Author: Patrik N. Juslin
Publisher:
ISBN: 019875342X
Category : Music
Languages : en
Pages : 625
Book Description
Can music really arouse emotions? If so, what emotions, and how? Based on ground-breaking research, Musical Emotions Explained explores how music expresses and arouses emotions, and how it becomes an object of aesthetic judgments. The book is accessibly written by one of the leading researchers in the field worldwide.
Musical Emotions Explained
Handbook of Music and Emotion
Author: Patrik N. Juslin
Publisher: OUP Oxford
ISBN: 0191620726
Category : Psychology
Languages : en
Pages : 1983
Book Description
Music's ability to express and arouse emotions is a mystery that has fascinated both experts and laymen at least since ancient Greece. The predecessor to this book 'Music and Emotion' (OUP, 2001) was critically and commercially successful and stimulated much further work in this area. In the years since publication of that book, empirical research in this area has blossomed, and the successor to 'Music and Emotion' reflects the considerable activity in this area. The Handbook of Music and Emotion offers an 'up-to-date' account of this vibrant domain. It provides comprehensive coverage of the many approaches that may be said to define the field of music and emotion, in all its breadth and depth. The first section offers multi-disciplinary perspectives on musical emotions from philosophy, musicology, psychology, neurobiology, anthropology, and sociology. The second section features methodologically-oriented chapters on the measurement of emotions via different channels (e.g., self report, psychophysiology, neuroimaging). Sections three and four address how emotion enters into different aspects of musical behavior, both the making of music and its consumption. Section five covers developmental, personality, and social factors. Section six describes the most important applications involving the relationship between music and emotion. In a final commentary, the editors comment on the history of the field, summarize the current state of affairs, as well as propose future directions for the field. The only book of its kind, The Handbook of Music and Emotion will fascinate music psychologists, musicologists, music educators, philosophers, and others with an interest in music and emotion (e.g., in marketing, health, engineering, film, and the game industry). It will be a valuable resource for established researchers in the field, a developmental aid for early-career researchers and postgraduate research students, and a compendium to assist students at various levels. In addition, as with its predecessor, it will also attract interest from practising musicians and lay readers fascinated by music and emotion.
Publisher: OUP Oxford
ISBN: 0191620726
Category : Psychology
Languages : en
Pages : 1983
Book Description
Music's ability to express and arouse emotions is a mystery that has fascinated both experts and laymen at least since ancient Greece. The predecessor to this book 'Music and Emotion' (OUP, 2001) was critically and commercially successful and stimulated much further work in this area. In the years since publication of that book, empirical research in this area has blossomed, and the successor to 'Music and Emotion' reflects the considerable activity in this area. The Handbook of Music and Emotion offers an 'up-to-date' account of this vibrant domain. It provides comprehensive coverage of the many approaches that may be said to define the field of music and emotion, in all its breadth and depth. The first section offers multi-disciplinary perspectives on musical emotions from philosophy, musicology, psychology, neurobiology, anthropology, and sociology. The second section features methodologically-oriented chapters on the measurement of emotions via different channels (e.g., self report, psychophysiology, neuroimaging). Sections three and four address how emotion enters into different aspects of musical behavior, both the making of music and its consumption. Section five covers developmental, personality, and social factors. Section six describes the most important applications involving the relationship between music and emotion. In a final commentary, the editors comment on the history of the field, summarize the current state of affairs, as well as propose future directions for the field. The only book of its kind, The Handbook of Music and Emotion will fascinate music psychologists, musicologists, music educators, philosophers, and others with an interest in music and emotion (e.g., in marketing, health, engineering, film, and the game industry). It will be a valuable resource for established researchers in the field, a developmental aid for early-career researchers and postgraduate research students, and a compendium to assist students at various levels. In addition, as with its predecessor, it will also attract interest from practising musicians and lay readers fascinated by music and emotion.
Emotion and Meaning in Music
Author: Leonard B. Meyer
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 328
Book Description
"Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."—David Kraehenbuehl, Journal of Music Theory "This is the best study of its kind to have come to the attention of this reviewer."—Jules Wolffers, The Christian Science Monitor "It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist "A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 328
Book Description
"Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."—David Kraehenbuehl, Journal of Music Theory "This is the best study of its kind to have come to the attention of this reviewer."—Jules Wolffers, The Christian Science Monitor "It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist "A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review
Musical Meaning and Expression
Author: Stephen Davies
Publisher: Cornell University Press
ISBN: 9780801481512
Category : Music
Languages : en
Pages : 436
Book Description
We talk not only of enjoying music, but of understanding it. Music is often taken to have expressive import--and in that sense to have meaning. But what does music mean, and how does it mean? Stephen Davies addresses these questions in this sophisticated and knowledgeable overview of current theories in the philosophy of music. Reviewing and criticizing the aesthetic positions of recent years, he offers a spirited explanation of his own position. Davies considers and rejects in turn the positions that music describes (like language), or depicts (like pictures), or symbolizes (in a distinctive fashion) emotions. Similarly, he resists the idea that music's expressiveness is to be explained solely as the composer's self-expression, or in terms of its power to evoke a response from the audience. Music's ability to describe emotions, he believes, is located within the music itself; it presents the aural appearance of what he calls emotion characteristics. The expressive power of music awakens emotions in the listener, and music is valued for this power although the responses are sometimes ones of sadness. Davies shows that appreciation and understanding may require more than recognition of and reaction to music's expressive character, but need not depend on formal musicological training.
Publisher: Cornell University Press
ISBN: 9780801481512
Category : Music
Languages : en
Pages : 436
Book Description
We talk not only of enjoying music, but of understanding it. Music is often taken to have expressive import--and in that sense to have meaning. But what does music mean, and how does it mean? Stephen Davies addresses these questions in this sophisticated and knowledgeable overview of current theories in the philosophy of music. Reviewing and criticizing the aesthetic positions of recent years, he offers a spirited explanation of his own position. Davies considers and rejects in turn the positions that music describes (like language), or depicts (like pictures), or symbolizes (in a distinctive fashion) emotions. Similarly, he resists the idea that music's expressiveness is to be explained solely as the composer's self-expression, or in terms of its power to evoke a response from the audience. Music's ability to describe emotions, he believes, is located within the music itself; it presents the aural appearance of what he calls emotion characteristics. The expressive power of music awakens emotions in the listener, and music is valued for this power although the responses are sometimes ones of sadness. Davies shows that appreciation and understanding may require more than recognition of and reaction to music's expressive character, but need not depend on formal musicological training.
Musical Emotions Explained
Author: Patrik N. Juslin
Publisher: Oxford University Press
ISBN: 0191067768
Category : Psychology
Languages : en
Pages : 515
Book Description
Can music really arouse emotions? If so, what emotions, and how? Why do listeners respond with different emotions to the same piece of music? Are emotions to music different from other emotions? Why do we respond to fictional events in art as if they were real, even though we know they're not? What is it that makes a performance of music emotionally expressive? Based on ground-breaking research, Musical Emotions Explained explores how music expresses and arouses emotions, and how it becomes an object of aesthetic judgments. Within the book, Juslin demonstrates how psychological mechanisms from our ancient past engage with meanings in music at multiple levels of the brain to evoke a broad variety of affective states - from startle responses to profound aesthetic emotions. He also explores why these mechanisms respond to music. Written by one of the leading researchers in the field, the book is richly illustrated with music examples from everyday life, and explains with clarity and rigour the manifold ways in which music may engage our emotions. Advance praise Musical Emotions Explained is a magnificent publication that has been painstakingly researched to illuminate the many, varied ways music can express and arouse emotions. It provides the most authoritative single authored text on the topic so far. As a highly readable and informative publication, it superbly unlocks the secrets of musical affect for experienced researchers through to lay readers alike. Gary E. McPherson, Ormond Chair of Music and Director, Melbourne Conservatorium of Music, Australia Anyone who wants to understand more about the most essential quality of music - its ability to move us - needs to read this book. Juslin's writing is gripping and thoughtful as he takes us on a journey through the latest research on this most interesting intersection between science and art. Daniel J. Levitin, Author of This Is Your Brain on Music and The World in Six Songs. Music Emotions Explained is a tour de force. In this extraordinary book, written with passion and humor, Patrik Juslin shares insights gleaned from decades of ground-breaking research. Breadth and depth are nicely balanced as grand, over-arching themes are richly supported by systematic and detailed research findings. This book will serve as an inviting introduction to students or interested laypersons but also as a touchstone to which professionals will return frequently for guidance and inspiration. Donald A. Hodges, Professor Emeritus, University of North Carolina at Greensboro, USA Patrik Juslin here deftly synthesizes several decades of psychological research, much of it his own, on how music both expresses emotion and moves us emotionally, in the course of developing an empirically grounded, evolutionarily based, philosophically informed theory of the phenomenon in question, doing so with style and wit. Musical Emotion Explained is wide ranging, engagingly written, full of arresting claims, and studded with telling anecdotes. It is a book that everyone who has ever marveled at the affective power of music should read. Jerrold Levinson, Distinguished University Professor, Department of Philosophy, University of Maryland, USA Musical Emotions Explained is essential reading that sets the new gold standard resource for understanding the delicious pleasures of music experience. Using lucid, witty and compelling arguments, Patrik Juslin illustrates a set of core mechanisms that collectively account for music-evoked emotions. Scholars, general readers and musicians will be inspired by this landmark work, which will stimulate research for decades to come. Bill Thompson, Distinguished Professor, Macquarie University, Sydney, Australia It goes without saying that Patrik Juslin is one of the world's top experts on the science of musical emotion. What this book reveals is that he is a hugely persuasive and accessible interlocutor. It really feels as though one is in conversation with a friend who is thinking issues and arguments through with the reader, step by step. Of course all the important literature is covered, but this is far from a dry literature review. Juslin's book should excite and stimulate layreaders and professional colleagues alike to deepen their understanding of what makes music emotional. John Sloboda, Research Professor, Guildhall School of Music & Drama, London, UK The best comprehensive and critically explanatory tome to-date on one of the most fascinating and still poorly understood topics in music research, written by the foremost international expert on music and emotion. A treasure for decades to come. Michael Thaut, Professor of Music, Neuroscience and Rehabilitation Science, University of Toronto, Canada In Musical Emotions Explained, Patrik Juslin probes and proffers many psychological and philosophical concepts of musical emotions toward unpacking numerous mysteries surrounding the arousal and expression of musical affect. The results of his meticulous research have profound implications for experiencing, creating, valuing, and teaching music. Written with great care and passion, this brilliant book is a must-read for anyone who takes a serious interest in the nature and values of music in people's lives. David Elliott, Professor of Music and Music Education, New York University, USA Patrik Juslin has been at the forefront of research into music and emotion for more than 20 years. Adding to what is already an astonishing body of work, this hugely impressive monograph is the culmination of that remarkable programme of research. Witten in an accessible and engaging style, and covering a huge range of perspectives, this is a book that will undoubtedly become a classic in the psychology of music, an indispensable resource for researchers in the field, and a fascinating read for those who may be new to the topic. Eric Clarke FBA, Heather Professor of Music, University of Oxford, UK
Publisher: Oxford University Press
ISBN: 0191067768
Category : Psychology
Languages : en
Pages : 515
Book Description
Can music really arouse emotions? If so, what emotions, and how? Why do listeners respond with different emotions to the same piece of music? Are emotions to music different from other emotions? Why do we respond to fictional events in art as if they were real, even though we know they're not? What is it that makes a performance of music emotionally expressive? Based on ground-breaking research, Musical Emotions Explained explores how music expresses and arouses emotions, and how it becomes an object of aesthetic judgments. Within the book, Juslin demonstrates how psychological mechanisms from our ancient past engage with meanings in music at multiple levels of the brain to evoke a broad variety of affective states - from startle responses to profound aesthetic emotions. He also explores why these mechanisms respond to music. Written by one of the leading researchers in the field, the book is richly illustrated with music examples from everyday life, and explains with clarity and rigour the manifold ways in which music may engage our emotions. Advance praise Musical Emotions Explained is a magnificent publication that has been painstakingly researched to illuminate the many, varied ways music can express and arouse emotions. It provides the most authoritative single authored text on the topic so far. As a highly readable and informative publication, it superbly unlocks the secrets of musical affect for experienced researchers through to lay readers alike. Gary E. McPherson, Ormond Chair of Music and Director, Melbourne Conservatorium of Music, Australia Anyone who wants to understand more about the most essential quality of music - its ability to move us - needs to read this book. Juslin's writing is gripping and thoughtful as he takes us on a journey through the latest research on this most interesting intersection between science and art. Daniel J. Levitin, Author of This Is Your Brain on Music and The World in Six Songs. Music Emotions Explained is a tour de force. In this extraordinary book, written with passion and humor, Patrik Juslin shares insights gleaned from decades of ground-breaking research. Breadth and depth are nicely balanced as grand, over-arching themes are richly supported by systematic and detailed research findings. This book will serve as an inviting introduction to students or interested laypersons but also as a touchstone to which professionals will return frequently for guidance and inspiration. Donald A. Hodges, Professor Emeritus, University of North Carolina at Greensboro, USA Patrik Juslin here deftly synthesizes several decades of psychological research, much of it his own, on how music both expresses emotion and moves us emotionally, in the course of developing an empirically grounded, evolutionarily based, philosophically informed theory of the phenomenon in question, doing so with style and wit. Musical Emotion Explained is wide ranging, engagingly written, full of arresting claims, and studded with telling anecdotes. It is a book that everyone who has ever marveled at the affective power of music should read. Jerrold Levinson, Distinguished University Professor, Department of Philosophy, University of Maryland, USA Musical Emotions Explained is essential reading that sets the new gold standard resource for understanding the delicious pleasures of music experience. Using lucid, witty and compelling arguments, Patrik Juslin illustrates a set of core mechanisms that collectively account for music-evoked emotions. Scholars, general readers and musicians will be inspired by this landmark work, which will stimulate research for decades to come. Bill Thompson, Distinguished Professor, Macquarie University, Sydney, Australia It goes without saying that Patrik Juslin is one of the world's top experts on the science of musical emotion. What this book reveals is that he is a hugely persuasive and accessible interlocutor. It really feels as though one is in conversation with a friend who is thinking issues and arguments through with the reader, step by step. Of course all the important literature is covered, but this is far from a dry literature review. Juslin's book should excite and stimulate layreaders and professional colleagues alike to deepen their understanding of what makes music emotional. John Sloboda, Research Professor, Guildhall School of Music & Drama, London, UK The best comprehensive and critically explanatory tome to-date on one of the most fascinating and still poorly understood topics in music research, written by the foremost international expert on music and emotion. A treasure for decades to come. Michael Thaut, Professor of Music, Neuroscience and Rehabilitation Science, University of Toronto, Canada In Musical Emotions Explained, Patrik Juslin probes and proffers many psychological and philosophical concepts of musical emotions toward unpacking numerous mysteries surrounding the arousal and expression of musical affect. The results of his meticulous research have profound implications for experiencing, creating, valuing, and teaching music. Written with great care and passion, this brilliant book is a must-read for anyone who takes a serious interest in the nature and values of music in people's lives. David Elliott, Professor of Music and Music Education, New York University, USA Patrik Juslin has been at the forefront of research into music and emotion for more than 20 years. Adding to what is already an astonishing body of work, this hugely impressive monograph is the culmination of that remarkable programme of research. Witten in an accessible and engaging style, and covering a huge range of perspectives, this is a book that will undoubtedly become a classic in the psychology of music, an indispensable resource for researchers in the field, and a fascinating read for those who may be new to the topic. Eric Clarke FBA, Heather Professor of Music, University of Oxford, UK
The Psychology of Musical Development
Author: David Hargreaves
Publisher: Cambridge University Press
ISBN: 1107052963
Category : Music
Languages : en
Pages : 365
Book Description
A comprehensive, up-to-date introduction to the psychology of musical development in children and adults, from theory to research and applications.
Publisher: Cambridge University Press
ISBN: 1107052963
Category : Music
Languages : en
Pages : 365
Book Description
A comprehensive, up-to-date introduction to the psychology of musical development in children and adults, from theory to research and applications.
The Psychology of Music
Author: Elizabeth Hellmuth Margulis
Publisher:
ISBN: 0190640154
Category : Music
Languages : en
Pages : 159
Book Description
The Psychology of Music: A Very Short Introduction seeks to answer fundamental questions of enduring interest, such as "What is musicality?" and "How does music move us?" In doing so, it reveals what happens when science attempts to confront some of the deepest questions about music.
Publisher:
ISBN: 0190640154
Category : Music
Languages : en
Pages : 159
Book Description
The Psychology of Music: A Very Short Introduction seeks to answer fundamental questions of enduring interest, such as "What is musicality?" and "How does music move us?" In doing so, it reveals what happens when science attempts to confront some of the deepest questions about music.
Music, Thought, and Feeling
Author: William Forde Thompson
Publisher: Oxford University Press, USA
ISBN: 9780199947317
Category : Cognition
Languages : en
Pages : 0
Book Description
Examining the intersection of music, psychology, and neuroscience, this text surveys the rapidly growing field of music cognition and explores its most interesting questions. Assuming minimal background in music or psychology, the book begins with an overview of the major theories on how and when music became a widespread aspect of human behavior. Now in its second edition, the text includes enhanced coverage of music therapy, the most recent theory and research, and improved pedagogy, including enhanced definitions of key terms and a reworked organization of topics.
Publisher: Oxford University Press, USA
ISBN: 9780199947317
Category : Cognition
Languages : en
Pages : 0
Book Description
Examining the intersection of music, psychology, and neuroscience, this text surveys the rapidly growing field of music cognition and explores its most interesting questions. Assuming minimal background in music or psychology, the book begins with an overview of the major theories on how and when music became a widespread aspect of human behavior. Now in its second edition, the text includes enhanced coverage of music therapy, the most recent theory and research, and improved pedagogy, including enhanced definitions of key terms and a reworked organization of topics.
Culture, Mind, and Brain
Author: Laurence J. Kirmayer
Publisher: Cambridge University Press
ISBN: 1108580572
Category : Psychology
Languages : en
Pages : 694
Book Description
Recent neuroscience research makes it clear that human biology is cultural biology - we develop and live our lives in socially constructed worlds that vary widely in their structure values, and institutions. This integrative volume brings together interdisciplinary perspectives from the human, social, and biological sciences to explore culture, mind, and brain interactions and their impact on personal and societal issues. Contributors provide a fresh look at emerging concepts, models, and applications of the co-constitution of culture, mind, and brain. Chapters survey the latest theoretical and methodological insights alongside the challenges in this area, and describe how these new ideas are being applied in the sciences, humanities, arts, mental health, and everyday life. Readers will gain new appreciation of the ways in which our unique biology and cultural diversity shape behavior and experience, and our ongoing adaptation to a constantly changing world.
Publisher: Cambridge University Press
ISBN: 1108580572
Category : Psychology
Languages : en
Pages : 694
Book Description
Recent neuroscience research makes it clear that human biology is cultural biology - we develop and live our lives in socially constructed worlds that vary widely in their structure values, and institutions. This integrative volume brings together interdisciplinary perspectives from the human, social, and biological sciences to explore culture, mind, and brain interactions and their impact on personal and societal issues. Contributors provide a fresh look at emerging concepts, models, and applications of the co-constitution of culture, mind, and brain. Chapters survey the latest theoretical and methodological insights alongside the challenges in this area, and describe how these new ideas are being applied in the sciences, humanities, arts, mental health, and everyday life. Readers will gain new appreciation of the ways in which our unique biology and cultural diversity shape behavior and experience, and our ongoing adaptation to a constantly changing world.
Freedom After the Sharks
Author: Geoff Hudson-Searle
Publisher: Matador
ISBN: 9781783065349
Category : New business enterprises
Languages : en
Pages : 176
Book Description
Each of us is, to some extent or other, a reflection of the experiences of our lives. However, whether and how we succeed is determined at least in part by how we cope with those experiences and what we learn from them. This is the story of a man who, despite a difficult family life and professional setbacks, developed the determination, drive and skills to create a successful business and happy life. Geoff’s skills and self-motivation gave him the drive, determination and tenacity to continue a journey through hardship to reach self-fulfillment and, ultimately, success. His book describes the life journey of a young man’s heart and his desire to turn his dreams and vision into a business success. Freedom After The Sharks shows how, even in a declining economy, a business can survive and even succeed. It covers some real-life experiences and offers some suggestions for dealing with problems and issues. It provides a guide to finding your way in the business world. The book is suitable for entrepreneurs who might not be sure of the path to take or who want to benefit from other people’s mistakes and failures. Other audiences include middle management or junior executives who are looking for a fascinating life story of courage, drive and inspiration, as well as graduates and college students, who will find information that will help prepare them for their careers.
Publisher: Matador
ISBN: 9781783065349
Category : New business enterprises
Languages : en
Pages : 176
Book Description
Each of us is, to some extent or other, a reflection of the experiences of our lives. However, whether and how we succeed is determined at least in part by how we cope with those experiences and what we learn from them. This is the story of a man who, despite a difficult family life and professional setbacks, developed the determination, drive and skills to create a successful business and happy life. Geoff’s skills and self-motivation gave him the drive, determination and tenacity to continue a journey through hardship to reach self-fulfillment and, ultimately, success. His book describes the life journey of a young man’s heart and his desire to turn his dreams and vision into a business success. Freedom After The Sharks shows how, even in a declining economy, a business can survive and even succeed. It covers some real-life experiences and offers some suggestions for dealing with problems and issues. It provides a guide to finding your way in the business world. The book is suitable for entrepreneurs who might not be sure of the path to take or who want to benefit from other people’s mistakes and failures. Other audiences include middle management or junior executives who are looking for a fascinating life story of courage, drive and inspiration, as well as graduates and college students, who will find information that will help prepare them for their careers.