Ludwig Van Beethoven - 6 Variations on 'Nel Cor Piu Non Mi Sento' - WoO 70 - A Score for Solo Piano PDF Download
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Author: Ludwig Van Beethoven
Publisher: Read Books Ltd
ISBN: 144748990X
Category : Music
Languages : en
Pages : 16
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Book Description
"Nel cor più non mi sento" (Why feels my heart so dormant) is a soprano aria from act 2 in Giovanni Paisiello's 1788 opera L'amor contrastato, ossia La molinara, usually known as La molinara. This aria was immortalized by Beethoven who composed six variations in G major for piano, WoO 70, in 1795. The aria, or rather arietta, is quite short at just 20 bars; it is bracketed by a short introduction and a postlude. A typical performance last for about 1:20 minutes. Ludwig van Beethoven (1770 – 1827) was a seminal German composer. He had a significant influence on the transition from the Classical to the Romantic era of music, and to this day he is considered to be one the most celebrated and important composers of all time. This volume is highly recommended for fans of Beethoven's music, and it constitutes a must-have for collectors of important classical scores. Classic Music Collection constitutes an extensive library of the most well-known and universally enjoyed works of classical music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over. This edition also includes an introductory biography of Beethoven written by Joseph Otten.
Author: Ludwig Van Beethoven
Publisher: Read Books Ltd
ISBN: 144748990X
Category : Music
Languages : en
Pages : 16
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Book Description
"Nel cor più non mi sento" (Why feels my heart so dormant) is a soprano aria from act 2 in Giovanni Paisiello's 1788 opera L'amor contrastato, ossia La molinara, usually known as La molinara. This aria was immortalized by Beethoven who composed six variations in G major for piano, WoO 70, in 1795. The aria, or rather arietta, is quite short at just 20 bars; it is bracketed by a short introduction and a postlude. A typical performance last for about 1:20 minutes. Ludwig van Beethoven (1770 – 1827) was a seminal German composer. He had a significant influence on the transition from the Classical to the Romantic era of music, and to this day he is considered to be one the most celebrated and important composers of all time. This volume is highly recommended for fans of Beethoven's music, and it constitutes a must-have for collectors of important classical scores. Classic Music Collection constitutes an extensive library of the most well-known and universally enjoyed works of classical music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over. This edition also includes an introductory biography of Beethoven written by Joseph Otten.
Author: John Glenn Paton
Publisher: Alfred Music
ISBN: 9781457435614
Category : Music
Languages : en
Pages : 158
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Book Description
This authoritative, new edition of the world's most loved songs and arias draws on original manuscripts, historical first editions and recent research by prominent musicologists to meet a high standard of accuracy and authenticity. Includes fascinating background information about the arias and their composers as well as a singable rhymed translation, a readable prose translation and a literal translation of each single Italian word.
Author: John Glenn Paton
Publisher: Alfred Music
ISBN: 9781457435607
Category : Music
Languages : en
Pages : 156
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Book Description
This authoritative, new edition of the world's most loved songs and arias draws on original manuscripts, historical first editions and recent research by prominent musicologists to meet a high standard of accuracy and authenticity. Includes fascinating background information about the arias and their composers as well as a singable rhymed translation, a readable prose translation and a literal translation of each single Italian word.
Author: Alessandro Parisotti
Publisher: Scholar's Choice
ISBN: 9781298029072
Category :
Languages : en
Pages : 160
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Giovanni Paisiello
Publisher: Createspace Independent Publishing Platform
ISBN: 9781986391856
Category :
Languages : en
Pages : 24
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Book Description
Giovanni Paisiello - Nel cor piu non mi sento, Arietta, For Voice and Piano, Original key and transposed versions for medium, high and low voices (Eb Major - original key, A Major, G Major, F Major, D Major C Major, Bb Major).
Author: Berton Coffin
Publisher: Scarecrow Press
ISBN: 9780810815339
Category : Language Arts & Disciplines
Languages : en
Pages : 404
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Book Description
Since the publication of the first edition in 1964, Phonetic Readings of Songs and Arias has served singers, teachers of singing, and students of lyric diction as a guide to the correct pronunciation of songs in foreign languages.
Author: Alfred Music
Publisher: Alfred Music
ISBN: 9781457488375
Category : Music
Languages : en
Pages : 104
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Book Description
Expertly arranged Vocal Collection for Medium High Voice from the Kalmus Edition series. Titles: * Per la gloria d'adorarvi * Amarilli, mia bella * Alma del core * Comme raggio di sol * Sebben, crudele * Vittoria, mio core! * Non posso disperar * Danza, danza, fanciulla gentile * Vergin, tutto amor * Caro mio ben * O del mio dolce ardor * Che fiero costume * Pur dicesti, o bocca bella * Il mio bel foco * Lasciatemi morire! * Nel cor piu non mi sento * Se tu m'ami, se sospiri * Nina (attributed to Pergolesi) * Gia il sole dal Gange * Le Violette * O cessate di piagarmi * Se Florindo e fedele * Pieta, Signore! * Tu lo sai
Author: Minnie Earl Sears
Publisher:
ISBN:
Category : Songs
Languages : en
Pages : 696
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Book Description
Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 1458492044
Category : Music
Languages : en
Pages : 1003
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Book Description
(Fake Book). A comprehensive reference for all classical music lovers, the second edition of this fake book features 250 pieces added since the last edition. Imagine having one handy volume that includes everything from Renaissance music to Vivaldi to Mozart to Mendelssohn to Debussy to Stravinsky, and you have it here! We have included as much of the world's most familiar classical music as possible, assembling more than 850 beloved compositions from ballets, chamber music, choral music, concertos, operas, piano music, waltzes and more. Featuring indexes by composer, title and genre, as well as a timeline of major classical composers, this encyclopedic fake book is great to use for playing and performing, but it's also a terrific resource for concert-goers, music students and music lovers. The chords of the harmony are indicated, and lyrics, in the original language, are included where appropriate.
Author: Ellen Rosand
Publisher: Univ of California Press
ISBN: 0520254260
Category : Art
Languages : en
Pages : 712
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Book Description
"In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi
