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Author: Stefan Schubert
Publisher: Universitätsverlag Winter
ISBN: 3825346846
Category : Social Science
Languages : en
Pages : 303
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Book Description
This book introduces the concept of 'narrative instability' in order to make visible a new trend in contemporary US popular culture, to analyze this trend's poetics, and to scrutinize its textual politics. It identifies those texts as narratively unstable that consciously frustrate and obfuscate the process of narrative understanding and comprehension, challenging their audiences to reconstruct what happened in a text's plot, who its characters are, which of its diegetic worlds are real, or how narrative information is communicated in the first place. Despite - or rather, exactly because of - their confusing and destabilizing tendencies, such texts have attained mainstream commercial popularity in recent years across a variety of media, most prominently in films, video games, and television series. Focusing on three clusters of instability that form around identities, realities, and textualities, the book argues that narratively unstable texts encourage their audiences to engage with the narrative constructedness of their universes, that narratively unstable texts encourage their audiences to engage with the narrative constructedness of their universes, that narrative instability embodies a new facet of popular culture, that it takes place and can only be understood transmedially, and that its textual politics particularly speak to white male, middle-class Americans.
Author: Stefan Schubert
Publisher: Universitätsverlag Winter
ISBN: 3825346846
Category : Social Science
Languages : en
Pages : 303
Get Book Here
Book Description
This book introduces the concept of 'narrative instability' in order to make visible a new trend in contemporary US popular culture, to analyze this trend's poetics, and to scrutinize its textual politics. It identifies those texts as narratively unstable that consciously frustrate and obfuscate the process of narrative understanding and comprehension, challenging their audiences to reconstruct what happened in a text's plot, who its characters are, which of its diegetic worlds are real, or how narrative information is communicated in the first place. Despite - or rather, exactly because of - their confusing and destabilizing tendencies, such texts have attained mainstream commercial popularity in recent years across a variety of media, most prominently in films, video games, and television series. Focusing on three clusters of instability that form around identities, realities, and textualities, the book argues that narratively unstable texts encourage their audiences to engage with the narrative constructedness of their universes, that narratively unstable texts encourage their audiences to engage with the narrative constructedness of their universes, that narrative instability embodies a new facet of popular culture, that it takes place and can only be understood transmedially, and that its textual politics particularly speak to white male, middle-class Americans.
Author: John Alberti
Publisher: Routledge
ISBN: 1136222898
Category : Performing Arts
Languages : en
Pages : 140
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Book Description
This volume addresses the growing obsolescence of traditional constructions of masculine identity in popular romantic comedies by proposing an approach that combines gender and genre theory to examine the ongoing radical reconstruction of gender roles in these films. Alberti creates a unified theory of gender role change in the movies that combines the insights of both poststructuralist gender and narrative genre theory, avoiding binary approaches to the study of gender representation. He establishes the current "crises" in both gender representation and genre development within romantic comedies as examples of experimentation and change towards narratives that feature more egalitarian and less essentialist constructions of gender.
Author: Neil Sadler
Publisher: Routledge
ISBN: 042966513X
Category : Language Arts & Disciplines
Languages : en
Pages : 203
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Book Description
With the rise and rise of social media, today’s communication practices are significantly different from those of even the recent past. A key change has been a shift to very small units, exemplified by Twitter and its strict 280-character limit on individual posts. Consequently, highly fragmented communication has become the norm in many contexts. Fragmented Narrative sets out to explore the production and reception of fragmentary stories, analysing the Twitter-based narrative practices of Donald Trump, the Spanish political movement Podemos, and Egyptian activists writing in the context of the 2013 military intervention in Egypt. Sadler draws on narrative theory and hermeneutics to argue that narrative remains a vital means for understanding, allowing fragmentary content to be grasped together as part of significant wholes. Using Heideggerian ontology, he proposes that our capacity to do this is grounded in the centrality of narrative to human existence itself. The book strives to provide a new way of thinking about the interpretation of fragmentary information, applicable both to social media and beyond. Contributing to the emerging literature in existential media studies, this timely volume will interest students, scholars and researchers of narrative, new media and language and communication studies.
Author: Sebastian M. Herrmann
Publisher: transcript Verlag
ISBN: 3839461308
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
This book calls for an investigation of the ›borderlands of narrativity‹ — the complex and culturally productive area where the symbolic form of narrative meets other symbolic logics, such as data(base), play, spectacle, or ritual. It opens up a conversation about the ›beyond‹ of narrative, about the myriad constellations in which narrativity interlaces with, rubs against, or morphs into the principles of other forms. To conceptualize these borderlands, the book introduces the notion of »narrative liminality,« which the 16 articles utilize to engage literature, popular culture, digital technology, historical artifacts, and other kinds of texts from a time span of close to 200 years.
Author: Allison E. Fagan
Publisher: Rutgers University Press
ISBN: 0813583853
Category : Social Science
Languages : en
Pages : 196
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Book Description
Chicana/o literature frequently depicts characters who exist in a vulnerable liminal space, living on the border between Mexican and American identities, and sometimes pushed to the edge by authorities who seek to restrict their freedom. As this groundbreaking new study reveals, the books themselves have occupied similarly precarious positions, as Chicana/o literature has struggled for economic viability and visibility on the margins of the American publishing industry, while Chicana/o writers have grappled with editorial practices that compromise their creative autonomy. From the Edge reveals the tangled textual histories behind some of the most cherished works in the Chicana/o literary canon, tracing the negotiations between authors, editors, and publishers that determined how these books appeared in print. Allison Fagan demonstrates how the texts surrounding the authors’ words—from editorial prefaces to Spanish-language glossaries, from cover illustrations to reviewers’ blurbs—have crucially shaped the reception of Chicana/o literature. To gain an even richer perspective on the politics of print, she ultimately explores one more border space, studying the marks and remarks that readers have left in the margins of these books. From the Edge vividly demonstrates that to comprehend fully the roles that ethnicity, language, class, and gender play within Chicana/o literature, we must understand the material conditions that governed the production, publication, and reception of these works. By teaching us how to read the borders of the text, it demonstrates how we might perceive and preserve the faint traces of those on the margins.
Author: Thomas R. Flynn
Publisher: State University of New York Press
ISBN: 143840297X
Category : Philosophy
Languages : en
Pages : 410
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Book Description
Dialectic and narrative reflect the respective inclinations of philosophy and literature as disciplines that fix one another in a Sartrean gaze, admixing envy with suspicion. Ever since Plato and Aristotle distinguished scientific knowledge (episteme) from opinion (doxa) and valued demonstration through formal final causes over emplotment (mythos), the palm has been awarded to dialectic as the proper instrument of rational discourse, the arbiter of coherence, consistency, and ultimately of truth. The matter becomes more complicated when we recognize the various uses of the term "dialectic" in the tradition, some of which complement and even overlap the narrative domain. By confronting these concepts with one another, either de facto or ex professo, the following essays not only raise anew the ancient questions of the identities of philosophy and literature, but do so in the context of recent "postmodern" challenges to their relative autonomy.
Author: Frederick J. Ruf
Publisher: Oxford University Press, USA
ISBN: 0195102630
Category : Literary Criticism
Languages : en
Pages : 136
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Book Description
This work attempts to understand how the concepts of "voice" and "genre" function in texts, especially religious texts. The theory given is applied to five specific literary texts, detailing the ways in which a text constructs a voice, and in the process, a self.
Author: Ronald R. Krebs
Publisher: Cambridge University Press
ISBN: 1316368890
Category : Political Science
Languages : en
Pages : 413
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Book Description
Dominant narratives - from the Cold War consensus to the War on Terror - have often served as the foundation for debates over national security. Weaving current challenges, past failures and triumphs, and potential futures into a coherent tale, with well-defined characters and plot lines, these narratives impart meaning to global events, define the boundaries of legitimate politics, and thereby shape national security policy. However, we know little about why or how such narratives rise and fall. Drawing on insights from diverse fields, Narrative and the Making of US National Security offers novel arguments about where these dominant narratives come from, how they become dominant, and when they collapse. It evaluates these arguments carefully against evidence drawn from US debates over national security from the 1930s to the 2000s, and shows how these narrative dynamics have shaped the policies pursued by the United States.
Author: Kathleen Lynch
Publisher: Oxford University Press
ISBN: 019163641X
Category : Literary Criticism
Languages : en
Pages :
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Book Description
Autobiographical narrative is seldom viewed as a catalyst for the social and political upheavals of mid-seventeenth-century England and its colonies. Protestant Autobiography in the Seventeenth-Century Anglophone World argues that it should be. Focusing on the inward search for signs of election as a powerful stimulus for new, written forms of self-identification, this study directs critical attention toward the collective processes through which 'truthful' texts of spiritual experience were constructed, validated, and endorsed. This new analysis of the rhetoric of authentic selfhood emphasizes the ways in which personal accounts of religious awakening became another opportunity to conceptualize experience as an authorizing principle. A broad spectrum of Protestant life-writing is explored, from Augustine's Confessions, first translated into English in 1620, through John Bunyan's Grace Abounding to the Chief of Sinners (1666) and Richard Baxter's Reliquiae Baxterianae (1696). The forms in which these landmark texts were circulated and the interests that those circulations served are examined in such a way as to put canonical texts back into conversation with the outpouring of individual life writings that dates from the middle of the 17th century on. As the first new historicized account of the seventeenth-century Protestant conversion narrative in a generation, Protestant Autobiography in the Seventeenth-Century Anglophone World contributes to the reintegration of the scholarly fields of literature, religion, and politics. It revitalizes the study of proto-literary forms which, while devotional in nature, were deeply political in their consequences, contributing as they did to the emerging discourse of personal liberties.
Author: Martin Hurcombe
Publisher: BRILL
ISBN: 9004486682
Category : Social Science
Languages : en
Pages : 277
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Book Description
This volume represents the first in-depth English-language study of the French combat novel of the Great War, an immensely popular genre at the time which includes influential texts such as Henri Barbusse’s Le Feu and Roland Dorgelès’s Les Croix de bois. It explores through these works, and less well-known but equally popular patriotic novels of the period, the effect that experiencing war has upon the writer’s understanding of the world, arguing that, in their depiction of conflict, these writers demonstrate a decidedly complex and modernist understanding of humanity’s place in the world. In particular, the author examines the French combat novel’s evocation of a world where a sense of the Absurd vies with the novelist’s desire to re-impose order through a particular political understanding of the Great War itself, be it in the form of revolutionary socialism, French nationalism, or humanism. In this way, this volume contends, ideology becomes a force for responding to and countering the sense of contingency that characterises the human experience of combat. It will be of interest to scholars of twentieth-century French fiction and thought.
