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Author: Luigi Pirandello
Publisher: Penguin
ISBN: 0452010829
Category : Drama
Languages : en
Pages : 417
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Book Description
This special one-volume edition features five great plays by one of the most celebrated and fascinating dramatists of the twentieth century. Pirandello, awarded the Nobel Prize in 1934, was the playwright par excellence of the conflict between illusion and reality. His modern and sensationally original plays dramatize with force and eloquence the isolation of the individual from society and from himself. The editor, Eric Bentley, is an international theater authority. In addition to the Introduction and the biographical and bibliographical material in the Appendices, Mr. Bentley has prepared for this volume the first English translations of the play Liolà and Pirandello’s important “Preface” to Six Characters in Search of an Author. Included Plays: Liolà It Is So! (If You Think So) Henry IV Six Characters in Search of an Author Each in His Own Way
Author: Luigi Pirandello
Publisher: Penguin
ISBN: 0452010829
Category : Drama
Languages : en
Pages : 417
Get Book Here
Book Description
This special one-volume edition features five great plays by one of the most celebrated and fascinating dramatists of the twentieth century. Pirandello, awarded the Nobel Prize in 1934, was the playwright par excellence of the conflict between illusion and reality. His modern and sensationally original plays dramatize with force and eloquence the isolation of the individual from society and from himself. The editor, Eric Bentley, is an international theater authority. In addition to the Introduction and the biographical and bibliographical material in the Appendices, Mr. Bentley has prepared for this volume the first English translations of the play Liolà and Pirandello’s important “Preface” to Six Characters in Search of an Author. Included Plays: Liolà It Is So! (If You Think So) Henry IV Six Characters in Search of an Author Each in His Own Way
Author: T. H. M. Gellar-Goad
Publisher: punctum books
ISBN: 1685711421
Category : Masks
Languages : en
Pages : 229
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Book Description
Author: Ekbert Faas
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773506053
Category : Art
Languages : en
Pages : 244
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Book Description
"Faas has written a provocative book, challenging the familiar literary and philosophical theories of tragedy from Aristotle onwards. His judicious use of nietzschean insights both stimulates and compels assent. Exuberant scholarship from first page to last." Irving Layton.
Author: Luigi Pirandello
Publisher: Plume Books
ISBN: 9780525470069
Category : Drama
Languages : en
Pages : 422
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Book Description
Presents six plays by the Nobel Prize winning dramatist.
Author: Eric Bentley
Publisher: Northwestern University Press
ISBN: 9780810107229
Category : Drama
Languages : en
Pages : 136
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Book Description
A New York newspaper column from 1924 proclaimed: "Everybody's caught in the mazes of Pirandellism. . . . He is the great convention-smasher, and he just naturally leaves you face to face with the eternal query, What is truth?" "Everybody" is still caught in the mazes of Pirandellism. But since the 1940s Eric Bentley has threaded his way through those mazes. The Pirandello Commentaries is the result.
Author: Karl F. Morrison
Publisher: Princeton University Press
ISBN: 1400859433
Category : History
Languages : en
Pages : 394
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Book Description
Important trends in contemporary intellectual life celebrate difference, divisiveness, and distinction. Speculative writing increasingly highlights "hermeneutic gaps" between human beings, their histories, and their hopes. In this book Karl Morrison identifies an alternative to this disruption. He explores for the first time the entire legacy of thought revolving around the challenging claim "I am you"--perhaps the most concise possible statement of bonding through empathy. Professor Morrison shows that the hope for thoroughgoing understanding and inclusion in another's world view is central to the West's moral/intellectual tradition. He maintains that the West may yet escape the fatal flaw of casting that hope in paradigms of sexual and aesthetic dominance--examples of empathetic participation inspired by hunger for power, as well as by love. The author uses diverse sources: in theology ranging from Augustine to Schleiermacher, in art from the religious art of the Christian Empire to post-Abstractionism, and in literature from Donne to Joyce, Pirandello, and Mann. In this work he builds on the thought of two earlier books: Tradition and Authority in the Western Church: 300-1140 (Princeton, 1969) and The Mimetic Tradition of Reform in the West (Princeton, 1982). "I Am You" goes beyond their themes to the inward act that, according to tradition, consummated the change achieved by mimesis: namely, empathetic participation. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Gerald Izenberg
Publisher: University of Pennsylvania Press
ISBN: 0812224531
Category : Philosophy
Languages : en
Pages : 552
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Book Description
Identity: The Necessity of a Modern Idea is the first comprehensive history of identity as the answer to the question, "who, or what, am I?" It covers the century from the end of World War I, when identity in this sense first became an issue for writers and philosophers, to 2010, when European political leaders declared multiculturalism a failure just as Canada, which pioneered it, was hailing its success. Along the way the book examines Erik Erikson's concepts of psychological identity and identity crisis, which made the word famous; the turn to collective identity and the rise of identity politics in Europe and America; varieties and theories of group identity; debates over accommodating collective identities within liberal democracy; the relationship between individual and group identity; the postmodern critique of identity as a concept; and the ways it nonetheless transformed the social sciences and altered our ideas of ethics. At the same time the book is an argument for the validity and indispensability of identity, properly understood. Identity was not a concept before the twentieth century because it was taken for granted. The slaughter of World War I undermined the honored identities of prewar Europe and, as a result, the idea of identity as something objective and stable was thrown into question at the same time that people began to sense that it was psychologically and socially necessary. We can't be at home in our bodies, act effectively in the world, or interact comfortably with others without a stable sense of who we are. Gerald Izenberg argues that, while it is a mistake to believe that our identities are givens that we passively discover about ourselves, decreed by God, destiny, or nature, our most important identities have an objective foundation in our existential situation as bodies, social beings, and creatures who aspire to meaning and transcendence, as well as in the legitimacy of our historical particularity.
Author: Sam Migliore
Publisher: University of Toronto Press
ISBN: 9780802079220
Category : Social Science
Languages : en
Pages : 180
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Book Description
The evil eye has received considerable attention in the literature of disciplines as diverse as anthropology and medicine. Researchers have attempted to identify and explain this essentially ambiguous and variable phenomenon from a number of perspectives - as a culture-bound syndrome, an idiom of distress, a mechanism of social control, and a representation of psychobiological fear. In Mal'uocchiu: Ambiguity, Evil Eye, and the Language of Distress, Sam Migliore shifts the focus of discussion from paradigms to a practical examination of how people use the notion of the evil eye in a variety of sociocultural contexts, particularly in various aspects of Sicilian-Canadian culture and experience. Drawing on the theories of Luigi Pirandello and Ludwig Wittgenstein, Migliore argues that mal'uocchiu, and by implication other folk constructs, is like a character in search of an author to give it 'form' or 'meaning.' The book begins by considering the indeterminate nature of the evil-eye complex. Migliore proposes that this indeterminacy allows people to create myriad alternative meanings and messages to define and make sense of their personal experiences. He then examines how the evil eye relates to Sicilian-Canadian conceptions of health and illness, and discusses treatment and prevention strategies. Throughout the study, the author blends context-setting, case studies, personal recollection, and interpretation to provide readers with an accessible, alternative look at the multifaceted nature of this folk tradition. His position as both an anthropologist and a community 'insider' affords him a unique perspective on the subject. This study will be essential reading for students of medical anthropology, religion, and ethnic studies.
Author: Robert Baker-White
Publisher: Bucknell University Press
ISBN: 9780838753811
Category : Performing Arts
Languages : en
Pages : 220
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Book Description
Many modern playwrights have dramatized the process of theatrical creation within their plays. In doing so, they have disregarded the "do not disturb" sign on the rehearsal room door, and have opened the art of theater to a particular kind of scrutiny. This scrutiny is unusual given the long-standing tradition of secrecy that surrounds theatrical rehearsal. Viewing modern drama generally as a drama that juxtaposes authority and freedom, and viewing contemporary criticism as essentially an extended debate on the issue of meaning's closure, this study invokes the critical perspectives M. M. Bakhtin, Roland Barthes, and Bertolt Brecht to create a general theory of rehearsal practice that differentiates it from the practice of performance. Working with notions of textual authority explored in a variety of critical contexts, this volume attempts to explore the theoretical ramifications of metatheatrical representations of rehearsal.
Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521296298
Category : Drama
Languages : en
Pages : 238
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Book Description
Jarry - Garcia Lorca - Satre - Camus - Beckett - Ritual theatre and Jean Genet - Fringe theatre in Britain__
