Author: L. A. Jackson
Publisher: MKM Publishing
ISBN: 1450701663
Category : Music
Languages : en
Pages : 177
Book Description
This book tells a fascinating story of how music traveled with mankind through history. Features little known facts, personal and professional bits of interesting information.
Musicology 2101
Author: L. A. Jackson
Publisher: MKM Publishing
ISBN: 1450701663
Category : Music
Languages : en
Pages : 177
Book Description
This book tells a fascinating story of how music traveled with mankind through history. Features little known facts, personal and professional bits of interesting information.
Publisher: MKM Publishing
ISBN: 1450701663
Category : Music
Languages : en
Pages : 177
Book Description
This book tells a fascinating story of how music traveled with mankind through history. Features little known facts, personal and professional bits of interesting information.
Louis Armstrong, Blues Music, and the Artistic, Political, and Philosophical Debate During the Harlem Renaissance
Author: Dr. Michael Decuir
Publisher: Page Publishing Inc
ISBN: 166244169X
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
In Louis Armstrong, Blues Music, and the Artistic, Political, and Philosophical Debate During the Harlem Renaissance, Dr. Michael Decuir explores the interrelationship of the literary, visual, and performing arts; politics; and opposing philosophies during the Harlem Renaissance. His research documents the West African roots of blues and jazz music to New Orleans and Louis Armstrong. Drawing on his own experiences growing up in New Orleans, Decuir details the related cultural behaviors and their manifestations during the Harlem Renaissance. Specifically, blues music’s importation to New Orleans and the incorporation of the West African stratified rhythmic and improvisational approach to its performance. Decuir connects historical events such as James Reese Europe’s creativity during World War I and its relevance to the events of the summer of 1919 and subsequent rebirth of the New Negro ideology. The research examines how the New Negro spirit helped infuse an examination and debate about the quality and validity of the period’s arts. Decuir expounds on the impact of the discussion in some of the period’s salient authors and essayists’ writings. They include Alain Locke, W. E. B. Du Bois, George Schuyler, and Langston Hughes, among others. Decuir discusses the correlation between the debate and the increasing popularity of blues music and Armstrong’s role as one of the arts’ principal aquifers. Specifically, Armstrong’s salient recordings, “Texas Moaner Blues,” “St. Louis Blues” (accompanying Bessie Smith), “Black and Blue,” “West End Blues,” and “Blue Yodel No. 9” (with Jimmie Rodgers). Decuir also explores blues music as an existential idiom indicative of the African American use of music for more than entertainment or aesthetic fulfillment. Specifically, the enslaved use of song texts to relay messages of escape and danger, the use of field songs to ease the burden of labor, and blues music’s role as a vehicle to identify and solve the ills of life in an oppressive existence.
Publisher: Page Publishing Inc
ISBN: 166244169X
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
In Louis Armstrong, Blues Music, and the Artistic, Political, and Philosophical Debate During the Harlem Renaissance, Dr. Michael Decuir explores the interrelationship of the literary, visual, and performing arts; politics; and opposing philosophies during the Harlem Renaissance. His research documents the West African roots of blues and jazz music to New Orleans and Louis Armstrong. Drawing on his own experiences growing up in New Orleans, Decuir details the related cultural behaviors and their manifestations during the Harlem Renaissance. Specifically, blues music’s importation to New Orleans and the incorporation of the West African stratified rhythmic and improvisational approach to its performance. Decuir connects historical events such as James Reese Europe’s creativity during World War I and its relevance to the events of the summer of 1919 and subsequent rebirth of the New Negro ideology. The research examines how the New Negro spirit helped infuse an examination and debate about the quality and validity of the period’s arts. Decuir expounds on the impact of the discussion in some of the period’s salient authors and essayists’ writings. They include Alain Locke, W. E. B. Du Bois, George Schuyler, and Langston Hughes, among others. Decuir discusses the correlation between the debate and the increasing popularity of blues music and Armstrong’s role as one of the arts’ principal aquifers. Specifically, Armstrong’s salient recordings, “Texas Moaner Blues,” “St. Louis Blues” (accompanying Bessie Smith), “Black and Blue,” “West End Blues,” and “Blue Yodel No. 9” (with Jimmie Rodgers). Decuir also explores blues music as an existential idiom indicative of the African American use of music for more than entertainment or aesthetic fulfillment. Specifically, the enslaved use of song texts to relay messages of escape and danger, the use of field songs to ease the burden of labor, and blues music’s role as a vehicle to identify and solve the ills of life in an oppressive existence.
I Put a Spell on You
Author: Steve Bergsman
Publisher: Feral House
ISBN: 1627310916
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
In the annals of rock ‘n’ roll there have been a lot of strange characters, but there probably hasn’t been anyone as bizarre as Screamin’ Jay Hawkins, and this is his story. Known mostly for a single record, I Put A Spell On You, and emerging from a coffin to perform on stage, Screamin’ Jay was a whirlwind performer, lusty singer, prolific songwriter and a man who was total stranger to the truth.
Publisher: Feral House
ISBN: 1627310916
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
In the annals of rock ‘n’ roll there have been a lot of strange characters, but there probably hasn’t been anyone as bizarre as Screamin’ Jay Hawkins, and this is his story. Known mostly for a single record, I Put A Spell On You, and emerging from a coffin to perform on stage, Screamin’ Jay was a whirlwind performer, lusty singer, prolific songwriter and a man who was total stranger to the truth.
Doctoral Dissertations in Musicology
Author: Joint Committee of the Music Teachers National Association and the American Musicological Society
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 164
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 164
Book Description
Ethno-musicology
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 76
Book Description
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 76
Book Description
Doctoral Dissertations in Musicology
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 228
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 228
Book Description
Humanities
Author: Lawrence Boudon
Publisher: University of Texas Press
ISBN: 9780292706088
Category : Social Science
Languages : en
Pages : 950
Book Description
"The one source that sets reference collections on Latin American studies apart from all other geographic areas of the world.... The Handbook has provided scholars interested in Latin America with a bibliographical source of a quality unavailable to scholars in most other branches of area studies." —Latin American Research Review Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Lawrence Boudon, of the Library of Congress Hispanic Division, has been the editor since 2000, and Katherine D. McCann has been assistant editor since 1999. The subject categories for Volume 60 are as follows: Art History (including ethnohistory) Literature (including translations from the Spanish and Portuguese) Music Philosophy: Latin American Thought
Publisher: University of Texas Press
ISBN: 9780292706088
Category : Social Science
Languages : en
Pages : 950
Book Description
"The one source that sets reference collections on Latin American studies apart from all other geographic areas of the world.... The Handbook has provided scholars interested in Latin America with a bibliographical source of a quality unavailable to scholars in most other branches of area studies." —Latin American Research Review Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Lawrence Boudon, of the Library of Congress Hispanic Division, has been the editor since 2000, and Katherine D. McCann has been assistant editor since 1999. The subject categories for Volume 60 are as follows: Art History (including ethnohistory) Literature (including translations from the Spanish and Portuguese) Music Philosophy: Latin American Thought
Doctoral Dissertations in Musicology
Author: Cecil Adkins
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 124
Book Description
South African Journal of Musicology
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 242
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 242
Book Description
Periodica Musica
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 36
Book Description