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Author: George Sand
Publisher: State University of New York Press
ISBN: 0791486966
Category : Drama
Languages : en
Pages : 279
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Book Description
Best known as a novelist, George Sand (1804–1876) was also arguably the most successful woman dramatist in history. More than twenty of her plays were staged in major Paris theaters to widespread popular and critical acclaim. Translated here for the first time into English are her two most famous full-length comedies, The Marquis de Villemer and Françoise, as well as her three major one-act plays, The Paving Stone, The Japanese Lily, and A Good Deed Is Never Wasted. Noted for their lively characterization, sparkling dialogue, and deft constructions, her plays reflect the passion and generosity of her own character, as well as a quick-witted sense of humor. The translations are preceded by an introduction outlining Sand's theatrical career, the main themes and characteristics of her plays, and critical appraisals from her own generation to the present day. The translations are followed by notes and a bibliography.
Author: George Sand
Publisher: State University of New York Press
ISBN: 0791486966
Category : Drama
Languages : en
Pages : 279
Get Book Here
Book Description
Best known as a novelist, George Sand (1804–1876) was also arguably the most successful woman dramatist in history. More than twenty of her plays were staged in major Paris theaters to widespread popular and critical acclaim. Translated here for the first time into English are her two most famous full-length comedies, The Marquis de Villemer and Françoise, as well as her three major one-act plays, The Paving Stone, The Japanese Lily, and A Good Deed Is Never Wasted. Noted for their lively characterization, sparkling dialogue, and deft constructions, her plays reflect the passion and generosity of her own character, as well as a quick-witted sense of humor. The translations are preceded by an introduction outlining Sand's theatrical career, the main themes and characteristics of her plays, and critical appraisals from her own generation to the present day. The translations are followed by notes and a bibliography.
Author: Alfred de Musset
Publisher: Methuen Drama
ISBN:
Category : Drama
Languages : en
Pages : 418
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Book Description
This anthology brings together the best of Musset theatre, which is also the best of French theatre of the 19th century.
Author: Claude Schumacher
Publisher: Cambridge University Press
ISBN: 9780521624152
Category : Drama
Languages : en
Pages : 382
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Book Description
'To portray the Holocaust, one has to create a work of art', says Claude Lanzmann, the director of Shoah. However, can the Holocaust be turned into theatre? Is it possible to portray on stage events that, by their monstrosity, defy human comprehension? These are the questions addressed by the playwrights and the scholars featured in this book. Their essays present and analyse plays performed in Israel, America, France, Italy, Poland and, of course, Germany. The style of presentation ranges from docudramas to avant-garde performances, from realistic impersonation of historical figures to provocative and nightmarish spectacles. The book is illustrated with original production photographs and some rare drawings and documents; it also contains an important descriptive bibliography of more than two hundred Holocaust plays.
Author: Christopher John Murray
Publisher: Routledge
ISBN: 1135455783
Category : History
Languages : en
Pages : 1304
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Book Description
In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.
Author: Samuel Marion Tucker
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 52
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Book Description
Author: Erika Fischer-Lichte
Publisher: Routledge
ISBN: 1134678614
Category : Performing Arts
Languages : en
Pages : 206
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Book Description
This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity. Erika Fischer-Lichte's topics include: * ancient Greek theatre * Shakespeare and Elizabethan theatre by Corneilli, Racine, Molière * the Italian commedia dell'arte and its transformations into eighteenth-century drama * the German Enlightenment - Lessing, Schiller, Goethe, and Lenz * romanticism by Kleist, Byron, Shelley, Hugo, de Vigny, Musset, Büchner, and Nestroy * the turn of the century - Ibsen, Strindberg, Chekhov, Stanislavski * the twentieth century - Craig, Meyerhold, Artaud, O'Neill, Pirandello, Brecht, Beckett, Müller. Anyone interested in theatre throughout history and today will find this an invaluable source of information.
Author: Gary (Ind.) Board of education
Publisher:
ISBN:
Category : Auditoriums
Languages : en
Pages : 152
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Book Description
Author: Xavier University (New Orleans, La.)
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 180
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Book Description
Author: Frank Shay
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 612
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Book Description
Author: Yifen Tsau Beus
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 192
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Book Description
This book investigates the impact of Friedrich Schlegel's concept of irony on the formation of the dramatic theories and theatrical practices of German and French dramatists of the early Romantic period by focusing on two aspects of Schlegel's redefinition of irony: the harmonious mixture of buffoonery and seriousness and the concept of self-reflectivity. According to Schlegel, Romantic irony transforms poetry (in its broadest sense; that is, Poesie) into witty, self-skeptical, and thus, meta-poetic works. As German and French playwrights and theorists attempted to realize new Romantic ideals in poetry and theatre, they paved the way for modern literary discourse and many artistic movements. This study of Schlegelian irony opens an essential - and often overlooked - perspective on the major texts of German and French Romantic drama while establishing clear guidelines for defining Romantic drama and its revolutionary effects on the theatre and the other arts.
