Musica Disciplina: Index Vol. 1-20 (1946-1966). PDF Download
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Author:
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Category :
Languages : en
Pages :
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Author:
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Category :
Languages : en
Pages :
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Author: Joan M. Meggett
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Music
Languages : en
Pages : 136
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Author:
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ISBN:
Category : Periodicals
Languages : en
Pages : 2516
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A union list of serials commencing publication after Dec. 31, 1949.
Author: Linda M. Fidler
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 576
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Book Description
Fidler and James have edited a guide that characterizes and evaluates, in depth, the leading journals throughout the musical professions. The listings number some 170 titles, selected for their historical as well as contemporary significance. . . . [T]his guide makes a significant contribution to the literature and is recommended for all academic libraries. Choice International Music Journals is an international and cross-disciplinary guide to periodical literature in music. It deals not only with scholarly journals, but with those journals important to the music profession, from flautists and theorists, to musicologists and educators. Thus, in addition to journals representing the traditional fields of music scholarship (musicology, ethnomusicology, theory, therapy, and education), those publications important to various areas of music performance, composition, popular music, discography, and librarianship are included. Within this broad scope, approximately 200 of the most important titles are treated extensively. Each entry addresses five general aspects of the journal: historical background (founding and intent, editors, publishers, frequency, title, and title changes); physical description (format, illustrations); contents (subject area(s), scope, features, special issues); critical assessment (intended audience, level and quality, editorial policy, impact, innovations, outstanding issues, and articles); and bibliography (external indexes, reviews of or articles on the journal). In addition to the major entries, the book also features an introductory essay on and bibliography of the history of music periodicals; an appendix of significant journals inaugurated since 1980; a chronology; biographical notes on the contributors; and an extensive index by title, title variants, editors, general topic, geographical region, and publisher. This will be an essential tool for everyone interested in any aspect of music.
Author: Indiana University. Libraries
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 1200
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Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 804
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Author: State University of New York
Publisher:
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Category : Community colleges
Languages : en
Pages : 804
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Book Description
Consists of records produced by SUNY and its several offices. Includes reports, excellence awards, memoranda, master plans, history of SUNY, history of community colleges in New York, regulations and standards, publications, meeting and conference proceedings, statistics, SUNY General Education information, and SUNYLA (State University of New York Librarians Association) records.
Author: University of Wisconsin--Madison. Libraries
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 412
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Author:
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ISBN:
Category : Arts
Languages : en
Pages : 1636
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Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
