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Author: Pirkko Moisala
Publisher: Bloomsbury Publishing USA
ISBN: 1501316761
Category : Music
Languages : en
Pages : 356
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Book Description
This is the first volume to mobilize encounters between the work of Gilles Deleuze and Félix Guattari and the rich developments in cultural studies of music and sound. The book takes seriously the intellectual and political challenge that the process philosophy of Deleuze and Guattari poses for previous understandings of music as permanent objects and primarily discursive texts. By elaborating on the concepts of Deleuze and Guattari in innovative ways, the chapters of the book demonstrate how musical and sonic practices and expressions can be reconsidered as instances of becoming, actors in assemblages, and actualizations of virtual tendencies. The collection pushes notions of music and sound beyond such long-term paradigms as identity thinking, the privileging of signification, and the centrality of the human subject. The chapters of the volume bring a range of new topics and methodological approaches in contact with Deleuze and Guattari. These span from movement improvisation, jazz and western art music studies, sound and performance art and reality TV talent shows to deaf musicians and indigenous music. The book also highlights such fresh ways of doing analysis and shaping the methodological tools of music and sound studies that are enabled by Deleuze and Guattari's philosophy. Their philosophy, too, gains renewed capacities and potential when responding to ethnographic, cultural, ethnomusicological, participatory, aesthetic, new materialist, feminist and queer perspectives to music and sound.
Author: Pirkko Moisala
Publisher: Bloomsbury Publishing USA
ISBN: 1501316761
Category : Music
Languages : en
Pages : 356
Get Book Here
Book Description
This is the first volume to mobilize encounters between the work of Gilles Deleuze and Félix Guattari and the rich developments in cultural studies of music and sound. The book takes seriously the intellectual and political challenge that the process philosophy of Deleuze and Guattari poses for previous understandings of music as permanent objects and primarily discursive texts. By elaborating on the concepts of Deleuze and Guattari in innovative ways, the chapters of the book demonstrate how musical and sonic practices and expressions can be reconsidered as instances of becoming, actors in assemblages, and actualizations of virtual tendencies. The collection pushes notions of music and sound beyond such long-term paradigms as identity thinking, the privileging of signification, and the centrality of the human subject. The chapters of the volume bring a range of new topics and methodological approaches in contact with Deleuze and Guattari. These span from movement improvisation, jazz and western art music studies, sound and performance art and reality TV talent shows to deaf musicians and indigenous music. The book also highlights such fresh ways of doing analysis and shaping the methodological tools of music and sound studies that are enabled by Deleuze and Guattari's philosophy. Their philosophy, too, gains renewed capacities and potential when responding to ethnographic, cultural, ethnomusicological, participatory, aesthetic, new materialist, feminist and queer perspectives to music and sound.
Author: Edward Campbell
Publisher: A&C Black
ISBN: 1441137599
Category : Philosophy
Languages : en
Pages : 169
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Book Description
Music After Deleuze explores how Deleuzian concepts offer interesting ways of thinking about a wide range of musics. The concepts of difference, identity and repetition offer novel approaches to Western art music from Beethoven to Boulez and Bernhard Lang as well as jazz improvisation, popular and sacred music. The concepts of the 'rhizome', the 'assemblage' and the 'refrain' enable us to think of the specificity of musical works as the meeting of productive forces, for example in the contemporary opera of Dusapin and the experimental music theatre of Aperghis. The concepts of smooth and striated space form the starting point for musical and political reflections on pitch in Western and Eastern music. Deleuze's notion of time as multiple illumines the distinctive conceptions of musical time found in Debussy, Messiaen, Boulez, Carter and Grisey. Finally, the innovative semiotic theory forged in Deleuze-Guattarian philosophy offers valuable insights for a semiotics capable of engaging with the innovative, molecular music of Lachenmann, Aperghis and Levinas.
Author: Joe Hughes
Publisher: A&C Black
ISBN: 1441195165
Category : Philosophy
Languages : en
Pages : 185
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Book Description
A clear and concise overview of and introduction to Deleuze's work in relation to philosophical inquiry.
Author: S. O'Sullivan
Publisher: Springer
ISBN: 0230512437
Category : Philosophy
Languages : en
Pages : 245
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Book Description
In a series of philosophical discussions and artistic case studies, this volume develops a materialist and immanent approach to modern and contemporary art. The argument is made for a return to aesthetics - an aesthetics of affect - and for the theorization of art as an expanded and complex practice. Staging a series of encounters between specific Deleuzian concepts - the virtual, the minor, the fold, etc. - and the work of artists that position their work outside of the gallery or 'outside' of representation - Simon O'Sullivan takes Deleuze's thought into other milieus, allowing these 'possible worlds' to work back on philosophy.
Author: Charles J. Stivale
Publisher: Guilford Press
ISBN: 9781572303263
Category : Philosophy
Languages : en
Pages : 388
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Book Description
French philosophers Gilles Deleuze and Felix Guattari worked together extensively from the 1960s into the 1990s, and the resulting "intersections" of their different sensibilities and modes of knowing fueled powerful alternatives to Marxian and psychoanalytic orthodoxies. Yet readers approaching Deleuze and Guattari's works are often frustrated by the paucity or unfamiliarity of specific examples that might clarify their complex arguments. This timely volume "animates" key concepts and terminology by applying them to provocative readings of literary texts, films, and cultural phenomena--from Apocalypse Now to Cajun music and dance. Drawing extensively from primary and critical sources to elucidate Deleuze and Guattari's theoretical contributions, Stivale reinvigorates their "two-fold thought" for use as an analytical tool in the humanities and social sciences. The book also offers a clear introduction to the precollaborative phase of each thinker's work, an interview Stivale conducted with Guattari, and the first-time English translation of a 1967 essay by Deleuze. Winner--Board of Governors Faculty Recognition Award, Wayne State University
Author: Simon O'Sullivan
Publisher: Bloomsbury Publishing
ISBN: 1441131175
Category : Philosophy
Languages : en
Pages : 256
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Book Description
Gilles Deleuze and Felix Guattari have arguably gone further than anyone in contemporary philosophy in affirming a philosophy of creation, one that both establishes and encourages a clear ethical imperative: to create the new. In this remarkable undertaking, these two thinkers have created a fresh engagement of thought with the world. This important collection of essays attempts to explore and extend the creative rupture that Deleuze and Guattari produce in the Capitalism and Schizophrenia project. The essays in this volume, all by leading thinkers and theorists, extend Deleuze and Guattari's project by offering creative experiments in constructing new communities - of ideas and objects, experiences and collectives - that cohere around the interaction of philosophy, the arts and the political realm. Deleuze, Guattari and the Production of the New produces new perspectives on Deleuze and Guattari's work by emphasising its relevance to the contemporary intersection of aesthetics and political theory, thereby exploring a pressing contemporary problem: the production of the new.
Author: Nathan Widder
Publisher: A&C Black
ISBN: 1441192603
Category : Philosophy
Languages : en
Pages : 218
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Book Description
Recent political theory has shifted decidedly towards ontology, the 'science of being', and thus towards examining fundamental concepts of identity, difference, space, and time. This new focus has reinvigorated questions concerning the nature of power, meaning, truth and agency, inspiring novel approaches to individual and collective subjectivity, the emergence of political events and the relationship between desire and politics. In this new study, Nathan Widder shows how Deleuze's philosophy both inspires and presses beyond political theory's 'ontological turn'. Linking his thought to current political theory debates, Widder explains how Deleuze's philosophy and ontology of difference are cashed out through a micropolitics of creative and critical experimentation. He further demonstrates how Deleuze challenges ideas of identity and the subject that still dominate both political thought and practice today. Connecting Deleuze to key figures in both classical and contemporary political philosophy, from Plato and Aristotle to Hegel, Nietzsche, Lacan, and Foucault, this book will be of interest to students and scholars in political theory, philosophy, and related disciplines, looking to engage the emerging field of Deleuze studies.
Author: Ronald Bogue
Publisher: SUNY Press
ISBN: 9780791460184
Category : Philosophy
Languages : en
Pages : 208
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Book Description
Focuses on Deleuze's style, his conception of the self, and his understanding of philosophy's relationship to the arts.
Author: Richard Rushton
Publisher: A&C Black
ISBN: 082643892X
Category : Performing Arts
Languages : en
Pages : 186
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Book Description
A clear and concise overview of and introduction to Deleuze's theories of cinema.
Author: Paulo de Assis
Publisher: Leuven University Press
ISBN: 9462702543
Category : Music
Languages : en
Pages : 468
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Book Description
The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practices, and nonhuman arrangements, “assemblage” is variously applied today in the arts, philosophy, and human and social sciences, forming links not only between disciplines but also between critical thought and artistic practice. Machinic Assemblages focuses on the concept’s uses, transpositions, and appropriations in the arts, bringing together the voices of artists and philosophers that have been working on and with this topic for many years with those of emerging scholar-practitioners. The volume embraces exciting new and reconceived artistic practices that discuss and challenge existing assemblages, propose new practices within given assemblages, and seek to invent totally unprecedented assemblages.
