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Author: Jessica M. Dandona
Publisher: Routledge
ISBN: 1351708775
Category : Art
Languages : en
Pages : 427
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Book Description
By the time of his death in 1904, critics, arts reformers, and government officials were near universal in their praise of Art Nouveau designer Emile Gallé (1846–1904), whose works they described as the essence of French design. Many even went so far as to argue that the artist’s creations could reinvigorate France’s fading arts industries and help restore its economic prosperity by defining a modern style to represent the nation. For fin-de-siècle viewers, Gallé’s works constituted powerful reflections on the idea of national belonging, modernity, and the role of the arts in political engagement. While existing scholarship has largely focused on the artist’s innovative technical processes, a close analysis of Gallé’s works brings to light the surprisingly complex ways in which his fragile creations were imbricated in the political turmoil that characterized fin-de-siècle France. Examining Gallé’s works inspired by Japanese art, his patriotically inflected designs for the Universal Exposition of 1889, his artistic manifesto in support of Dreyfus created in 1900, and finally, his late works that explore the concept of evolution, this book reveals how Gallé returns again and again to the question of national identity as the central issue in his work.
Author: Jessica M. Dandona
Publisher: Routledge
ISBN: 1351708775
Category : Art
Languages : en
Pages : 427
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Book Description
By the time of his death in 1904, critics, arts reformers, and government officials were near universal in their praise of Art Nouveau designer Emile Gallé (1846–1904), whose works they described as the essence of French design. Many even went so far as to argue that the artist’s creations could reinvigorate France’s fading arts industries and help restore its economic prosperity by defining a modern style to represent the nation. For fin-de-siècle viewers, Gallé’s works constituted powerful reflections on the idea of national belonging, modernity, and the role of the arts in political engagement. While existing scholarship has largely focused on the artist’s innovative technical processes, a close analysis of Gallé’s works brings to light the surprisingly complex ways in which his fragile creations were imbricated in the political turmoil that characterized fin-de-siècle France. Examining Gallé’s works inspired by Japanese art, his patriotically inflected designs for the Universal Exposition of 1889, his artistic manifesto in support of Dreyfus created in 1900, and finally, his late works that explore the concept of evolution, this book reveals how Gallé returns again and again to the question of national identity as the central issue in his work.
Author: Mark Hearn
Publisher: Bloomsbury Publishing
ISBN: 1350291412
Category : History
Languages : en
Pages : 249
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Book Description
This book explores the fin de siècle, an era of powerful global movements and turbulent transition, in Australia and beyond through a series of biographical microhistories. From the first wave feminist Rose Summerfield and the working class radical John Dwyer, to the indigenous rights advocate David Unaipon and the poet Christopher Brennan, Hearn traces the transnational identities, philosophies, ideas and cultures that characterised this era. Examining the struggles and aspirations of fin de siècle lives; respect for the rights of women and indigenous peoples, the injustices and hardship inflicted on working men and women, and the ways in which they imagined a better world, this book examines the transformation and renewal brought about by fin de siècle ideas. It examines the distinctive characteristics of this 'great acceleration' of economic, technological and cultural forces that swept the globe at the turn of the 19th century both within an Australian context and on the world stage. Asserting that the fin de siècle was significant for the making of modern Australia, and demonstrating the impact Australian fin de siècle lives had on the transnational and global movements of the era, Mark Hearn traces the turbulent nature of the fin de siècle imagination in Australia, and its response to these dynamic forces.
Author: Fae Brauer
Publisher: Cambridge Scholars Publishing
ISBN: 1443884375
Category : Art
Languages : en
Pages : 302
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Book Description
With the increasing loss of biological diversity in this Sixth Age of Mass Extinction, it is timely to show that devolutionary paranoia is not new, but rather stretches back to the time of Charles Darwin. It is also an opportune moment to show how human-driven extinction, as designated by the term, Anthropocene, has long been acknowledged. The halcyon days of European industrial progress, colonial expansion and scientific revolution trumpeted from the Great Exhibition of 1851 until the Dresden International Hygiene Exhibition of 1930 were constantly marred by fears of rampant degeneration, depopulation, national decline, environmental devastation and racial extinction. This is demonstrated by the discourses of catastrophism charted in this book that percolated across Europe in response to the theories of Darwin and Jean Baptiste Lamarck, as well as Marcellin Berthelot, Camille Flammarion, Ernst Haeckel, Louis Landouzy, Félix Le Dantec, Cesare Lombroso, Thomas Huxley, Bénédite-Augustin Morel, Louis Pasteur, Élisée Reclus, Rudolf Steiner and Wilhelm Wundt, among others. This book presents pioneering explorations of the interrelationship between these discourses and modern visual cultures and the ways in which the “picturing of evolution and extinction” by artists as diverse as Roger Broders, Albert Besnard, Fernand Cormon, Hélène Dufau, Émile Gallé, František Kupka, Pablo Picasso, Carles Mani y Roig, Sophie Taeuber and Vasilii Vatagin betrayed anxieties subliminally festering over degeneration alongside latent hopes of regeneration. Following Darwin’s concept of evolution as Janus-faced, the dialectical interplay of evolution and extinction and degeneration and regeneration is explored in modern visual cultures in Australia, America, Britain, France, Germany, Russia, Spain and Switzerland at significant spatio-temporal junctures between 1860 and 1930. By unravelling the “picturing” of the dread of alcoholism, cholera, dysentery, tuberculosis, typhoid and rabies, alongside phobias of animalism, criminality, hysteria, impotency and ecological disaster, each chapter makes an original contribution to this new field of scholarship. By locating these discourses and visual cultures within the “golden age of Neo-Lamarckism”, they also reveal how regeneration was pictured as the Janus-face of degeneration able to facilitate evolution through the inheritance of beneficial characteristics in propitious environments. In striking such an uplifting note amidst the dissonant cacophony of catastrophism, this book reveals why the art and science of Transformism proved so appealing in France as elsewhere, and why visual cultures of regeneration became as dominant in the twentieth century as the picturing of degeneration had been in the nineteenth century. It also illuminates the paradoxical inversion that occurred in the twentieth century when devolution became equivalent to evolution for many Modernists. Hence, whilst this book opens with the picturing of indigenous people in Australia and North America as “doomed races” by the first publication of Darwin’s On The Origin of Species, it closes with the quest by 1930 for a regenerative suntan as dark as the skin of those indigenous people.
Author: Michael Saler
Publisher: Routledge
ISBN: 1317604806
Category : History
Languages : en
Pages : 894
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Book Description
This comprehensive and beautifully illustrated collection of essays conveys a vivid picture of a fascinating and hugely significant period in history, the Fin de Siècle. Featuring contributions from over forty international scholars, this book takes a thematic approach to a period of huge upheaval across all walks of life, and is truly innovative in examining the Fin de Siècle from a global perspective. The volume includes pathbreaking essays on how the period was experienced not only in Europe and North America, but also in China, Japan, the Middle East, Latin America, Africa, India, and elsewhere across the globe. Thematic topics covered include new concepts of time and space, globalization, the city, and new political movements including nationalism, the "New Liberalism", and socialism and communism. The volume also looks at the development of mass media over this period and emerging trends in culture, such as advertising and consumption, film and publishing, as well as the technological and scientific changes that shaped the world at the turn of the nineteenth century, such as the invention of the telephone, new transport systems, eugenics and physics. The Fin-de-Siècle World also considers issues such as selfhood through chapters looking at gender, sexuality, adolescence, race and class, and considers the importance of different religions, both old and new, at the turn of the century. Finally the volume examines significant and emerging trends in art, music and literature alongside movements such as realism and aestheticism. This volume conveys a vivid picture of how politics, religion, popular and artistic culture, social practices and scientific endeavours fitted together in an exciting world of change. It will be invaluable reading for all students and scholars of the Fin-de-Siècle period.
Author: Debora L. Silverman
Publisher: Univ of California Press
ISBN: 0520913280
Category : History
Languages : en
Pages : 446
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Book Description
Winner, 1990 Berkshire Conference Book Award Art Nouveau in Fin-de-Siecle France: Politics, Psychology, and Style explores the shift in the locus of modernity from technological monument to private interior. It examines the political, economic, social, intellectual and artistic factors, specific to late 19th century France, that interacted in the development of art nouveau.
Author: Charlotte Ashby
Publisher: Bloomsbury Publishing
ISBN: 1350061174
Category : Art
Languages : en
Pages : 272
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Book Description
Art Nouveau presents a new overview of the international Art Nouveau movement. Art Nouveau represented the search for a new style for a new age, a sense that the conditions of modernity called for fundamentally new means of expression. Art Nouveau emerged in a world transformed by industrialisation, urbanisation and increasingly rapid means of transnational exchange, bringing about new ways of living, working and creating. This book is structured around key themes for understanding the contexts behind Art Nouveau, including new materials and technologies, colonialism and imperialism, the rise of the 'modern woman', the rise of the professional designer and the role of the patron-collector. It also explores the new ideas that inspired Art Nouveau: nature and the natural sciences, world arts and world religions, psychology and new visions for the modern self. Ashby explores the movement through 41 case studies of artists and designers, buildings, interiors, paintings, graphic arts, glass, ceramics and jewellery, drawn from a wide range of countries.
Author: C. Forth
Publisher: Springer
ISBN: 0230246842
Category : History
Languages : en
Pages : 274
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Book Description
The turn of the twentieth century represented a crossroads in the French experience of modernization, especially in regard to ideas about gender and sexuality. Drawing together prominent scholars in French gender history, this volume explores how historians have come to view this period in light of new theoretical developments since the 1980s.
Author: Jennifer Smith
Publisher: Taylor & Francis
ISBN: 1315464845
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
This volume focuses on intersections of race, class, and gender in the formation of the fin-de-siècle Spanish and Spanish colonial subject. Despite the wealth of research produced on gender, race (largely as it relates to the themes of nationhood and empire), and social class, few studies have focused on how these categories interacted, frequently operating simultaneously to reveal contexts in which dominated groups were dominating and vice versa.
Author: Emily Machen
Publisher: Syracuse University Press
ISBN: 0815654529
Category : Social Science
Languages : en
Pages : 241
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Book Description
In this unique study, Machen explores a moment of intense religious upheaval and transformation in France between 1880 and 1920. In these pre–World War I years, a powerful Catholic community was pitted against equally powerful anticlerical members of the French Third Republic. During this time, women became increasingly involved in faith-based organizations, engaging in social and political action both to expand women’s rights and to ensure that religion remained part of the public debate about France’s identity. By representing their faith communities as modern, progressive, and in some cases democratic, women positioned themselves to help guide a modernizing France. Women of Catholic, Protestant, and Jewish faiths also reshaped the narrative of female power within the French nation and within their own religious groups. Their activism provided them with social, religious, and political influence unattainable through any other French institutions, enabling them in turn to push France toward becoming a more democratic, equitable society. Machen’s timely examination of the critical role women played in shaping the nation’s religious identity helps to illuminate contemporary issues in France as Muslim communities respond to civic pressure to secularize and as the country debates the role of women in Islam.
Author: Mauricio Tenorio-Trillo
Publisher: Univ of California Press
ISBN: 0520378091
Category : History
Languages : en
Pages : 391
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Book Description
This intriguing study of Mexico's participation in world's fairs from 1889 to 1929 explores Mexico's self-presentation at these fairs as a reflection of the country's drive toward nationalization and a modernized image. Mauricio Tenorio-Trillo contrasts Mexico's presence at the 1889 Paris fair—where its display was the largest and most expensive Mexico has ever mounted—with Mexico's presence after the 1910 Mexican Revolution at fairs in Rio de Janeiro in 1922 and Seville in 1929. Rather than seeing the revolution as a sharp break, Tenorio-Trillo points to important continuities between the pre- and post-revolution periods. He also discusses how, internationally, the character of world's fairs was radically transformed during this time, from the Eiffel Tower prototype, encapsulating a wondrous symbolic universe, to the Disneyland model of commodified entertainment. Drawing on cultural, intellectual, urban, literary, social, and art histories, Tenorio-Trillo's thorough and imaginative study presents a broad cultural history of Mexico from 1880 to 1930, set within the context of the origins of Western nationalism, cosmopolitanism, and modernism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.
