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Author: William P. Malm
Publisher: Tuttle Publishing
ISBN: 1462913059
Category : Music
Languages : en
Pages : 365
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Book Description
This study of Japanese music explore Nagauta or literally "long song"--the delicate and complex music that accompanies kabuki theater--in great detail. The Kabuki theater of Japan has achieved a growing reputation as one of the world's most brilliant achievements in the field of theater. And the number of studies made on the subject in the West has been considerable. Yet, in spite of the fact that so much of the unique brilliance of the kabuki stage depends on the character of its music, the manner in which it is used, and its integral connection with the development of the dramatic impact of the plays, very little has been written on this phase of the genre. Of particular interest are the attempts to explore the various approaches to form music in the vast repertoire of this living art music. The playing techniques of the instruments are explained, and the relations of each instrument's music to the vocal line and to the overall design is shown. The analysis is accompanied by two compete transcription of nagauta in Western notation. These transcriptions are the first complete scores of nagauta ever printed. Additional musical examples, bibliography, discography, and glossary-index add value to the text.
Author: William P. Malm
Publisher: Tuttle Publishing
ISBN: 1462913059
Category : Music
Languages : en
Pages : 365
Get Book Here
Book Description
This study of Japanese music explore Nagauta or literally "long song"--the delicate and complex music that accompanies kabuki theater--in great detail. The Kabuki theater of Japan has achieved a growing reputation as one of the world's most brilliant achievements in the field of theater. And the number of studies made on the subject in the West has been considerable. Yet, in spite of the fact that so much of the unique brilliance of the kabuki stage depends on the character of its music, the manner in which it is used, and its integral connection with the development of the dramatic impact of the plays, very little has been written on this phase of the genre. Of particular interest are the attempts to explore the various approaches to form music in the vast repertoire of this living art music. The playing techniques of the instruments are explained, and the relations of each instrument's music to the vocal line and to the overall design is shown. The analysis is accompanied by two compete transcription of nagauta in Western notation. These transcriptions are the first complete scores of nagauta ever printed. Additional musical examples, bibliography, discography, and glossary-index add value to the text.
Author: William P. Malm
Publisher: Kodansha International
ISBN: 9784770023957
Category : Music
Languages : en
Pages : 368
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Book Description
"Malm's scholarship is impeccable... Of equal importance is the fact that he is an excellent performing musician who has studied extensively in Japan." -Choice
Author: Alison McQueen Tokita
Publisher: Routledge
ISBN: 1351925512
Category : Music
Languages : en
Pages : 351
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Book Description
Alison McQueen Tokita presents a series of case studies that demonstrate the persistence of Japanese sung narratives in a multiplicity of genres over ten centuries, including the way they flourished and declined, together with factors contributing to development and change in narrative performance. Performed narratives are examples of a shared cultural heritage, which in the past have given people a sense of belonging to a community. Narratives that were continually re-told and recycled in different versions and formats over a long period of time served to build people's sense of a common identity over space (the geographical extent of 'Japan') and time (the enduring power of many specific narratives such as The Tale of the Heike). Much scholarly attention has focused on Japanese pre-modern literature and drama, but the tradition of oral narrative has barely been touched. Tokita argues that it is possible to identify a continuous tradition of performed narrative in Japan from the tenth to the twentieth centuries. The elements of variation and change relate to the move away from oral narrative to text-based performance, and from a simple narrative situation with one performer to complex theatrical narratives with dancers, singers and other musicians. The resulting complexity led to the pre-eminence of the musical aspects in some cases, and of dramatic or dance aspects in others. Tokita includes substantial musical analysis and exploration of theoretical issues, as well as documentation of important performance traditions, all of which are extant.
Author: Andrew Gerstle
Publisher: Taylor & Francis
ISBN: 1040281885
Category : Social Science
Languages : en
Pages : 382
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Book Description
Much recent writing about Asian societies and Asian Histories adopts a homogenising vision of humanity. It views the definition of cultural difference as an 'Orientalist' project serving colonial or neo-colonial purposes. This unusual collection of essays, written by leading specialists in a range of disciplines. re-appraises and expands the 'Orientalism' debate. Several authors examine the ways in which the Asian 'other' acts as a creative stimulus for the European artist, composer and playwright. The work of Monet, Debussy and Brecht, for instance, is explored to suggest a subtle and complex circulation of idea between the 'Orient' and the 'West'. Other essays investigate the scholar’s own encounter with the exotic, in particular they ask to what extent Western concepts and categories can be used in the analysis of Asian societies and cultures. Among the concepts considered are 'space' (in Chinese art); 'landscape', 'high art', 'low art' and 'opera' (in Indonesia) and 'tragedy', the 'book', concert music' and 'subjectivity' (in Japan). Furthermore, the implications of orality and literacy are examined in the case of Malay society. Like discredited orientalists, the authors of this volume are in most cases based in the West- in universities in Europe, United Sates and Australia- but their investigations are not grounded in confident assumptions about Western power and civilisation. Recovering the Orient probes the Asian 'other' at a time of conceptual uncertainty, when foundational tenets of Western civilisation have come under question.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 308
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Book Description
Author: David W. Hughes
Publisher: Routledge
ISBN: 1351697609
Category : Music
Languages : en
Pages : 468
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Book Description
Music is a frequently neglected aspect of Japanese culture. It is in fact a highly problematic area, as the Japanese actively introduced Western music into their modern education system in the Meiji period (1868-1911), creating westernized melodies and instrumental instruction for Japanese children from kindergarten upwards. As a result, most Japanese now have a far greater familiarity with Western (or westernized) music than with traditional Japanese music. Traditional or classical Japanese music has become somewhat ghettoized, often known and practised only by small groups of people in social structures which have survived since the pre-modern era. Such marginalization of Japanese music is one of the less recognized costs of Japan's modernization. On the other hand, music in its westernized and modernized forms has an extremely important place in Japanese culture and society, Beethoven's Ninth Symphony, for example, being so widely known and performed that it is arguably part of contemporary Japanese popular and mass culture. Japan has become a world leader in the mass production of Western musical instruments and in innovative methodologies of music education (Yamaha and Suzuki). More recently, the Japanese craze of karaoke as a musical entertainment and as musical hardware has made an impact on the leisure and popular culture of many countries in Asia, Europe and the Americas. This is the first book to cover in detail all genres including court music, Buddhist chant, theatre music, chamber ensemble music and folk music, as well as contemporary music and the connections between music and society in various periods. The book is a collaborative effort, involving both Japanese and English speaking authors, and was conceived by the editors to form a balanced approach that comprehensively treats the full range of Japanese musical culture.
Author: Robert C. Provine
Publisher: Routledge
ISBN: 1351544292
Category : Music
Languages : en
Pages : 2195
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Book Description
This volume explores not only the close ties that link the cultures and musics of East and Northeast Asia, but also the distinctive features that separate them.
Author: KellyM. Foreman
Publisher: Routledge
ISBN: 135154408X
Category : Music
Languages : en
Pages : 164
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Book Description
The Japanese geisha is an international icon, known almost universally as a symbol of traditional Japan. Numerous books exist on the topic, yet this is the first to focus on the 'gei' of geisha - the art that constitutes their title (gei translates as fine art, sha refers to person). Kelly M. Foreman brings together ethnomusicological field research, including studying and performing the shamisen among geisha in Tokyo, with historical research. The book elaborates how musical art is an essential part of the identity of the Japanese geisha rather than a secondary feature, and locates current practice within a tradition of two and half centuries. The book opens by deconstructing the idea of 'geisha' as it functions in Western societies in order to understand why gei has been, and continues to be, neglected in geisha studies. Subsequent chapters detail the myriad musical genres and traditions with which geisha have been involved during their artistic history, as well as their position within the traditional arts society. Considering the current situation more closely, the final chapters explore actual dedication to art today by geisha, and analyse how they create impromptu performances at evening banquets. An important issue here is geisha-patron artistic collaboration, which leads to consideration of what Foreman argues to be the unique and essential nexus of identity, eroticism and aesthetics within the geisha world.
Author:
Publisher: Walter de Gruyter
ISBN: 3110947986
Category : Reference
Languages : en
Pages : 1124
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Book Description
Der Japanische Biographische Index verzeichnet in drei Bänden die 86.800 im Japanischen Biographischen Archiv enthaltenen Persönlichkeiten und erschließt 127.000 biographische Einträge aus 77 Quellenwerken in 178 Bänden, erschienen zwischen 1646 und 1998.
Author: Frank Joseph Shulman
Publisher: Routledge
ISBN: 1135158096
Category : History
Languages : en
Pages : 365
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Book Description
First Published in 1971. This annotated bibliography of doctoral dissertations on Japan and Korea grew out of a decision to expand and bring up to date an earlier list entitled Unpublished Doctoral Dissertations Relating to Japan, Accepted in the Universities of Australia, Canada, Great Britain, and the United States, 1946-1963, compiled by Peter Cornwall and issued by the Center for Japanese Studies in 1965.
