decades, including Battlestar Galactica, Watchmen, Colony, The Man in the High Castle, The Expanse, and Mr. Robot. They argue that science fiction television foregrounds governance as part of explaining the novel institutions and norms of its imagined futures. In so doing, SF shows allegorize and critique contemporary social, political, and economic developments, helping audiences resist the naturalization of the status quo. Vint and Alexander also draw on queer theory to explore the representation of family structures and their relationship to larger social structures. Recasting both dystopian and utopian narratives, Programming the Future shows how depictions of alternative-world political struggles speak to urgent real-world issues of identity, belonging, and social and political change.
Publisher: Columbia University Press
ISBN: 0231552572
Category : Performing Arts
Languages : en
Pages : 163
Book Description
From 9/11 to COVID-19, the twenty-first century looks increasingly dystopian—and so do its television shows. Long-form science fiction narratives take one step further the fears of today: liberal democracy in crisis, growing economic precarity, the threat of terrorism, and omnipresent corporate control. At the same time, many of these shows attempt to visualize alternatives, using dystopian extrapolations to spotlight the possibility of building a better world. Programming the Future examines how recent speculative television takes on the contradictions of the neoliberal order. Sherryl Vint and Jonathan Alexander consider a range of popular SF narratives of the last two decades, including Battlestar Galactica, Watchmen, Colony, The Man in the High Castle, The Expanse, and Mr. Robot. They argue that science fiction television foregrounds governance as part of explaining the novel institutions and norms of its imagined futures. In so doing, SF shows allegorize and critique contemporary social, political, and economic developments, helping audiences resist the naturalization of the status quo. Vint and Alexander also draw on queer theory to explore the representation of family structures and their relationship to larger social structures. Recasting both dystopian and utopian narratives, Programming the Future shows how depictions of alternative-world political struggles speak to urgent real-world issues of identity, belonging, and social and political change.
Return Engagements
Author: Viet Lê
Publisher: Duke University Press
ISBN: 1478012935
Category : Art
Languages : en
Pages : 244
Book Description
In Return Engagements artist and critic Việt Lê examines contemporary art in Cambodia and Việt Nam to rethink the entwinement of militarization, trauma, diaspora, and modernity in Southeast Asian art. Highlighting artists tied to Phnom Penh and Sài Gòn and drawing on a range of visual art as well as documentary and experimental films, Lê points out that artists of Southeast Asian descent are often expected to address the twin traumas of armed conflict and modernization, and shows how desirable art on these themes is on international art markets. As the global art market fetishizes trauma and violence, artists strategically align their work with those tropes in ways that Lê suggests allow them to reinvent such aesthetics and discursive spaces. By returning to and refashioning these themes, artists such as Tiffany Chung, Rithy Panh, and Sopheap Pich challenge categorizations of “diasporic” and “local” by situating themselves as insiders and outsiders relative to Cambodia and Việt Nam. By doing so, they disrupt dominant understandings of place, time, and belonging in contemporary art.
Publisher: Duke University Press
ISBN: 1478012935
Category : Art
Languages : en
Pages : 244
Book Description
In Return Engagements artist and critic Việt Lê examines contemporary art in Cambodia and Việt Nam to rethink the entwinement of militarization, trauma, diaspora, and modernity in Southeast Asian art. Highlighting artists tied to Phnom Penh and Sài Gòn and drawing on a range of visual art as well as documentary and experimental films, Lê points out that artists of Southeast Asian descent are often expected to address the twin traumas of armed conflict and modernization, and shows how desirable art on these themes is on international art markets. As the global art market fetishizes trauma and violence, artists strategically align their work with those tropes in ways that Lê suggests allow them to reinvent such aesthetics and discursive spaces. By returning to and refashioning these themes, artists such as Tiffany Chung, Rithy Panh, and Sopheap Pich challenge categorizations of “diasporic” and “local” by situating themselves as insiders and outsiders relative to Cambodia and Việt Nam. By doing so, they disrupt dominant understandings of place, time, and belonging in contemporary art.
It's Not Free Speech
Author: Michael Bérubé
Publisher: JHU Press
ISBN: 1421443880
Category : Education
Languages : en
Pages : 304
Book Description
How far does the idea of academic freedom extend to professors in an era of racial reckoning? The protests of summer 2020, which were ignited by the murder of George Floyd, led to long-overdue reassessments of the legacy of racism and white supremacy in both American academe and cultural life more generally. But while universities have been willing to rename some buildings and schools or grapple with their role in the slave trade, no one has yet asked the most uncomfortable question: Does academic freedom extend to racist professors? It's Not Free Speech considers the ideal of academic freedom in the wake of the activism inspired by outrageous police brutality, white supremacy, and the #MeToo movement. Arguing that academic freedom must be rigorously distinguished from freedom of speech, Michael Bérubé and Jennifer Ruth take aim at explicit defenses of colonialism and theories of white supremacy—theories that have no intellectual legitimacy whatsoever. Approaching this question from two angles—one, the question of when a professor's intramural or extramural speech calls into question his or her fitness to serve, and two, the question of how to manage the simmering tension between the academic freedom of faculty and the antidiscrimination initiatives of campus offices of diversity, equity, and inclusion—they argue that the democracy-destroying potential of social media makes it very difficult to uphold the traditional liberal view that the best remedy for hate speech is more speech. In recent years, those with traditional liberal ideals have had very limited effectiveness in responding to the resurgence of white supremacism in American life. It is time, Bérubé and Ruth write, to ask whether that resurgence requires us to rethink the parameters and practices of academic freedom. Touching as well on contingent faculty, whose speech is often inadequately protected, It's Not Free Speech insists that we reimagine shared governance to augment both academic freedom and antidiscrimination initiatives on campuses. Faculty across the nation can develop protocols that account for both the new realities—from the rise of social media to the decline of tenure—and the old realities of long-standing inequities and abuses that the classic liberal conception of academic freedom did nothing to address. This book will resonate for anyone who has followed debates over #MeToo, Black Lives Matter, Critical Race Theory, and "cancel culture"; more specifically, it should have a major impact on many facets of academic life, from the classroom to faculty senates to the office of the general counsel.
Publisher: JHU Press
ISBN: 1421443880
Category : Education
Languages : en
Pages : 304
Book Description
How far does the idea of academic freedom extend to professors in an era of racial reckoning? The protests of summer 2020, which were ignited by the murder of George Floyd, led to long-overdue reassessments of the legacy of racism and white supremacy in both American academe and cultural life more generally. But while universities have been willing to rename some buildings and schools or grapple with their role in the slave trade, no one has yet asked the most uncomfortable question: Does academic freedom extend to racist professors? It's Not Free Speech considers the ideal of academic freedom in the wake of the activism inspired by outrageous police brutality, white supremacy, and the #MeToo movement. Arguing that academic freedom must be rigorously distinguished from freedom of speech, Michael Bérubé and Jennifer Ruth take aim at explicit defenses of colonialism and theories of white supremacy—theories that have no intellectual legitimacy whatsoever. Approaching this question from two angles—one, the question of when a professor's intramural or extramural speech calls into question his or her fitness to serve, and two, the question of how to manage the simmering tension between the academic freedom of faculty and the antidiscrimination initiatives of campus offices of diversity, equity, and inclusion—they argue that the democracy-destroying potential of social media makes it very difficult to uphold the traditional liberal view that the best remedy for hate speech is more speech. In recent years, those with traditional liberal ideals have had very limited effectiveness in responding to the resurgence of white supremacism in American life. It is time, Bérubé and Ruth write, to ask whether that resurgence requires us to rethink the parameters and practices of academic freedom. Touching as well on contingent faculty, whose speech is often inadequately protected, It's Not Free Speech insists that we reimagine shared governance to augment both academic freedom and antidiscrimination initiatives on campuses. Faculty across the nation can develop protocols that account for both the new realities—from the rise of social media to the decline of tenure—and the old realities of long-standing inequities and abuses that the classic liberal conception of academic freedom did nothing to address. This book will resonate for anyone who has followed debates over #MeToo, Black Lives Matter, Critical Race Theory, and "cancel culture"; more specifically, it should have a major impact on many facets of academic life, from the classroom to faculty senates to the office of the general counsel.
Popular Culture and the Civic Imagination
Author: Henry Jenkins
Publisher: NYU Press
ISBN: 1479891258
Category : Social Science
Languages : en
Pages : 376
Book Description
How popular culture is engaged by activists to effect emancipatory political change One cannot change the world unless one can imagine what a better world might look like. Civic imagination is the capacity to conceptualize alternatives to current cultural, social, political, or economic conditions; it also requires the ability to see oneself as a civic agent capable of making change, as a participant in a larger democratic culture. Popular Culture and the Civic Imagination represents a call for greater clarity about what we’re fighting for—not just what we’re fighting against. Across more than thirty examples from social movements around the world, this casebook proposes “civic imagination” as a framework that can help us identify, support, and practice new kinds of communal participation. As the contributors demonstrate, young people, in particular, are turning to popular culture—from Beyoncé to Bollywood, from Smokey Bear to Hamilton, from comic books to VR—for the vernacular through which they can express their discontent with current conditions. A young activist uses YouTube to speak back against J. K. Rowling in the voice of Cho Chang in order to challenge the superficial representation of Asian Americans in children’s literature. Murals in Los Angeles are employed to construct a mythic imagination of Chicano identity. Twitter users have turned to #BlackGirlMagic to highlight the black radical imagination and construct new visions of female empowerment. In each instance, activists demonstrate what happens when the creative energies of fans are infused with deep political commitment, mobilizing new visions of what a better democracy might look like.
Publisher: NYU Press
ISBN: 1479891258
Category : Social Science
Languages : en
Pages : 376
Book Description
How popular culture is engaged by activists to effect emancipatory political change One cannot change the world unless one can imagine what a better world might look like. Civic imagination is the capacity to conceptualize alternatives to current cultural, social, political, or economic conditions; it also requires the ability to see oneself as a civic agent capable of making change, as a participant in a larger democratic culture. Popular Culture and the Civic Imagination represents a call for greater clarity about what we’re fighting for—not just what we’re fighting against. Across more than thirty examples from social movements around the world, this casebook proposes “civic imagination” as a framework that can help us identify, support, and practice new kinds of communal participation. As the contributors demonstrate, young people, in particular, are turning to popular culture—from Beyoncé to Bollywood, from Smokey Bear to Hamilton, from comic books to VR—for the vernacular through which they can express their discontent with current conditions. A young activist uses YouTube to speak back against J. K. Rowling in the voice of Cho Chang in order to challenge the superficial representation of Asian Americans in children’s literature. Murals in Los Angeles are employed to construct a mythic imagination of Chicano identity. Twitter users have turned to #BlackGirlMagic to highlight the black radical imagination and construct new visions of female empowerment. In each instance, activists demonstrate what happens when the creative energies of fans are infused with deep political commitment, mobilizing new visions of what a better democracy might look like.
American Studies as Transnational Practice
Author: Yuan Shu
Publisher: Dartmouth College Press
ISBN: 1611688485
Category : Literary Criticism
Languages : en
Pages : 418
Book Description
This wide-ranging collection brings together an eclectic group of scholars to reflect upon the transnational configurations of the field of American studies and how these have affected its localizations, epistemological perspectives, ecological imaginaries, and politics of translation. The volume elaborates on the causes of the transnational paradigm shift in American studies and describes the material changes that this new paradigm has effected during the past two decades. The contributors hail from a variety of postcolonial, transoceanic, hemispheric, and post-national positions and sensibilities, enabling them to theorize a "crossroads of cultures" explanation of transnational American studies that moves beyond the multicultural studies model. Offering a rich and rewarding mix of essays and case studies, this collection will satisfy a broad range of students and scholars.
Publisher: Dartmouth College Press
ISBN: 1611688485
Category : Literary Criticism
Languages : en
Pages : 418
Book Description
This wide-ranging collection brings together an eclectic group of scholars to reflect upon the transnational configurations of the field of American studies and how these have affected its localizations, epistemological perspectives, ecological imaginaries, and politics of translation. The volume elaborates on the causes of the transnational paradigm shift in American studies and describes the material changes that this new paradigm has effected during the past two decades. The contributors hail from a variety of postcolonial, transoceanic, hemispheric, and post-national positions and sensibilities, enabling them to theorize a "crossroads of cultures" explanation of transnational American studies that moves beyond the multicultural studies model. Offering a rich and rewarding mix of essays and case studies, this collection will satisfy a broad range of students and scholars.
The Gift of Freedom
Author: Mimi Thi Nguyen
Publisher: Duke University Press
ISBN: 0822352397
Category : History
Languages : en
Pages : 294
Book Description
Mimi Thi Nguyen examines the self-interested claims of the United States to provide freedom to others, even as it does so by generating violence and displacement through overpowering warfare.
Publisher: Duke University Press
ISBN: 0822352397
Category : History
Languages : en
Pages : 294
Book Description
Mimi Thi Nguyen examines the self-interested claims of the United States to provide freedom to others, even as it does so by generating violence and displacement through overpowering warfare.
Apocalypse and Heroism in Popular Culture
Author: Katherine E. Sugg
Publisher: McFarland
ISBN: 1476645663
Category : Performing Arts
Languages : en
Pages : 239
Book Description
Stories of world-ending catastrophe have featured prominently in film and television. Zombie apocalypses, climate disasters, alien invasions, global pandemics and dystopian world orders fill our screens--typically with a singular figure or tenacious group tasked with saving or salvaging the world. Why are stories of End Times crisis so popular with audiences? And why is the hero so often a white man who overcomes personal struggles and major obstacles to lead humanity toward a restored future? This book examines the familiar trope of the hero and the recasting of contemporary anxieties in films like The Walking Dead, Snowpiercer and Mad Max: Fury Road. Some have familiar roots in Western cultural traditions yet many question popular assumptions about heroes and heroism to tell new and fascinating stories about race, gender and society and the power of individuals to change the world.
Publisher: McFarland
ISBN: 1476645663
Category : Performing Arts
Languages : en
Pages : 239
Book Description
Stories of world-ending catastrophe have featured prominently in film and television. Zombie apocalypses, climate disasters, alien invasions, global pandemics and dystopian world orders fill our screens--typically with a singular figure or tenacious group tasked with saving or salvaging the world. Why are stories of End Times crisis so popular with audiences? And why is the hero so often a white man who overcomes personal struggles and major obstacles to lead humanity toward a restored future? This book examines the familiar trope of the hero and the recasting of contemporary anxieties in films like The Walking Dead, Snowpiercer and Mad Max: Fury Road. Some have familiar roots in Western cultural traditions yet many question popular assumptions about heroes and heroism to tell new and fascinating stories about race, gender and society and the power of individuals to change the world.
Material Insurgency
Author: Andrew M. Rose
Publisher: State University of New York Press
ISBN: 1438484399
Category : Political Science
Languages : en
Pages : 306
Book Description
In Material Insurgency, Andrew M. Rose examines emerging new materialist and posthuman conceptions of subjectivity and agency and explores their increasing significance for contemporary climate change environmentalism. Working at the intersection of material ecocriticism, posthuman theory, and environmental political theory, Rose critically focuses on the ways social movement organizing might effectively operate within the context of distributed agency. This concept undoes the privileging of rational human actors to suggest agency is better understood as a complex mixture of human and nonhuman forces. Rose explores various representations of distributed agency, from the pipeline politics of the Keystone XL campaign to the speculative literary fiction of Leslie Marmon Silko and Kim Stanley Robinson. Each of these cultural and literary texts provides a window into the possible constitution of a (distributed) environmental politics that does not yet exist and operates as a resource for envisioning environmental actors we cannot necessarily study empirically, because they are still only a prospect, or potential, of our imagination.
Publisher: State University of New York Press
ISBN: 1438484399
Category : Political Science
Languages : en
Pages : 306
Book Description
In Material Insurgency, Andrew M. Rose examines emerging new materialist and posthuman conceptions of subjectivity and agency and explores their increasing significance for contemporary climate change environmentalism. Working at the intersection of material ecocriticism, posthuman theory, and environmental political theory, Rose critically focuses on the ways social movement organizing might effectively operate within the context of distributed agency. This concept undoes the privileging of rational human actors to suggest agency is better understood as a complex mixture of human and nonhuman forces. Rose explores various representations of distributed agency, from the pipeline politics of the Keystone XL campaign to the speculative literary fiction of Leslie Marmon Silko and Kim Stanley Robinson. Each of these cultural and literary texts provides a window into the possible constitution of a (distributed) environmental politics that does not yet exist and operates as a resource for envisioning environmental actors we cannot necessarily study empirically, because they are still only a prospect, or potential, of our imagination.