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Author: Madeleine Kahn
Publisher: Cornell University Press
ISBN: 1501721852
Category : Literary Criticism
Languages : en
Pages : 187
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Book Description
Many of the earliest canonical novels—including Defoe's Moll Flanders and Roxana and Richardson's Pamela and Clarissa—were written by men who assumed the first-person narrative voice of women. What does it mean for a man to write his "autobiography" as if he were a woman? What did early novelists have to gain from it, in a period when woman's realm was devalued and woman's voice rarely heard in public? How does the male author behind the voice reveal himself to readers, and how do our glimpses of him affect our experience of the novel? Does it matter if the woman he has created is believable as a woman? Why does "she" inevitably rail against the perfidy of men? Kahn maintains that the answers to such questions lie in the nature of "narrative transvestism" -her term for the device through which a male author directs the reader's interpretation by temporarily abandoning himself to a culturally defined female voice and sensibility and then reasserting his male voice. In her innovative readings of key eighteenth-century English novels, Kahn draws upon a range of contemporary critical approaches. Lucid and witty, Narrative Transvestism will serve as a model of analysis for readers interested in issues of gender in narrative, including feminist theorists, students and scholars of the eighteenth-century novel, and critics interested in the applications of psychoanalysis to literature.
Author: Madeleine Kahn
Publisher: Cornell University Press
ISBN: 1501721852
Category : Literary Criticism
Languages : en
Pages : 187
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Book Description
Many of the earliest canonical novels—including Defoe's Moll Flanders and Roxana and Richardson's Pamela and Clarissa—were written by men who assumed the first-person narrative voice of women. What does it mean for a man to write his "autobiography" as if he were a woman? What did early novelists have to gain from it, in a period when woman's realm was devalued and woman's voice rarely heard in public? How does the male author behind the voice reveal himself to readers, and how do our glimpses of him affect our experience of the novel? Does it matter if the woman he has created is believable as a woman? Why does "she" inevitably rail against the perfidy of men? Kahn maintains that the answers to such questions lie in the nature of "narrative transvestism" -her term for the device through which a male author directs the reader's interpretation by temporarily abandoning himself to a culturally defined female voice and sensibility and then reasserting his male voice. In her innovative readings of key eighteenth-century English novels, Kahn draws upon a range of contemporary critical approaches. Lucid and witty, Narrative Transvestism will serve as a model of analysis for readers interested in issues of gender in narrative, including feminist theorists, students and scholars of the eighteenth-century novel, and critics interested in the applications of psychoanalysis to literature.
Author: Madeleine Kahn
Publisher:
ISBN:
Category :
Languages : en
Pages : 576
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Book Description
Author: Paula R. Backscheider
Publisher: John Wiley & Sons
ISBN: 1405192453
Category : Literary Criticism
Languages : en
Pages : 576
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Book Description
A Companion to the Eighteenth-century Novel furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral contexts. An up-to-date resource for the study of the eighteenth-century novel Furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral context Foregrounds those topics of most historical and political relevance to the twenty-first century Explores formative influences on the eighteenth-century novel, its engagement with the major issues and philosophies of the period, and its lasting legacy Covers both traditional themes, such as narrative authority and print culture, and cutting-edge topics, such as globalization, nationhood, technology, and science Considers both canonical and non-canonical literature
Author: Jason S. Farr
Publisher: Rutgers University Press
ISBN: 1684481090
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
Novel Bodies examines how disability shapes the British literary history of sexuality. Jason Farr shows that various eighteenth-century novelists represent disability and sexuality in flexible ways to reconfigure the political and social landscapes of eighteenth-century Britain. In imagining the lived experience of disability as analogous to—and as informed by—queer genders and sexualities, the authors featured in Novel Bodies expose emerging ideas of able-bodiedness and heterosexuality as interconnected systems that sustain dominant models of courtship, reproduction, and degeneracy. Further, Farr argues that they use intersections of disability and queerness to stage an array of contemporaneous debates covering topics as wide-ranging as education, feminism, domesticity, medicine, and plantation life. In his close attention to the fiction of Eliza Haywood, Samuel Richardson, Sarah Scott, Maria Edgeworth, and Frances Burney, Farr demonstrates that disabled and queer characters inhabit strict social orders in unconventional ways, and thus opened up new avenues of expression for readers from the eighteenth century forward. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: Susan Ostrov Weisser
Publisher: NYU Press
ISBN: 0814793053
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
What is the problem of sexual love? Neither inclusive of all aspects of sexuality nor fully synonomous with the idealized mythos of romantic love, sexual love as desire is marked by the highly charged intersection of sexuality and romantic love; it is a space where gender is imagined and enacted. In A Craving Vacancy, Susan Ostrov Weisser examines sexuality in the context of changing ideas of romantic love and feminity in Victorian Britain. Focusing her analysis on the works of Samuel Richardson, George Eliot, and Emily and Charlotte Bronte, Weisser reveals the complex relationship between conceptions of romantic passion and ideologies of sexuality. She illuminates the Victorian period as a time when these conceptions were shifting according to changing ideas of gender. With close attention to textual details, she introduces the concept of Moral Femininity, placing it in useful opposition to the competing Victorian ideal of the Lady. By forging a direct link between sexuality and romantic love ideology in the 19th century, and by highlighting the way in which the literary preoccupation with these subjects arises from anxieties about the construction of gender, A Craving Vacancy breaks important new ground.
Author: John Richetti
Publisher: John Wiley & Sons
ISBN: 111911800X
Category : Biography & Autobiography
Languages : en
Pages : 434
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Book Description
The Life of Daniel Defoe examines the entire range of Defoe’s writing in the context of what is known about his life and opinions. Features extended and detailed commentaries on Defoe’s political, religious, moral, and economic journalism, as well as on all of his narrative fictions, including Robinson Crusoe Places emphasis on Defoe’s distinctive style and rhetoric Situates his work within the precise historical circumstances of the eighteenth-century in which Defoe was an important and active participant Now available in paperback
Author: Nicholas Seager
Publisher: Bloomsbury Publishing
ISBN: 1137284951
Category : Fiction
Languages : en
Pages : 240
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Book Description
Why have scholars located the emergence of the novel in eighteenth-century England? What historical forces and stylistic developments helped to turn a disreputable type of writing into an eminent literary form? This Reader's Guide explores the key critical debates and theories about the rising novel, from eighteenth-century assessments through to present day concerns. Nicholas Seager: - Surveys major criticism on authors such as Aphra Behn, Daniel Defoe, Samuel Richardson, Henry Fielding and Jane Austen - Covers a range of critical approaches and topics including feminism, historicism, postcolonialism and print culture - Demonstrates how critical work is interrelated, allowing readers to discern trends in the critical conversation. Approachable and stimulating, this is an invaluable introduction for anyone studying the origins of the novel and the surrounding body of scholarship.
Author: Ula Lukszo Klein
Publisher: University of Virginia Press
ISBN: 0813945526
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Across the eighteenth century in Britain, readers, writers, and theater-goers were fascinated by women who dressed in men’s clothing—from actresses on stage who showed their shapely legs to advantage in men’s breeches to stories of valiant female soldiers and ruthless female pirates. Spanning genres from plays, novels, and poetry to pamphlets and broadsides, the cross-dressing woman came to signal more than female independence or unconventional behaviors; she also came to signal an investment in female same-sex intimacies and sapphic desires. Sapphic Crossings reveals how various British texts from the period associate female cross-dressing with the exciting possibility of intimate, embodied same-sex relationships. Ula Lukszo Klein reconsiders the role of lesbian desires and their structuring through cross-gender embodiments as crucial not only to the history of sexuality but to the rise of modern concepts of gender, sexuality, and desire. She prompts readers to rethink the roots of lesbianism and transgender identities today and introduces new ways of thinking about embodied sexuality in the past.
Author: Daniel Defoe
Publisher: Oxford University Press
ISBN: 0192591665
Category : Fiction
Languages : en
Pages : 369
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Book Description
'I liv'd indeed like a Queen; or if you will have me confess, that my Condition had still the Reproach of a Whore, I may say, I was sure, the Queen of Whores.' Left destitute by her husband, the heroine of Defoe's final novel has to choose between her virtue and her life. Choosing survival, she makes her way as a kept woman and courtesan. The Fortunate Mistress (1724), also known under the title Roxana, tells the story of how she climbs society's ladder by dint of her own enterprise, shedding and gaining multiple identities as she moves through the worlds of business and finance, and across the trade capitals of Europe. Amassing a fortune, her taste for men and luxuries veers increasingly to the aristocratic and exotic, culminating when she dances before the King at a masquerade dressed in the garb of a Turkish Sultana--at which point she is granted the name by which she is known to history, Roxana. Despite her rise, Roxana's past never recedes from view, and her choices eventally begin to weigh on her, prompting an excruciating self-reckoning that is only compounded as the children she has abandoned return, threatening to expose this past to public view. Defoe resists easy solutions in a sprawling and complex novel which shows an unprecedented degree of psychological realism: readers experience the interplay of circumstance, need, desire, religion, and social convention that can allow the development of a moral sense, or conspire to suppress it. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author: Melissa Homestead
Publisher: Univ. of Tennessee Press
ISBN: 157233925X
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
The prolific nineteenth-century writer E. D. E. N. Southworth enjoyed enormous public success in her day—she published nearly fifty novels during her career—but that very popularity, combined with her gender, led to her almost complete neglect by the critical establishment before the emergence of academic feminism. Even now, most scholarship on Southworth focuses on her most famous novel, The Hidden Hand. However, this new book—the first since the 1930s devoted entirely to Southworth—shows the depth of her career beyond that publication and reassesses her place in American literature. Editors Melissa Homestead and Pamela Washington have gathered twelve original essays from both established and emerging scholars that set a new agenda for the study of E. D. E. N. Southworth’s works. Following an introduction by the editors, these articles are divided into four thematic clusters. The first, “Serial Southworth,” treats her fiction in periodical publication contexts. “Southworth’s Genres,” the second grouping, considers her use of a range of genres beyond the sentimental novel and the domestic novel. In the third part, “Intertextual Southworth,” the essays present intensive case studies of Southworth’s engagement with literary traditions such as Greek and Restoration drama and with her contemporaries such as Harriet Beecher Stowe and French novelist George Sand. Southworth’s focus on social issues and reform figures prominently throughout the volume, but the pieces in the fourth section, “Southworth, Marriage, and the Law,” present a sustained inquiry into the ways in which marriage law and the status of women in the nineteenth century engaged her literary imagination. The collection concludes with the first chronological bibliography of Southworth’s fiction organized by serialization date rather than book publication. For the first time, scholars will be able to trace the publication history of each novel and will be able to access citations for lesser-known and previously unknown works. With its fresh approach, this volume will be of great value to students and scholars of American literature, women’s studies, and popular culture studies. MELISSA J. HOMESTEAD is the Susan J. Rosowski Associate Professor of English at the University of Nebraska–Lincoln. Her book American Women Authors and Literary Property, 1822–1869 includes Southworth, and her articles on American women’s writing have been published in a variety of academic journals. PAMELA T. WASHINGTON is Professor of English and former dean of the College of Liberal Arts at the University of Central Oklahoma. She is the co-author of Fresh Takes: Explorations in Reading and Writing: A Freshman Composition Text.
