Author: Nancy Marano
Publisher:
ISBN: 9783954810048
Category : Jazz vocals
Languages : en
Pages : 186
Book Description
This book begins with the basics of theory and musicianship, and works up to chords, inversions, arranging, and more. The author also discusses various aspects of singing. With a preface. Many examples, excercises and songs.
Musicianship for the Jazz Vocalist
Author: Nancy Marano
Publisher:
ISBN: 9783954810048
Category : Jazz vocals
Languages : en
Pages : 186
Book Description
This book begins with the basics of theory and musicianship, and works up to chords, inversions, arranging, and more. The author also discusses various aspects of singing. With a preface. Many examples, excercises and songs.
Publisher:
ISBN: 9783954810048
Category : Jazz vocals
Languages : en
Pages : 186
Book Description
This book begins with the basics of theory and musicianship, and works up to chords, inversions, arranging, and more. The author also discusses various aspects of singing. With a preface. Many examples, excercises and songs.
So You Want to Sing Jazz
Author: Jan Shapiro
Publisher: Rowman & Littlefield
ISBN: 1442229365
Category : Music
Languages : en
Pages : 209
Book Description
Since the 1930s and ̕40s, jazz has stood tall in American popular music, drawing into its embrace not only great horn players, percussionists, guitarists, bassists, and pianists, but also some of the greatest singers in America’s musical history. Jazz has laid the groundwork for important innovations in modern singing, opening up entirely new ways of delivering songs through what would eventually become jazz standards—songs that formed the basis of the American Songbook. In So You Want to Sing Jazz, singer and professor of voice Jan Shapiro gives a guided tour through the art and science of the jazz vocal style. Throughout, Shapiro hones in on what makes jazz singing distinctive, suggesting along the way how other types of singers can make use of jazz. She looks at such key matters in jazz singing as the role of improvisation, the place of specific singers who influenced and even defined vocal jazz as we know it today, and the unique way in which jazz incorporates vibrato, conversational delivery, rhythmic phrasing, and melodic embellishment and improvisation. The book includes guest-authored chapters by singing voice researchers Dr. Scott McCoy and Dr. Wendy LeBorgne. In So You Want to Sing Jazz, singers and voice teachers finally have the go-to resource they need for singing vocal jazz. The So You Want to Sing seriesis produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Jazz features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
Publisher: Rowman & Littlefield
ISBN: 1442229365
Category : Music
Languages : en
Pages : 209
Book Description
Since the 1930s and ̕40s, jazz has stood tall in American popular music, drawing into its embrace not only great horn players, percussionists, guitarists, bassists, and pianists, but also some of the greatest singers in America’s musical history. Jazz has laid the groundwork for important innovations in modern singing, opening up entirely new ways of delivering songs through what would eventually become jazz standards—songs that formed the basis of the American Songbook. In So You Want to Sing Jazz, singer and professor of voice Jan Shapiro gives a guided tour through the art and science of the jazz vocal style. Throughout, Shapiro hones in on what makes jazz singing distinctive, suggesting along the way how other types of singers can make use of jazz. She looks at such key matters in jazz singing as the role of improvisation, the place of specific singers who influenced and even defined vocal jazz as we know it today, and the unique way in which jazz incorporates vibrato, conversational delivery, rhythmic phrasing, and melodic embellishment and improvisation. The book includes guest-authored chapters by singing voice researchers Dr. Scott McCoy and Dr. Wendy LeBorgne. In So You Want to Sing Jazz, singers and voice teachers finally have the go-to resource they need for singing vocal jazz. The So You Want to Sing seriesis produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Jazz features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
Approaching the Standards
Author: Willie Hill
Publisher: Alfred Music Publishing
ISBN: 9780757901966
Category : Music
Languages : en
Pages : 48
Book Description
Approaching the Standards for Jazz Vocalists is an innovative, user-friendly approach to vocal jazz improvisation. Designed for the individual or group and male or female vocalists, this book and sing-along recording contains ten classic jazz songs selected from and correlated to Approaching the Standards Volumes 1, 2 and 3. Included are the same essential features as the instrumental books: Audio demo, clearly written improvisation examples, jazz vocabulary, transcription opportunities, informative composer insight and a useful discography. Whether beginning their studies or improving their vocal jazz skills, all serious singers must have this book! Titles are: Now's the Time * Satin Doll * Softly, As in a Morning Sunrise * Summertime * I Got Rhythm * Honeysuckle Rose * Tenor Madness * Bye Bye Blackbird * Secret Love * Take the A" Train."
Publisher: Alfred Music Publishing
ISBN: 9780757901966
Category : Music
Languages : en
Pages : 48
Book Description
Approaching the Standards for Jazz Vocalists is an innovative, user-friendly approach to vocal jazz improvisation. Designed for the individual or group and male or female vocalists, this book and sing-along recording contains ten classic jazz songs selected from and correlated to Approaching the Standards Volumes 1, 2 and 3. Included are the same essential features as the instrumental books: Audio demo, clearly written improvisation examples, jazz vocabulary, transcription opportunities, informative composer insight and a useful discography. Whether beginning their studies or improving their vocal jazz skills, all serious singers must have this book! Titles are: Now's the Time * Satin Doll * Softly, As in a Morning Sunrise * Summertime * I Got Rhythm * Honeysuckle Rose * Tenor Madness * Bye Bye Blackbird * Secret Love * Take the A" Train."
A Biographical Guide to the Great Jazz and Pop Singers
Author: Will Friedwald
Publisher: Pantheon
ISBN: 0375421491
Category : Music
Languages : en
Pages : 833
Book Description
An extensive biographical and critical survey of more than 300 jazz and popular singers is comprised of provocative, opinionated essays that incorporate the views of peers, fans and critics while assessing key movements and genres.
Publisher: Pantheon
ISBN: 0375421491
Category : Music
Languages : en
Pages : 833
Book Description
An extensive biographical and critical survey of more than 300 jazz and popular singers is comprised of provocative, opinionated essays that incorporate the views of peers, fans and critics while assessing key movements and genres.
Approaching the Standards, Vol 2
Author: Willie Hill
Publisher: Alfred Music Publishing
ISBN: 9780769293011
Category : Improvisation (Music)
Languages : en
Pages : 44
Book Description
"There are two groups of standards that help form the basic repertory used in jazz improvisation. The first group was created by jazz musicians directly from improvisation, experimentation and the analysis of musical forms, ideas and practices that were developed through study and the natural gifts of some of the greatest musicians of the twentieth century. This group codified jazz into chronological styles and provides concrete examples of its styles and concepts. The second group of standards is comprised of compositions written as popular songs during the first half of the twentieth century ... Every improviser is a composer who makes up melodies spontaneously. The model choruses give examples that can be studied, learned, broken into independent phrases and used to create other melodies that reflect more clearly what the improviser wants to say musically ..."--Preface
Publisher: Alfred Music Publishing
ISBN: 9780769293011
Category : Improvisation (Music)
Languages : en
Pages : 44
Book Description
"There are two groups of standards that help form the basic repertory used in jazz improvisation. The first group was created by jazz musicians directly from improvisation, experimentation and the analysis of musical forms, ideas and practices that were developed through study and the natural gifts of some of the greatest musicians of the twentieth century. This group codified jazz into chronological styles and provides concrete examples of its styles and concepts. The second group of standards is comprised of compositions written as popular songs during the first half of the twentieth century ... Every improviser is a composer who makes up melodies spontaneously. The model choruses give examples that can be studied, learned, broken into independent phrases and used to create other melodies that reflect more clearly what the improviser wants to say musically ..."--Preface
Queen of Bebop
Author: Elaine M. Hayes
Publisher: HarperCollins
ISBN: 0062364707
Category : Biography & Autobiography
Languages : en
Pages : 237
Book Description
Publishers Weekly Best Book of 2017 Washington Post Best Book of 2017 Amazon Editors' Top 100 Pick of the Year Amazon Best Humor and Entertainment Pick of the Year Booklist Top Ten Arts Book Queen of Bebop brilliantly chronicles the life of jazz singer Sarah Vaughan, one of the most influential and innovative musicians of the twentieth century and a pioneer of women’s and civil rights Sarah Vaughan, a pivotal figure in the formation of bebop, influenced a broad array of singers who followed in her wake, yet the breadth and depth of her impact—not just as an artist, but also as an African-American woman—remain overlooked. Drawing from a wealth of sources as well as on exclusive interviews with Vaughan’s friends and former colleagues, Queen of Bebop unravels the many myths and misunderstandings that have surrounded Vaughan while offering insights into this notoriously private woman, her creative process, and, ultimately, her genius. Hayes deftly traces the influence that Vaughan’s singing had on the perception and appreciation of vocalists—not to mention women—in jazz. She reveals how, in the late 1940s and early 1950s, Vaughan helped desegregate American airwaves, opening doors for future African-American artists seeking mainstream success, while also setting the stage for the civil rights activism of the 1960s and 1970s. She follows Vaughan from her hometown of Newark, New Jersey, and her first performances at the Apollo, to the Waldorf Astoria and on to the world stage, breathing life into a thrilling time in American music nearly lost to us today. Equal parts biography, criticism, and good old-fashioned American success story, Queen of Bebop is the definitive biography of a hugely influential artist. This absorbing and sensitive treatment of a singular personality updates and corrects the historical record on Vaughan and elevates her status as a jazz great.
Publisher: HarperCollins
ISBN: 0062364707
Category : Biography & Autobiography
Languages : en
Pages : 237
Book Description
Publishers Weekly Best Book of 2017 Washington Post Best Book of 2017 Amazon Editors' Top 100 Pick of the Year Amazon Best Humor and Entertainment Pick of the Year Booklist Top Ten Arts Book Queen of Bebop brilliantly chronicles the life of jazz singer Sarah Vaughan, one of the most influential and innovative musicians of the twentieth century and a pioneer of women’s and civil rights Sarah Vaughan, a pivotal figure in the formation of bebop, influenced a broad array of singers who followed in her wake, yet the breadth and depth of her impact—not just as an artist, but also as an African-American woman—remain overlooked. Drawing from a wealth of sources as well as on exclusive interviews with Vaughan’s friends and former colleagues, Queen of Bebop unravels the many myths and misunderstandings that have surrounded Vaughan while offering insights into this notoriously private woman, her creative process, and, ultimately, her genius. Hayes deftly traces the influence that Vaughan’s singing had on the perception and appreciation of vocalists—not to mention women—in jazz. She reveals how, in the late 1940s and early 1950s, Vaughan helped desegregate American airwaves, opening doors for future African-American artists seeking mainstream success, while also setting the stage for the civil rights activism of the 1960s and 1970s. She follows Vaughan from her hometown of Newark, New Jersey, and her first performances at the Apollo, to the Waldorf Astoria and on to the world stage, breathing life into a thrilling time in American music nearly lost to us today. Equal parts biography, criticism, and good old-fashioned American success story, Queen of Bebop is the definitive biography of a hugely influential artist. This absorbing and sensitive treatment of a singular personality updates and corrects the historical record on Vaughan and elevates her status as a jazz great.
Metaphors For Musicians
Author: Randy Halberstadt
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101432
Category : Music
Languages : en
Pages : 454
Book Description
This practical and enlightening book gives insight into almost every aspect of jazz musicianship---scale/chord theory, composing techniques, analyzing tunes, practice strategies, etc. For any level of player, on any instrument. Endorsed by Jessica Wiliams, Jerry Bergonzi, Bill mays, etc.
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101432
Category : Music
Languages : en
Pages : 454
Book Description
This practical and enlightening book gives insight into almost every aspect of jazz musicianship---scale/chord theory, composing techniques, analyzing tunes, practice strategies, etc. For any level of player, on any instrument. Endorsed by Jessica Wiliams, Jerry Bergonzi, Bill mays, etc.
Ella Fitzgerald - Original Keys for Singers (Songbook)
Author: Ella Fitzgerald
Publisher: Hal Leonard Corporation
ISBN: 1458452425
Category : Music
Languages : en
Pages : 202
Book Description
(Vocal Piano). Arguably the best female jazz singer ever, no one could out-swing or out-scat "The First Lady of Song." This fine book features authentic transcriptions in the original keys of 25 Fitzgerald classics in voice with piano accompaniment format: A-tisket, A-tasket * But Not for Me * Easy to Love * Embraceable You * The Lady Is a Tramp * Misty * Oh, Lady Be Good! * Satin Doll * Stompin' at the Savoy * Take the "A" Train * and more. Includes a biography and discography. A must for every jazz singer's library!
Publisher: Hal Leonard Corporation
ISBN: 1458452425
Category : Music
Languages : en
Pages : 202
Book Description
(Vocal Piano). Arguably the best female jazz singer ever, no one could out-swing or out-scat "The First Lady of Song." This fine book features authentic transcriptions in the original keys of 25 Fitzgerald classics in voice with piano accompaniment format: A-tisket, A-tasket * But Not for Me * Easy to Love * Embraceable You * The Lady Is a Tramp * Misty * Oh, Lady Be Good! * Satin Doll * Stompin' at the Savoy * Take the "A" Train * and more. Includes a biography and discography. A must for every jazz singer's library!
The Complete Guide to Teaching Vocal Jazz
Author: Stephen Zegree
Publisher:
ISBN: 9780893281533
Category : Jazz
Languages : en
Pages : 119
Book Description
Includes Teaching/Demonstration CD
Publisher:
ISBN: 9780893281533
Category : Jazz
Languages : en
Pages : 119
Book Description
Includes Teaching/Demonstration CD
The Great Jazz and Pop Vocal Albums
Author: Will Friedwald
Publisher: Pantheon
ISBN: 110187175X
Category : Music
Languages : en
Pages : 433
Book Description
The author of the magisterial A Biographical Guide to the Great Jazz and Pop Singers now approaches the great singers and their greatest work in an innovative and revelatory way: through considering their finest albums, which is the format in which this music was most resonantly organized and presented to its public from the 1940s until the very recent decline of the CD. It is through their albums that Ella Fitzgerald, Frank Sinatra, Peggy Lee, Sarah Vaughan, Nat King Cole, Judy Garland, and the rest of the glorious honor roll of jazz and pop singers have been most tellingly and lastingly appreciated, and the history of the album itself, as Will Friedwald sketches it, can now be seen as a crucial part of musical history. We come to understand that, at their finest, albums have not been mere collections of individual songs strung together arbitrarily but organic phenomena in their own right. A Sinatra album, a Fitzgerald album, was planned and structured to show these artists at their best, at a specific moment in their artistic careers. Yet the albums Friedwald has chosen to anatomize go about their work in a variety of ways. There are studio and solo albums: Lee’s Black Coffee, June Christy’s Something Cool, Cassandra Wilson’s Belly of the Sun. There are brilliant collaborations: famous ones—Tony Bennett and Bill Evans, Louis Armstrong and Oscar Peterson—and wonderful surprises like Doris Day and Robert Goulet singing Annie Get Your Gun. There are theme albums—Dinah Washington singing Fats Waller, Maxine Sullivan singing Andy Razaf, Margaret Whiting singing Jerome Kern, Barb Jungr singing Bob Dylan, and the sublime Jo Stafford singing American and Scottish folk songs. There are also stunning concert albums like Ella in Berlin, Sarah in Japan, Lena at the Waldorf, and, of course, Judy at Carnegie Hall. All the greats are on hand, from Kay Starr and Carmen McRae to Jimmy Scott and Della Reese (Della Della Cha Cha Cha). And, from out of left field, the astounding God Bless Tiny Tim. Each of the fifty-seven albums discussed here captures the artist at a high point, if not at the expected moment, of her or his career. The individual cuts are evaluated, the sequencing explicated, the songs and songwriters heralded; anecdotes abound of how songs were born and how artists and producers collaborated. And in appraising each album, Friedwald balances his own opinions with those of musicians, listeners, and critics. A monumental achievement, The Great Jazz and Pop Vocal Albums is an essential book for lovers of American jazz and popular music.
Publisher: Pantheon
ISBN: 110187175X
Category : Music
Languages : en
Pages : 433
Book Description
The author of the magisterial A Biographical Guide to the Great Jazz and Pop Singers now approaches the great singers and their greatest work in an innovative and revelatory way: through considering their finest albums, which is the format in which this music was most resonantly organized and presented to its public from the 1940s until the very recent decline of the CD. It is through their albums that Ella Fitzgerald, Frank Sinatra, Peggy Lee, Sarah Vaughan, Nat King Cole, Judy Garland, and the rest of the glorious honor roll of jazz and pop singers have been most tellingly and lastingly appreciated, and the history of the album itself, as Will Friedwald sketches it, can now be seen as a crucial part of musical history. We come to understand that, at their finest, albums have not been mere collections of individual songs strung together arbitrarily but organic phenomena in their own right. A Sinatra album, a Fitzgerald album, was planned and structured to show these artists at their best, at a specific moment in their artistic careers. Yet the albums Friedwald has chosen to anatomize go about their work in a variety of ways. There are studio and solo albums: Lee’s Black Coffee, June Christy’s Something Cool, Cassandra Wilson’s Belly of the Sun. There are brilliant collaborations: famous ones—Tony Bennett and Bill Evans, Louis Armstrong and Oscar Peterson—and wonderful surprises like Doris Day and Robert Goulet singing Annie Get Your Gun. There are theme albums—Dinah Washington singing Fats Waller, Maxine Sullivan singing Andy Razaf, Margaret Whiting singing Jerome Kern, Barb Jungr singing Bob Dylan, and the sublime Jo Stafford singing American and Scottish folk songs. There are also stunning concert albums like Ella in Berlin, Sarah in Japan, Lena at the Waldorf, and, of course, Judy at Carnegie Hall. All the greats are on hand, from Kay Starr and Carmen McRae to Jimmy Scott and Della Reese (Della Della Cha Cha Cha). And, from out of left field, the astounding God Bless Tiny Tim. Each of the fifty-seven albums discussed here captures the artist at a high point, if not at the expected moment, of her or his career. The individual cuts are evaluated, the sequencing explicated, the songs and songwriters heralded; anecdotes abound of how songs were born and how artists and producers collaborated. And in appraising each album, Friedwald balances his own opinions with those of musicians, listeners, and critics. A monumental achievement, The Great Jazz and Pop Vocal Albums is an essential book for lovers of American jazz and popular music.