Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 798
Book Description
The Musical Times
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 798
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 798
Book Description
Music
Author: Sholto Percy
Publisher:
ISBN:
Category : Anecdotes
Languages : en
Pages : 196
Book Description
Publisher:
ISBN:
Category : Anecdotes
Languages : en
Pages : 196
Book Description
The Crayon
Author: William James Stillman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 322
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 322
Book Description
The Musical Standard
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 320
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 320
Book Description
Quintilian's Institutes of Oratory
Author: Quintilian
Publisher:
ISBN:
Category : Oratory
Languages : en
Pages : 504
Book Description
Publisher:
ISBN:
Category : Oratory
Languages : en
Pages : 504
Book Description
Musical Illusions and Phantom Words
Author: Diana Deutsch
Publisher: Oxford University Press
ISBN: 0190206853
Category : Science
Languages : en
Pages : 273
Book Description
In this ground-breaking synthesis of art and science, Diana Deutsch, one of the world's leading experts on the psychology of music, shows how illusions of music and speech--many of which she herself discovered--have fundamentally altered thinking about the brain. These astonishing illusions show that people can differ strikingly in how they hear musical patterns--differences that reflect variations in brain organization as well as influences of language on music perception. Drawing on a wide variety of fields, including psychology, music theory, linguistics, and neuroscience, Deutsch examines questions such as: When an orchestra performs a symphony, what is the "real" music? Is it in the mind of the composer, or the conductor, or different members of the audience? Deutsch also explores extremes of musical ability, and other surprising responses to music and speech. Why is perfect pitch so rare? Why do some people hallucinate music or speech? Why do we hear phantom words and phrases? Why are we subject to stuck tunes, or "earworms"? Why do we hear a spoken phrase as sung just because it is presented repeatedly? In evaluating these questions, she also shows how music and speech are intertwined, and argues that they stem from an early form of communication that had elements of both. Many of the illusions described in the book are so striking and paradoxical that you need to hear them to believe them. The book enables you to listen to the sounds that are described while reading about them.
Publisher: Oxford University Press
ISBN: 0190206853
Category : Science
Languages : en
Pages : 273
Book Description
In this ground-breaking synthesis of art and science, Diana Deutsch, one of the world's leading experts on the psychology of music, shows how illusions of music and speech--many of which she herself discovered--have fundamentally altered thinking about the brain. These astonishing illusions show that people can differ strikingly in how they hear musical patterns--differences that reflect variations in brain organization as well as influences of language on music perception. Drawing on a wide variety of fields, including psychology, music theory, linguistics, and neuroscience, Deutsch examines questions such as: When an orchestra performs a symphony, what is the "real" music? Is it in the mind of the composer, or the conductor, or different members of the audience? Deutsch also explores extremes of musical ability, and other surprising responses to music and speech. Why is perfect pitch so rare? Why do some people hallucinate music or speech? Why do we hear phantom words and phrases? Why are we subject to stuck tunes, or "earworms"? Why do we hear a spoken phrase as sung just because it is presented repeatedly? In evaluating these questions, she also shows how music and speech are intertwined, and argues that they stem from an early form of communication that had elements of both. Many of the illusions described in the book are so striking and paradoxical that you need to hear them to believe them. The book enables you to listen to the sounds that are described while reading about them.
The Musical World
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 838
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 838
Book Description
The Musical Times & Singing-class Circular
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1280
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1280
Book Description
The Musical Times and Singing-class Circular
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1028
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1028
Book Description
Speech about Music
Author: Malik Sharif
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990125605
Category : Music
Languages : en
Pages : 297
Book Description
The US American musicologist, composer, philosopher, inventor, and political activist Charles Seeger (1886–1979) is a key figure in the development of twentieth-century musicology. "Speech about Music" is an in-depth study of his philosophical theory of musicology – his meta-musicology. Seeger developed this body of theory in numerous publications over the course of more than sixty years, yet he never realized his dream of creating a comprehensive "Principia Musicologica". Detailed historical reconstruction and comparative analysis of Seeger's meta-musicology makes "Speech about Music" an important contribution to the study of the history of musicology. By approaching Seeger's theory as an arsenal of ideas in the discussion of twenty-first century meta-musicological issues, the book is also a critical examination of the pertinence of Seeger's ideas.
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990125605
Category : Music
Languages : en
Pages : 297
Book Description
The US American musicologist, composer, philosopher, inventor, and political activist Charles Seeger (1886–1979) is a key figure in the development of twentieth-century musicology. "Speech about Music" is an in-depth study of his philosophical theory of musicology – his meta-musicology. Seeger developed this body of theory in numerous publications over the course of more than sixty years, yet he never realized his dream of creating a comprehensive "Principia Musicologica". Detailed historical reconstruction and comparative analysis of Seeger's meta-musicology makes "Speech about Music" an important contribution to the study of the history of musicology. By approaching Seeger's theory as an arsenal of ideas in the discussion of twenty-first century meta-musicological issues, the book is also a critical examination of the pertinence of Seeger's ideas.