Author: Bharata Muni
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 0
Book Description
Nāṭyaśāstra of Bharatamuni
Author: Bharata Muni
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 0
Book Description
Nātyaśāstra
Author: Bharatamuni
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Bharata, the Nāṭyaśāstra
Author: Kapila Vatsyayan
Publisher:
ISBN: 9788126012206
Category : Sanskrit - Dramentheorie - Bharata / Nāṭyaśāstra
Languages : en
Pages : 218
Book Description
The theory of rasa enunciated by Bharata has stimulated both creativity and critical discouirse in the Indian arts for nearly 2000 years. The text of the Natyasastra is as relevant to literature, poetry and drama as it is to architecture, sculpture, painting, music and dance. Its comprehensive treatment of artistic experience, expression and communication, content and form emerges from an integral vision which flowers as a many-branched tree of all Indian arts.
Publisher:
ISBN: 9788126012206
Category : Sanskrit - Dramentheorie - Bharata / Nāṭyaśāstra
Languages : en
Pages : 218
Book Description
The theory of rasa enunciated by Bharata has stimulated both creativity and critical discouirse in the Indian arts for nearly 2000 years. The text of the Natyasastra is as relevant to literature, poetry and drama as it is to architecture, sculpture, painting, music and dance. Its comprehensive treatment of artistic experience, expression and communication, content and form emerges from an integral vision which flowers as a many-branched tree of all Indian arts.
The Natyasastra and the Body in Performance
Author: Sreenath Nair
Publisher: McFarland
ISBN: 1476612218
Category : Performing Arts
Languages : en
Pages : 467
Book Description
The Natyasastra is the deep repository of Indian performance studies. It embodies centuries of performance knowledge developed in South Asia on a range of conceptual issues and practical methodologies of the body. The composition of the Natyasastra is attributed to Sage Bharatha, and dates back to between 200 BC and AD 200. Written in Sanskrit, the text contains 6000 verse stanzas integrated in 36 chapters discussing a wide range of issues in theatre arts, including dramatic composition; construction of the playhouse; detailed analysis of the musical scales; body movements; various types of acting; directing; division of stage space; costumes; make-up; properties and musical instruments. As a discourse on performance, the Natyasastra is an extensive documentation of terminologies, concepts and methodologies. This book presents 14 scholarly essays exploring the Natyasastra from the multiple perspectives of Indian performance studies--epistemological, aesthetic, scientific, religious, ethnological and practical.
Publisher: McFarland
ISBN: 1476612218
Category : Performing Arts
Languages : en
Pages : 467
Book Description
The Natyasastra is the deep repository of Indian performance studies. It embodies centuries of performance knowledge developed in South Asia on a range of conceptual issues and practical methodologies of the body. The composition of the Natyasastra is attributed to Sage Bharatha, and dates back to between 200 BC and AD 200. Written in Sanskrit, the text contains 6000 verse stanzas integrated in 36 chapters discussing a wide range of issues in theatre arts, including dramatic composition; construction of the playhouse; detailed analysis of the musical scales; body movements; various types of acting; directing; division of stage space; costumes; make-up; properties and musical instruments. As a discourse on performance, the Natyasastra is an extensive documentation of terminologies, concepts and methodologies. This book presents 14 scholarly essays exploring the Natyasastra from the multiple perspectives of Indian performance studies--epistemological, aesthetic, scientific, religious, ethnological and practical.
Nāṭyaśāstra, Chapter 28
Author: Bharata Muni
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 242
Book Description
Classical work on Sanskrit dramaturgy; chapter deals with ancient music.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 242
Book Description
Classical work on Sanskrit dramaturgy; chapter deals with ancient music.
The Theatre According to the Nāṭyaśāstra of Bharata
Author: Raghunātha Purushottama Kulakarṇī
Publisher:
ISBN:
Category : Theater architecture
Languages : en
Pages : 140
Book Description
Publisher:
ISBN:
Category : Theater architecture
Languages : en
Pages : 140
Book Description
The Nāṭyaśāstra and Bharata Nāṭya
Author: Hema Govindarajan
Publisher:
ISBN:
Category : Bharata natyam
Languages : en
Pages : 186
Book Description
Publisher:
ISBN:
Category : Bharata natyam
Languages : en
Pages : 186
Book Description
Karnataka's Rich Heritage – Temple Sculptures & Dancing Apsaras
Author: Lalit Chugh
Publisher: Notion Press
ISBN: 1947137360
Category : Architecture
Languages : en
Pages : 525
Book Description
Nataraja, the dancing Siva sculpture, is perhaps the most well-known among all Hindu sculptures, and rightly so. It has evoked highly advanced discussions among scientists, philosophers, performing artists, art critics, art collectors, historians, archaeologists and mythologists. The Nataraja sculpture also occupies a pride of a place at CERN, the European Centre for Research in Particle Physics in Geneva. Siva, according to Hindu Mythology, was the very first dancer in the world. All dramaturgy and dance traditions emerge from Siva’s cosmic dance. Tandu, Siva’s disciple narrated the description of Siva’s dance to Bharata Muni and he is believed to have compiled the Natyasastra, the world’s first treatise on dramaturgy, dance and other performing arts. Scholars believe that the Natyasastra was written over a long period of time between the 2nd century BCE and 2nd century CE with contributions from various sages, with its foundation having been laid by Bharata Muni. Convergence between Hindu mythology, Natyasastra and Silpasastra was the natural outcome. Karnataka, and its temple architecture tradition, played a pioneering role in giving an artistic form to this convergence in its temple sculptures. Though this trend may have started earlier during 2nd and 3rd century CE, it started to take the center stage from the times of the Badami Chalukyas. Passing through various refinements between 5th and 10th centuries, it reached its peak with the Hoysala art. This book traces the history of temple sculpture evolution and development through the centuries by referring to the existing sculptural forms and the canonical literature that developed over time.
Publisher: Notion Press
ISBN: 1947137360
Category : Architecture
Languages : en
Pages : 525
Book Description
Nataraja, the dancing Siva sculpture, is perhaps the most well-known among all Hindu sculptures, and rightly so. It has evoked highly advanced discussions among scientists, philosophers, performing artists, art critics, art collectors, historians, archaeologists and mythologists. The Nataraja sculpture also occupies a pride of a place at CERN, the European Centre for Research in Particle Physics in Geneva. Siva, according to Hindu Mythology, was the very first dancer in the world. All dramaturgy and dance traditions emerge from Siva’s cosmic dance. Tandu, Siva’s disciple narrated the description of Siva’s dance to Bharata Muni and he is believed to have compiled the Natyasastra, the world’s first treatise on dramaturgy, dance and other performing arts. Scholars believe that the Natyasastra was written over a long period of time between the 2nd century BCE and 2nd century CE with contributions from various sages, with its foundation having been laid by Bharata Muni. Convergence between Hindu mythology, Natyasastra and Silpasastra was the natural outcome. Karnataka, and its temple architecture tradition, played a pioneering role in giving an artistic form to this convergence in its temple sculptures. Though this trend may have started earlier during 2nd and 3rd century CE, it started to take the center stage from the times of the Badami Chalukyas. Passing through various refinements between 5th and 10th centuries, it reached its peak with the Hoysala art. This book traces the history of temple sculpture evolution and development through the centuries by referring to the existing sculptural forms and the canonical literature that developed over time.
Abhinaya Darpanam
Author: Nandikeśvara
Publisher:
ISBN: 9788188827350
Category : Dance
Languages : en
Pages : 295
Book Description
Publisher:
ISBN: 9788188827350
Category : Dance
Languages : en
Pages : 295
Book Description
Revealing the Art of Nāṭyaśāstra
Author: Nārāyaṇan Cittūr Nampūtirippāṭ
Publisher:
ISBN: 9788121512183
Category : Aesthetics, Indic
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9788121512183
Category : Aesthetics, Indic
Languages : en
Pages : 0
Book Description