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Author: W. Jackson Rushing III
Publisher: Routledge
ISBN: 1136180036
Category : Art
Languages : en
Pages : 249
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Book Description
This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.
Author: W. Jackson Rushing III
Publisher: Routledge
ISBN: 1136180036
Category : Art
Languages : en
Pages : 249
Get Book Here
Book Description
This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.
Author: Janet Catherine Berlo
Publisher: Oxford : Oxford University Press
ISBN: 9780192842183
Category : Art
Languages : en
Pages : 306
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Book Description
The richness of Native American art is explored from the early pre-Columbian period to the present day, stressing the conceptual and iconographic continuities over five centuries and across an immensely diverse range of regions. 53 color photos. 104 halftones. 8 maps.
Author: Jennifer McLerran
Publisher: University of Arizona Press
ISBN: 0816550379
Category : History
Languages : en
Pages : 312
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Book Description
As the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets. In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and crafts. And by unraveling the complex ways in which commodification was negotiated and the roles that producers, consumers, and New Deal administrators played in that process, she sheds new light on native art’s commodity status and the artist’s position as colonial subject. In this first book to address the ways in which New Deal Indian policy specifically advanced commodification and colonization, McLerran reviews its multi-pronged effort to improve the market for Indian art through the Indian Arts and Crafts Board, arts and crafts cooperatives, murals, museum exhibits, and Civilian Conservation Corps projects. Presenting nationwide case studies that demonstrate transcultural dynamics of production and reception, she argues for viewing Indian art as a commodity, as part of the national economy, and as part of national political trends and reform efforts. McLerran marks the contributions of key individuals, from John Collier and Rene d’Harnoncourt to Navajo artist Gerald Nailor, whose mural in the Navajo Nation Council House conveyed distinctly different messages to outsiders and tribal members. Featuring dozens of illustrations, A New Deal for Native Art offers a new look at the complexities of folk art “revivals” as it opens a new window on the Indian New Deal.
Author: Brendan January
Publisher: Heinemann-Raintree Library
ISBN: 9781410911087
Category : Art
Languages : en
Pages : 60
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Book Description
Arts and crafts offer a window into Native American cultures, reflecting their histories, technologies, beliefs, and everyday life. Every piece of Native American art tells us something about the environment and the culture in which it was developed, so that we can see how and why people make their art. The World Art & Culture series looks at cultures around the world, using artifacts as primary sources to explain how and what we can learn about a culture through its art. From painting to sculpture, textiles to metalwork, architecture to musical instruments, the series explores a fascinating and thought-provoking variety of arts, crafts, designs, and styles. Book jacket.
Author: Norman Feder
Publisher: Abradale Press
ISBN: 9780810981324
Category : Art
Languages : en
Pages : 445
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Book Description
Discussing and illustrating the art forms of the Native Americans of North America, a comprehensive tour covers such areas as the Plains, the Southwest, California, the Great Basin and the Pacific Plateau, the Pacific Northwest Coast, the Arctic Coast, and the Woodlands.
Author: David W. Penney
Publisher: London : Thames & Hudson
ISBN: 9780500203774
Category : Art
Languages : en
Pages : 232
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Book Description
Artistic traditions of indigenous North America are explored in a study that draws on the testimonies of oral tradition, Native American history, and North American archaeology, focusing on the artists themselves and their cultural identities. Original.
Author: Bill Holm
Publisher: University of Washington Press
ISBN: 0295999500
Category : Art
Languages : en
Pages : 145
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Book Description
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027
Author: Robin Langley Sommer
Publisher: Smithmark Publishers
ISBN: 9780831763381
Category : Social Science
Languages : en
Pages : 182
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Book Description
"The late twentieth century has seen a renewed interest in the art of the native peoples of North America. As modern culture becomes further removed from the natural world, as the world's natural resources are devastated under the pressures of civilization, so does a part of yearn for a time when human life seemed closer to that of the earth itself; when the spirit world and the physical world were inextricably intertwined, imbuing all things with a sense of magic that has largely been lost today. This reverence for nature in all of its manifestations, and the bond between people and the spirits, lives on today in Native American culture, reminding us, of the beauty in everyday life. This beauty is translated into Native American art, which in its simplest and most spectacular form transforms utilitarian items such as pottery jars and beaded clothing into objects of spiritual depth and meaning. Designs and techniques specific to a tribe are handed down through generations; certain designs are specific to certain individuals who encountered them in vision quests. Some motifs, such as spirals, bear paws, and cross shapes (signifying the four directions), have endured from prehistoric petroglyphs through the centuries up to the present day. When white settlers arrived bearing silver coins, glass beads, and dyes, Native Americans incorporated these and other materials into their traditional art. And today, while traditional techniques are passed along to the newest generation, some Native American artists incorporate traditional thought into modern media such as collage, sculpture, and painting in oils, acrylics, and watercolor. Adaptability has long been a part of Native American culture, helping it to surmount adverse conditions imposed by nature and by other cultures. The spectrum of Native American art includes weaving and basketry; pottery; jewelry, silverwork, and ornamentation; leatherwork, beadwork, and quillwork; regalia such as headdresses and war shirts and representational objects such as masks and kachina dolls; carving and sculpture in wood, stone, bone, horn and modern materials; and painting. Over 175 fine examples of work by tribes across North America, from Alaska to Nova Scotia and from Florida to Southern California, grace this breathtaking selection. Full color reproductions allow the viewer to see the incredible detail of workmanship in each unique, handcrafted piece. Text by art historian Robin Langley Sommer provides a fascinating overview which puts the pieces into both historical and spiritual context. A visual feast, Native American Art is an experience to savor."--Provided by publisher
Author: Linda B. Eaton
Publisher:
ISBN: 9781561732791
Category : Art
Languages : en
Pages : 168
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Book Description
Author: W. Jackson Rushing
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
Avant-garde art between 1910 and 1950 is well known for its use of "primitive" imagery, often borrowed from traditional cultures in Africa and Oceania. Less recognized, however, is the use United States artists made of Native American art, myth, and ritual to craft a specifically American Modernist art. In this groundbreaking study, W. Jackson Rushing comprehensively explores the process by which Native American iconography was appropriated, transformed, and embodied in American avant-garde art of the Modernist period. Writing from the dual perspectives of cultural and art history, Rushing shows how national exhibitions of Native American art influenced such artists, critics, and patrons as Marsden Hartley, John Sloan, Mabel Dodge Luhan, Robert Henri, John Marin, Adolph Gottlieb, Barnett Newman, and especially Jackson Pollock, whose legendary drip paintings he convincingly links with the curative sand paintings of the Navajo. He traces the avant-garde adoption of Native American cultural forms to anxiety over industrialism and urbanism, post-World War I "return to roots" nationalism, the New Deal search for American strengths and values, and the notion of the "dark" Jungian unconscious current in the 1940s. Through its interdisciplinary approach, this book underscores the fact that even abstract art springs from specific cultural and political motivations and sources. Its message is especially timely, for Euro-American society is once again turning to Native American cultures for lessons on how to integrate our lives with the land, with tradition, and with the sacred.
