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Author: Marcus Samuel Cam Rickards
Publisher:
ISBN:
Category :
Languages : en
Pages : 160
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Book Description
Author: Marcus Samuel Cam Rickards
Publisher:
ISBN:
Category :
Languages : en
Pages : 160
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Book Description
Author: Carol Ann Muller
Publisher: Duke University Press Books
ISBN: 9780822348917
Category : Music
Languages : en
Pages : 0
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Book Description
Musical Echoes tells the life story of the South African jazz vocalist Sathima Bea Benjamin. Born in Cape Town in the 1930s, Benjamin came to know American jazz and popular music through the radio, movies, records, and live stage and dance band performances. She was especially moved by the voice of Billie Holiday. In 1962 she and Dollar Brand (Abdullah Ibrahim) left South Africa together for Europe, where they met and recorded with Duke Ellington. Benjamin and Ibrahim spent their lives on the move between Europe, the United States, and South Africa until 1977, when they left Africa for New York City and declared their support for the African National Congress. In New York, Benjamin established her own record company and recorded her music independently from Ibrahim. Musical Echoes reflects twenty years of archival research and conversation between this extraordinary jazz singer and the South African musicologist Carol Ann Muller. The narrative of Benjamin’s life and times is interspersed with Muller’s reflections on the vocalist’s story and its implications for jazz history.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 956
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Book Description
Author: Jessica Hillman
Publisher: McFarland
ISBN: 0786466022
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
With chapters on The Sound of Music, Milk and Honey, Fiddler on the Roof, Cabaret, The Rothschilds, Rags, Ragtime and The Producers, this book examines both direct and indirect references to, or resonances of, the Holocaust, tracing changing American attitudes through the chronological progression of these musical productions and their subsequent revivals. Despite the abundance of writing on both musical theatre history and on the difficulties of Holocaust representation, history and theatre scholars alike have thus far ignored the intersections of these areas. The academy thereby risks excluding precisely those works that shed the most light on our culture's evolving response to the Shoah, an event that still helps to define American identity. This book redresses this lapse by focusing on the theatrical form seen by the greatest amount of people--musicals--which either trigger or reflect changing American mores.
Author:
Publisher:
ISBN:
Category : Political science
Languages : en
Pages : 466
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Book Description
Author: Nomi Dave
Publisher: University of Chicago Press
ISBN: 022665463X
Category : Music
Languages : en
Pages : 208
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Book Description
Music has long been an avenue for protest, seen as a way to promote freedom and equality, instill hope, and fight for change. Popular music, in particular, is considered to be an effective form of subversion and resistance under oppressive circumstances. But, as Nomi Dave shows us in The Revolution’s Echoes, the opposite is also true: music can often support, rather than challenge, the powers that be. Dave introduces readers to the music supporting the authoritarian regime of former Guinean president Sékou Touré, and the musicians who, even long after his death, have continued to praise dictators and avoid dissent. Dave shows that this isn’t just the result of state manipulation; even in the absence of coercion, musicians and their audiences take real pleasure in musical praise of leaders. Time and again, whether in traditional music or in newer genres such as rap, Guinean musicians have celebrated state power and authority. With The Revolution’s Echoes, Dave insists that we must grapple with the uncomfortable truth that some forms of music choose to support authoritarianism, generating new pleasures and new politics in the process.
Author: Erich R.W. Schultz
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554587824
Category : Music
Languages : en
Pages : 221
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Book Description
Ulrich Leupold was associated with Wilfrid Laurier University from 1945-1970. Throughout the twenty-five-year period he taught music history and appreciation, Greek, and religious studies courses in the College and New Testament, liturgics, and church music in the Seminary. He also conducted the College choir, Male Chorus and Seminary Chapel choir. This collection of essays has been compiled in memory of a respected professor and dean. The articles are written by friends, former pupils, and colleagues in the field of New Testament studies and church music. They deal with theological, liturgical, and ecumenical themes. The editor of the volume and compiler of the bibliography is Erich Schultz, University Library, Wilfrid Laurier University.
Author:
Publisher: BRILL
ISBN: 9004333991
Category : Social Science
Languages : en
Pages : 219
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Book Description
It can safely be said that when literary texts are utilized or adapted by a musician to create a new work of art, it is seldom that a diminished or lessened product results. Rather, such a merging usually enlarges and enhances both text and tune, perhaps significantly changing the message of the original. Discovering exactly what the new form has to offer and how it relates to the text or melody that preceded it is often a daunting task, requiring a close examination of both the author’s and the composer’s intent. The essays in this collection offer an analysis of several adaptations, some successful, some not so successful, and attempt to assess just what the musicians or writers have modified or changed from to the original as they re-form it into an altogether different media. Ranging from Pasternak’s appropriation of Tchaikovsky to Britten’s operatic versions of Billy Budd and the Turn of the Screw, from Celan’s use of fugal technique in his “Todesfuge” to the way that the musicianship of several women writers found voice in their writing, a broad spectrum of collaborations is examined. As readers examine an author’s respect for a long dead musician (Hopkins’ admiration of Purcell) or as they discover how John Harbison worked to transform Fitzgerald’s musicality in The Great Gatsby, it will be evident that musical adaptations often provide a richness that the originals did not possess and that the potential for greatness is heightened when the arts intersect.
Author: SADHGURU.
Publisher: Penguin/Anand
ISBN: 9780670096466
Category : Indic poetry (English)
Languages : en
Pages : 0
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Book Description
Author: Gary Browning
Publisher: Andrews UK Limited
ISBN: 1788360710
Category : Music
Languages : en
Pages : 293
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Book Description
2021 marks Dylan's 80th birthday and his 60th year in the music world. It invites us to look back on his career and the multitudes that it contains. Is he a song and dance man? A political hero? A protest singer? A self-portrait artist who has yet to paint his masterpiece? Is he Shakespeare in the alley? The greatest living exponent of American music? An ironsmith? Internet radio DJ? Poet (who knows it)? Is he a spiritual and religious parking meter? Judas? The voice of a generation or a false prophet, jokerman, and thief? Dylan is all these and none. The essays in this book explore the Nobel laureate's masks, collectively reflecting upon their meaning through time, change, movement, and age. They are written by wonderful and diverse set of contributors, all here for his 80th birthday bash: celebrated Dylanologists like Michael Gray and Laura Tenschert; recording artists such as Robyn Hitchcock, Barb Jungr, Amy Rigby, and Emma Swift; and 'the professors' who all like his looks: David Boucher, Anne Margaret Daniel, Ray Monk, Galen Strawson, and more. Read it on your toaster!
