Author: Sanford Shieh
Publisher: Oxford University Press
ISBN: 0192568817
Category : Philosophy
Languages : en
Pages : 641
Book Description
A long tradition, going back to Aristotle, conceives of logic in terms of necessity and possibility: a deductive argument is correct if it is not possible for the conclusion to be false when the premises are true. A relatively unknown feature of the analytic tradition in philosophy is that, at its very inception, this venerable conception of the relation between logic and necessity and possibility - the concepts of modality - was put into question. The founders of analytic philosophy, Gottlob Frege and Bertrand Russell, held that these concepts are empty: there are no genuine distinctions among the necessary, the possible, and the actual. In this book, the first of two volumes, Sanford Shieh investigates the grounds of this position and its consequences for Frege's and Russell's conceptions of logic. The grounds lie in doctrines on truth, thought, and knowledge, as well as on the relation between mind and reality, that are central to the philosophies of Frege and Russell, and are of enduring philosophical interest. The upshot of this opposition to modality is that logic is fundamental, and, to be coherent, modal concepts would have to be reconstructed in logical terms. This rejection of modality in early analytic philosophy remains of contemporary significance, though the coherence of modal concepts is rarely questioned nowadays because it is generally assumed that suspicion of modality derives from logical positivism, which has not survived philosophical scrutiny. The anti-modal arguments of Frege and Russell, however, have nothing to do with positivism and remain a challenge to the contemporary acceptance of modal notions.
Necessity Lost
Author: Sanford Shieh
Publisher: Oxford University Press
ISBN: 0192568817
Category : Philosophy
Languages : en
Pages : 641
Book Description
A long tradition, going back to Aristotle, conceives of logic in terms of necessity and possibility: a deductive argument is correct if it is not possible for the conclusion to be false when the premises are true. A relatively unknown feature of the analytic tradition in philosophy is that, at its very inception, this venerable conception of the relation between logic and necessity and possibility - the concepts of modality - was put into question. The founders of analytic philosophy, Gottlob Frege and Bertrand Russell, held that these concepts are empty: there are no genuine distinctions among the necessary, the possible, and the actual. In this book, the first of two volumes, Sanford Shieh investigates the grounds of this position and its consequences for Frege's and Russell's conceptions of logic. The grounds lie in doctrines on truth, thought, and knowledge, as well as on the relation between mind and reality, that are central to the philosophies of Frege and Russell, and are of enduring philosophical interest. The upshot of this opposition to modality is that logic is fundamental, and, to be coherent, modal concepts would have to be reconstructed in logical terms. This rejection of modality in early analytic philosophy remains of contemporary significance, though the coherence of modal concepts is rarely questioned nowadays because it is generally assumed that suspicion of modality derives from logical positivism, which has not survived philosophical scrutiny. The anti-modal arguments of Frege and Russell, however, have nothing to do with positivism and remain a challenge to the contemporary acceptance of modal notions.
Publisher: Oxford University Press
ISBN: 0192568817
Category : Philosophy
Languages : en
Pages : 641
Book Description
A long tradition, going back to Aristotle, conceives of logic in terms of necessity and possibility: a deductive argument is correct if it is not possible for the conclusion to be false when the premises are true. A relatively unknown feature of the analytic tradition in philosophy is that, at its very inception, this venerable conception of the relation between logic and necessity and possibility - the concepts of modality - was put into question. The founders of analytic philosophy, Gottlob Frege and Bertrand Russell, held that these concepts are empty: there are no genuine distinctions among the necessary, the possible, and the actual. In this book, the first of two volumes, Sanford Shieh investigates the grounds of this position and its consequences for Frege's and Russell's conceptions of logic. The grounds lie in doctrines on truth, thought, and knowledge, as well as on the relation between mind and reality, that are central to the philosophies of Frege and Russell, and are of enduring philosophical interest. The upshot of this opposition to modality is that logic is fundamental, and, to be coherent, modal concepts would have to be reconstructed in logical terms. This rejection of modality in early analytic philosophy remains of contemporary significance, though the coherence of modal concepts is rarely questioned nowadays because it is generally assumed that suspicion of modality derives from logical positivism, which has not survived philosophical scrutiny. The anti-modal arguments of Frege and Russell, however, have nothing to do with positivism and remain a challenge to the contemporary acceptance of modal notions.
The Law Journal ...
Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 798
Book Description
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 798
Book Description
Past Futures
Author: Ged Martin
Publisher: University of Toronto Press
ISBN: 9780802086457
Category : History
Languages : en
Pages : 332
Book Description
In Past Futures, Ged Martin advocates examining the decisions that people take, most of which are not the result of a 'process, ' but are reached intuitively.
Publisher: University of Toronto Press
ISBN: 9780802086457
Category : History
Languages : en
Pages : 332
Book Description
In Past Futures, Ged Martin advocates examining the decisions that people take, most of which are not the result of a 'process, ' but are reached intuitively.
The Intellectual and Cultural Origins of Chaïm Perelman and Lucie Olbrechts-Tyteca’s New Rhetoric Project
Author: Michelle Bolduc
Publisher: BRILL
ISBN: 9004537430
Category : Philosophy
Languages : en
Pages : 238
Book Description
Chaïm Perelman, alone, and in collaboration with Lucie Olbrechts-Tyteca, developed the New Rhetoric Project (NRP), which is in use throughout the world. Sir Brian Vickers, in his historical survey of rhetoric and philosophy for the Oxford Encyclopaedia of Rhetoric, states that the NRP is “one of the most influential modern formulations of rhetorical theory.” This book provides the first deep contextualization of the project’s origins, offers seven original translations of the writings of Perelman and Olbrechts-Tyteca from French into English, and details how their collaboration effectively addresses then philosophical problems of our age.
Publisher: BRILL
ISBN: 9004537430
Category : Philosophy
Languages : en
Pages : 238
Book Description
Chaïm Perelman, alone, and in collaboration with Lucie Olbrechts-Tyteca, developed the New Rhetoric Project (NRP), which is in use throughout the world. Sir Brian Vickers, in his historical survey of rhetoric and philosophy for the Oxford Encyclopaedia of Rhetoric, states that the NRP is “one of the most influential modern formulations of rhetorical theory.” This book provides the first deep contextualization of the project’s origins, offers seven original translations of the writings of Perelman and Olbrechts-Tyteca from French into English, and details how their collaboration effectively addresses then philosophical problems of our age.
The South Since the War
Author: Sidney Andrews
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 420
Book Description
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 420
Book Description
The Ashanti War (1874) Volume 1
Author: Captain Henry Brackenbury
Publisher: Andrews UK Limited
ISBN: 1781508992
Category : History
Languages : en
Pages : 444
Book Description
Henry Brackenbury was a brilliant staff officer - one of the “Garnet Ring” that surrounded the famous General Sir Garnet Wolsey. This is a very serious and detailed two-volume account of the brief but bloody Ashanti campaign - containing a lot of background and logistics. The Ashanti War came about after the armies of the ambitious Ashanti Empire moved south, attacking coastal tribes in the Gold Coast under British protection. After naval forces had failed to deter them, a military expedition was mounted under Wolseley, including soldiers from the Rifle Brigade, the Black Watch and the Royal Welch Fusiliers. Garnet moved against the Ashanti early in 1874, twice defeated them, and occupied their capital Kumasi. In the wake of the defeat, other small tribes asserted their independence and eventually Britain, after restoring oirder, was compelled to add the Gold Coast to the dominions fo the British Empire. Losses in the war were an estimated 1,000 British and 2,000 Ashantis.
Publisher: Andrews UK Limited
ISBN: 1781508992
Category : History
Languages : en
Pages : 444
Book Description
Henry Brackenbury was a brilliant staff officer - one of the “Garnet Ring” that surrounded the famous General Sir Garnet Wolsey. This is a very serious and detailed two-volume account of the brief but bloody Ashanti campaign - containing a lot of background and logistics. The Ashanti War came about after the armies of the ambitious Ashanti Empire moved south, attacking coastal tribes in the Gold Coast under British protection. After naval forces had failed to deter them, a military expedition was mounted under Wolseley, including soldiers from the Rifle Brigade, the Black Watch and the Royal Welch Fusiliers. Garnet moved against the Ashanti early in 1874, twice defeated them, and occupied their capital Kumasi. In the wake of the defeat, other small tribes asserted their independence and eventually Britain, after restoring oirder, was compelled to add the Gold Coast to the dominions fo the British Empire. Losses in the war were an estimated 1,000 British and 2,000 Ashantis.
Why Modern Manuscripts Matter
Author: Kathryn Sutherland
Publisher: Oxford University Press
ISBN: 0192856510
Category : English literature
Languages : en
Pages : 296
Book Description
This is a study of the politics, the commerce, and the aesthetics of heritage culture in the shape of authors' manuscripts. Draft or working manuscripts survive in quantity from the eighteenth century when, with the rise of print, readers learnt to value 'the hand' as an index of individuality and the blotted page, criss-crossed by deletion and revision, as a sign of genius. Since then, collectors have fought over manuscripts, libraries have curated them, the rich have stashed them away in investment portfolios, students have squeezed meaning from them, and we have all stared at them behind exhibition glass. Why do we trade them, conserve them, and covet them? Most, after all, are just the stuff left over after the novel or book of poetry goes into print. Poised on the boundary where precious treasure becomes abject waste, litter, and mess, modern literary manuscripts hover between riches and rubbish. In a series of case studies, this book explores manuscript's expressive agency and its capacity to provoke passion--a capacity ever more to the fore in the twenty-first century now that books are assembled via word-processing software and authors no longer leave in such quantity those paper trails behind them. It considers manuscripts as residues of meaning that print is unable to capture: manuscript as fragment art, as property, as waste paper. It asks what it might mean to re-read print in the shadow of manuscript. Case studies of Samuel Johnson, James Boswell, Walter Scott, Frances Burney, and Jane Austen--writers from the first great period of manuscript survival--are interspersed with discussions of William Godwin's record keeping, the Cairo genizah, Katie Paterson's 'Future Library' project, Andy Warhol's and Muriel Spark's self-archiving, Cornelia Parker's reclamation art, and more.
Publisher: Oxford University Press
ISBN: 0192856510
Category : English literature
Languages : en
Pages : 296
Book Description
This is a study of the politics, the commerce, and the aesthetics of heritage culture in the shape of authors' manuscripts. Draft or working manuscripts survive in quantity from the eighteenth century when, with the rise of print, readers learnt to value 'the hand' as an index of individuality and the blotted page, criss-crossed by deletion and revision, as a sign of genius. Since then, collectors have fought over manuscripts, libraries have curated them, the rich have stashed them away in investment portfolios, students have squeezed meaning from them, and we have all stared at them behind exhibition glass. Why do we trade them, conserve them, and covet them? Most, after all, are just the stuff left over after the novel or book of poetry goes into print. Poised on the boundary where precious treasure becomes abject waste, litter, and mess, modern literary manuscripts hover between riches and rubbish. In a series of case studies, this book explores manuscript's expressive agency and its capacity to provoke passion--a capacity ever more to the fore in the twenty-first century now that books are assembled via word-processing software and authors no longer leave in such quantity those paper trails behind them. It considers manuscripts as residues of meaning that print is unable to capture: manuscript as fragment art, as property, as waste paper. It asks what it might mean to re-read print in the shadow of manuscript. Case studies of Samuel Johnson, James Boswell, Walter Scott, Frances Burney, and Jane Austen--writers from the first great period of manuscript survival--are interspersed with discussions of William Godwin's record keeping, the Cairo genizah, Katie Paterson's 'Future Library' project, Andy Warhol's and Muriel Spark's self-archiving, Cornelia Parker's reclamation art, and more.
Goya
Author: Janis Tomlinson
Publisher: Princeton University Press
ISBN: 0691209847
Category : Biography & Autobiography
Languages : en
Pages : 424
Book Description
The first major English-language biography of Francisco Goya y Lucientes, who ushered in the modern era The life of Francisco Goya (1746–1828) coincided with an age of transformation in Spanish history that brought upheavals in the country's politics and at the court which Goya served, changes in society, the devastation of the Iberian Peninsula in the war against Napoleon, and an ensuing period of political instability. In this revelatory biography, Janis Tomlinson draws on a wide range of documents—including letters, court papers, and a sketchbook used by Goya in the early years of his career—to provide a nuanced portrait of a complex and multifaceted painter and printmaker, whose art is synonymous with compelling images of the people, events, and social revolution that defined his life and era. Tomlinson challenges the popular image of the artist as an isolated figure obsessed with darkness and death, showing how Goya's likeability and ambition contributed to his success at court, and offering new perspectives on his youth, rich family life, extensive travels, and lifelong friendships. She explores the full breadth of his imagery—from scenes inspired by life in Madrid to visions of worlds without reason, from royal portraits to the atrocities of war. She sheds light on the artist's personal trials, including the deaths of six children and the onset of deafness in middle age, but also reconsiders the conventional interpretation of Goya's late years as a period of disillusion, viewing them instead as years of liberated artistic invention, most famously in the murals on the walls of his country house, popularly known as the "black" paintings. A monumental achievement, Goya: A Portrait of the Artist is the definitive biography of an artist whose faith in his art and his genius inspired paintings, drawings, prints, and frescoes that continue to captivate, challenge, and surprise us two centuries later.
Publisher: Princeton University Press
ISBN: 0691209847
Category : Biography & Autobiography
Languages : en
Pages : 424
Book Description
The first major English-language biography of Francisco Goya y Lucientes, who ushered in the modern era The life of Francisco Goya (1746–1828) coincided with an age of transformation in Spanish history that brought upheavals in the country's politics and at the court which Goya served, changes in society, the devastation of the Iberian Peninsula in the war against Napoleon, and an ensuing period of political instability. In this revelatory biography, Janis Tomlinson draws on a wide range of documents—including letters, court papers, and a sketchbook used by Goya in the early years of his career—to provide a nuanced portrait of a complex and multifaceted painter and printmaker, whose art is synonymous with compelling images of the people, events, and social revolution that defined his life and era. Tomlinson challenges the popular image of the artist as an isolated figure obsessed with darkness and death, showing how Goya's likeability and ambition contributed to his success at court, and offering new perspectives on his youth, rich family life, extensive travels, and lifelong friendships. She explores the full breadth of his imagery—from scenes inspired by life in Madrid to visions of worlds without reason, from royal portraits to the atrocities of war. She sheds light on the artist's personal trials, including the deaths of six children and the onset of deafness in middle age, but also reconsiders the conventional interpretation of Goya's late years as a period of disillusion, viewing them instead as years of liberated artistic invention, most famously in the murals on the walls of his country house, popularly known as the "black" paintings. A monumental achievement, Goya: A Portrait of the Artist is the definitive biography of an artist whose faith in his art and his genius inspired paintings, drawings, prints, and frescoes that continue to captivate, challenge, and surprise us two centuries later.
Physiology
Author: Hardwicke Shute
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 584
Book Description
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 584
Book Description
Principles of Medical Science and Practice
Author: Hardwicke Shute (M.D.)
Publisher:
ISBN:
Category : Pathology
Languages : en
Pages : 584
Book Description
Publisher:
ISBN:
Category : Pathology
Languages : en
Pages : 584
Book Description