Narrative Strategies and Narrational Practices in the Construction of the Documentary Television Text PDF Download
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Author: James Babanikos
Publisher:
ISBN:
Category : Documentary television programs
Languages : en
Pages : 504
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Book Description
Author: James Babanikos
Publisher:
ISBN:
Category : Documentary television programs
Languages : en
Pages : 504
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Book Description
Author: G. Allrath
Publisher: Springer
ISBN: 0230501001
Category : Performing Arts
Languages : en
Pages : 235
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Book Description
In the context of a systematic overview of the possibilities of applying narratological concepts to a study of TV series, ten case studies are explored in depth, demonstrating how series such as 24, Buffy, Twin Peaks, Star Trek, Blackadder, and Sex and the City make use of innovative audiovisual means of storytelling. Transgressing the traditional confines of narrative theory, the chapter authors address the question of how form, content, and function intersect in these series.
Author:
Publisher:
ISBN:
Category : Communication
Languages : en
Pages : 536
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Book Description
Author: Christian Schlütter
Publisher: GRIN Verlag
ISBN: 3640365828
Category : Performing Arts
Languages : en
Pages : 41
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Book Description
Seminar paper from the year 2005 in the subject Communications - Movies and Television, grade: 1,3, University of Siegen (Forschungskolleg 615), course: Narration and Film, 10 entries in the bibliography, language: English, abstract: For a long time, most Hollywood directors stuck to a certain kind of narrative strategies to convey their view of the world to the recipient. Movie-conventions were therefore set from the beginning of profitable movie making and were fastened by the rise of big movie studios. In recent modern movies however, some directors have laid extreme interest on not sticking to the conventions and established a kind of non-narrative technique. As a result some of the most astonishing movies of the 90ies and the new millennium were created. The success of some of these movies can be explained by two facts. First of all, the abolishing of movie conventions resulted in the filmic reproduction of stories that had before been said to be unfit for filmic expression. Secondly the movies created drew their fascination from a non-understanding. With no classical movie conventions aligned, these movies seemed disturbing and frightening but it is also this disturbance that mesmerizes the viewer. In this essay I will try to outline in which way narrative conventions are abolished in modern productions and what effect this has on the spectator. To reduce the amount of information and to exemplify certain points I will stick to Cameron Crowe's movie Vanilla Sky (2001) which is based on the motion picture Arbre los Ojos (1997) by Alejandro Amenabar. The choice is justified by a rather confusing structure of the film which corresponds perfectly to the new way of moviemaking and also by the roots of the motion picture in an Off-Hollywood production area. These roots show that, although many non-classical movies have earned a lot of reputation, most moviemakers stick to conventions and that inventions are still entrenched in alternative cinema.
Author: Eleanor Rehahn
Publisher: Liverpool University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 138
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Book Description
In Narrative in Film and TV: A Teacher's Guide, Eleanor Rehahn explores the variations in narrative structure between different fictional texts. She compares films from different eras (in-depth case studies of Casablanca and When Harry Met Sally), different genres (Star Wars, Sleepy Hollow) and different institutions (Pulp Fiction and Run Lola Run) and examines the many ways in which TV presents fiction to its audience (from ER to The Office), addressing all the major narrative theories along the way.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 564
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Book Description
Abstracts of dissertations available on microfilm or as xerographic reproductions.
Author: Jason Mittell
Publisher: Routledge
ISBN: 1135923884
Category : History
Languages : en
Pages : 256
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Book Description
Genre and Television proposes a new understanding of television genres as cultural categories, offering a set of in-depth historical and critical examinations to explore five key aspects of television genre: history, industry, audience, text, and genre mixing. Drawing on well-known television programs from Dragnet to TheSimpsons, this book provides a new model of genre historiography and illustrates how genres are at work within nearly every facet of television-from policy decisions to production techniques to audience practices. Ultimately, the book argues that through analyzing how television genre operates as a cultural practice, we can better comprehend how television actively shapes our social world.
Author: Keith Beattie
Publisher: Red Globe Press
ISBN: 0333741161
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Keith Beattie's study offers a clear and comprehensive analysis of documentary film and television by adopting a 'documentary studies' approach in which non-fictional work is situated within historical, economic and disciplinary contexts.
Author: Jason Mittell
Publisher:
ISBN:
Category : Television program genres
Languages : en
Pages : 420
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Book Description
Author: Marina Grishakova
Publisher: U of Nebraska Press
ISBN: 1496214900
Category : LANGUAGE ARTS & DISCIPLINES
Languages : en
Pages : 498
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Book Description
The variety in contemporary philosophical and aesthetic thinking as well as in scientific and experimental research on complexity has not yet been fully adopted by narratology. By integrating cutting-edge approaches, this volume takes a step toward filling this gap and establishing interdisciplinary narrative research on complexity. Narrative Complexity provides a framework for a more complex and nuanced study of narrative and explores the experience of narrative complexity in terms of cognitive processing, affect, and mind and body engagement. Bringing together leading international scholars from a range of disciplines, this volume combines analytical effort and conceptual insight in order to relate more effectively our theories of narrative representation and complexities of intelligent behavior. This collection engages important questions on how narrative complexity functions as an agent of cultural evolution, how our understanding of narrative complexity can be extended in light of new research in the social sciences and humanities, how interactive media produce new types of narrative complexity, and how the role of embodiment as a factor of narrative complexity acquires prominence in cognitive science and media studies. The contributors explore narrative complexity transmitted through various semiotic channels, embedded in multiple contexts, and experienced across different media, including film, comics, music, interactive apps, audiowalks, and ambient literature.
