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Author: Julian Bell
Publisher: Thames & Hudson
ISBN: 0500778280
Category : Art
Languages : en
Pages : 307
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Book Description
A brand-new perspective on early modern art and its relationship with nature as reflected in this moving account of overlooked artistic genius Adam Elsheimer, by an outstanding writer and critic. Seventeenth-century Europe swirled with conjectures and debates over what was real and what constituted “nature,” currents that would soon gather force to form modern science. Natural Light deliberates on the era’s uncertainties, as distilled in the work of long underappreciated artist Adam Elsheimer (1578–1610), a native of Frankfurt who settled in Rome and whose diminutive and mysterious narrative compositions related figures to landscape in new ways, projecting unfamiliar visions of space at a time when Caravaggio was polarizing audiences with his radical altarpieces and early modern scientists were starting to turn to the new “world system” of Galileo. His visual inventions influenced many famous artists—including Rembrandt van Rijn, Claude Lorrain, and Nicolas Poussin. Julian Bell guides the reader through key Elsheimer artworks, examining the contexts behind them before exploring the new imaginative thoughts that opened up in their wake. He also explores the experiences of Elsheimer and other Northern artists in the literary, artistic, and scientific culture of 1600s Rome. Although his life was tragically short, Elsheimer’s legacy endured and prints of his work were widely spread throughout Europe, with his influence extending as far as the Indian subcontinent.
Author: Julian Bell
Publisher: Thames & Hudson
ISBN: 0500778280
Category : Art
Languages : en
Pages : 307
Get Book Here
Book Description
A brand-new perspective on early modern art and its relationship with nature as reflected in this moving account of overlooked artistic genius Adam Elsheimer, by an outstanding writer and critic. Seventeenth-century Europe swirled with conjectures and debates over what was real and what constituted “nature,” currents that would soon gather force to form modern science. Natural Light deliberates on the era’s uncertainties, as distilled in the work of long underappreciated artist Adam Elsheimer (1578–1610), a native of Frankfurt who settled in Rome and whose diminutive and mysterious narrative compositions related figures to landscape in new ways, projecting unfamiliar visions of space at a time when Caravaggio was polarizing audiences with his radical altarpieces and early modern scientists were starting to turn to the new “world system” of Galileo. His visual inventions influenced many famous artists—including Rembrandt van Rijn, Claude Lorrain, and Nicolas Poussin. Julian Bell guides the reader through key Elsheimer artworks, examining the contexts behind them before exploring the new imaginative thoughts that opened up in their wake. He also explores the experiences of Elsheimer and other Northern artists in the literary, artistic, and scientific culture of 1600s Rome. Although his life was tragically short, Elsheimer’s legacy endured and prints of his work were widely spread throughout Europe, with his influence extending as far as the Indian subcontinent.
Author: Julian Bell
Publisher: Thames & Hudson
ISBN: 0500779287
Category : Art
Languages : en
Pages : 80
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Book Description
Surprising, questioning, challenging, enriching: the Pocket Perspectives series celebrates writers and thinkers who have helped shape the conversation across the arts. Mixing classic and contemporary texts, reissues and abridgements, these are bite-sized, fully illustrated reads in an attractive, affordable and highly collectable package.
Author: Subha Mukherji
Publisher: Springer Nature
ISBN: 3031518004
Category :
Languages : en
Pages : 377
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Book Description
Author: Annette Bourrut Lacouture
Publisher: Yale University Press
ISBN: 0300095759
Category : Art
Languages : en
Pages : 278
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Book Description
Jules Breton (1827-1906), known as one of the first 'peasant painters', created beautiful scenes of rural French life and was a highly popular figure among the Salon artists of his era. Taking his inspiration from his native Artois and from the landscapes of Brittany, where he stayed for long periods, he painted peasant women and men performing their daily activities, meticulously observing their world and making it a place of peace and harmony. During the second half of the nineteenth century, rewards and official decorations were heaped upon him, and his paintings were purchased not only by the emperor but also by collectors in America, Britain and Ireland. However, Breton's work became eclipsed by the avant-garde movements of the twentieth century, and he was eventually forgotten. This book now pays Breton the tribute that he deserves. It traces the development of his career and the forces that influenced him from his childhood through his early training in Belgium and Paris to his years in Brittany. The book presents and discusses a number of important paintings by Breton, some of which have been almost unknown until now, and it shows how they reflect the artist's social and humanitarian concerns as well as his painterly abilities.
Author: Gauvin A. Bailey
Publisher: Worchester Art Museum
ISBN: 9780936042053
Category : Art
Languages : en
Pages : 264
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Book Description
The bubonic plague ravaged early modern Europe from the mid-fourteenth to the early eighteenth centuries, striking so often and in so many localities that people constantly were on guard against the scourge. Hope and Healing explores the response of the visual arts to this omnipresent aura of death, decay, and tragedy in the early modern European experience, focusing on Italy between the sixteenth and eighteenth centuries. An esteemed group of contributors draws on a wide range of materials, including diaries, medical and devotional treatises, poetry, sermons, letters, and chapbooks to illuminate the various aesthetic, social, and religious concerns that preoccupied artists, patrons, and the general populace. This vibrant and fascinating volume ultimately offers a fresh and intriguing perspective on the forces and concerns that shaped early modern Italian art.
Author: Philippe de Montebello
Publisher: Thames & Hudson
ISBN: 0500772258
Category : Art
Languages : en
Pages : 293
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Book Description
The fruits of a lifetime of experience by a cultural colossus, Philippe de Montebello, the longest-serving director of the Metropolitan Museum of Art in its history, distilled in conversations with an acclaimed critic Beginning with a fragment of yellow jasper—all that is left of the face of an Egyptian woman who lived 3,500 years ago—this book confronts the elusive questions: how, and why, do we look at art? Philippe de Montebello and Martin Gayford talked in art galleries or churches or their own homes, and this book is structured around their journeys. But whether they were in the Louvre or the Prado, the Mauritshuis of the Palazzo Pitti, they reveal the pleasures of truly looking. De Montebello shares the sense of excitement recorded by Goethe in his autobiography—"akin to the emotion experienced on entering a House of God"—but also reflects on why these secular temples might nevertheless be the "worst possible places to look at art." But in the end both men convey, with subtlety and brilliance, the delights and significance of their subject matter and some of the intense creations of human beings throughout our long history.
Author: Jan Butterfield
Publisher: National Geographic Books
ISBN: 0789201712
Category : Art
Languages : en
Pages : 0
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Book Description
Ethereal and evocative, the art of Light and Space pushes the viewer beyond the everyday limits of perception. It takes many different forms and uses many different materials, ranging from natural daylight and scrim to glass, plywood, neon, and fire. It taps into far-ranging ideas and systems of knowledge, including alchemy, Buddhism, aerospace technology, witchcraft, astronomy, physiology, and phenomenology. Written by the foremost authority on the subject and based on more than two decades of research, The Art of Light and Space is the first book to provide an overview of this powerful and increasingly public art form. With rare photographs, extensive artist interviews, and her own insightful observations, Jan Butterfield vividly documents the history of this diverse and sometimes elusive work. Following a useful introduction that succinctly places the Light and Space movement in the larger context of modern art, the book is divided into ten chapters, each focused on one artist: Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. Insightful portrait photographs by Jim McHugh open each chapter and capture the quirky individuality of these inexhaustibly creative men and women. The innovative graphic design emphasizes the artists' own words, both in sidebars and in the text, making their voices unusually accessible. No two artists have followed the same path, but in many cases the work has become increasingly approachable in recent years. Architects and urban planners have begun to incorporate Light and Space installations into public spaces ranging from the Old Post Office Building in Washington, D.C., to the new building in Pasadena, California. Corporate, nonprofit, and private collectors have commissioned numerous major works, including a solar fountain in Denver, a tea house in Paris, and a fire-and-steam sculpture on a busy Los Angeles street corner. The processes of creating the works seen here are as intriguing as the final results, and all are illuminated by the text, the illustrations, and the design of this provocative, invaluable volume.
Author: Rüdiger Klessmann
Publisher: Dulwich Picture Gallery
ISBN: 9781903470473
Category : Art
Languages : en
Pages : 0
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Book Description
"Adam Elsheimer is first recorded in 1600 and by 1610 he was dead. But Elsheimer was influential on the coming century to a degree out of all proportion to his brief career and small output. Above all, he revolutionised the handling of light in landscapes and interiors, introducing novel ways of handling complex narratives as well as inventing new subject matter in painting." "Although his importance has always been recognised, appreciation of the artist has been hampered by a lack of good reproductions. This book offers for the first time a host of lavish colour details from his paintings that demonstrate Elsheimer's extraordinarily fine touch and feeling. This major study, the first to appear in English for nearly thirty years, accompanies a landmark exhibition being held at the Stadelsches Kunstinstitut in Frankfurt, at the National Gallery of Scotland in Edinburgh and at Dulwich Picture Gallery in London."--BOOK JACKET.
Author: Julian Bell
Publisher: Thames & Hudson
ISBN: 9780500297001
Category : Art
Languages : en
Pages : 0
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Book Description
A lavishly illustrated collection of essays on drawing as a vital intellectual, artistic and life practice, by the artists of the Royal Drawing School. Drawing is among the most profound ways of engaging with the world. It is absorbing, instinctive - a way not just of seeing, but of understanding what we see. Ways of Drawing brings together a range of reflections and creative propositions by contemporary artists and teachers associated with the Royal Drawing School, generously illustrated with images by alumni of the School and the work of significant artists past and present. From explorations of artistic development to short, imaginative strategies for seeing the world afresh, it repositions this art form as a vital force in the contemporary world. Advocating passionately for drawing as both deeply personal and utterly essential, this book is an invaluable companion for artists with all levels of experience looking for new inspirations for their practice.
Author: Julian Bell
Publisher: Thames & Hudson
ISBN: 0500774064
Category : Art
Languages : en
Pages : 343
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Book Description
At the turn of the twenty-first century, many felt sceptical or confused about paintings on-going cultural relevance. In this context, Julian Bells What is Painting? provided an accessible and inspired account of artistic thinking and practice, and of the complexities then facing artists and their audiences. Eighteen years on, the situation is partly reversed. Painting has proved too resilient a practice to be marginalized any longer. Yet is there any sense of forward momentum for the art? Interrogating the factors that have changed our ideas of painting over the past two centuries, Bell addresses relations between figuration and abstraction and between narrative and non-narrative painting, as well as the waning of conceptual arts dominance and the proliferation of experiments with the physical limits of painting. He also clarifies general concepts such as expression and representation. Fully revised to provide a fresh look at the situation of painting, this new edition maintains the objective of lucid, historically informative explanation that earned the original edition its status as a text of lasting value. The book provides a general readers introduction to theories of painting that is not only reliable, but also stimulating and amusing to read.
